Monday, January 5, 2026

Moonrise Press Publishes Two Books about Paderewski - "Paderewski Essays & Poems" by Maja Trochimczyk; "Three Paderewski Plays" by Kazimierz Braun

ISBN 978-1-945938-87-0 (hardcover), $48.00 
274 pp.= xviii pp. prefatory + 256 pp.); Cover Photo - Paderewski's 
1903 portrait by Davies & Sanford, Maja Trochimczyk Collection.
ISBN 978-1-945938-88-7 (paperback), $32.00
ISBN 978-1-945938-89-4 (eBook, ePub format)

Paderewski Essays & Poems written and edited by Maja Trochimczyk is a book dedicated to a Polish pianist, composer, statesman and philanthropist, Ignacy Jan Paderewski (1840-1941) who gain international fame not only as a celebrated virtuoso pianist, but also as an architect of Poland's regained independence (1918, after 123 years of partitions). The richly illustrated volume consists of three parts. For the first part, "Paderewski Poems," Dr. Trochimczyk transcribed 52 poems about Paderewski, penned in English by American, British, Scottish, Irish and Australian poets, mostly in 1890-1940. The majority of these poems are from Paderewski personal correspondence preserved in Paderewski Archive at the Archive of Modern Records in Warsaw Poland. They have not been published before.  

Among the well-known poets of the Gilded Age and the Interwar Era who wrote about Paderewski were California's first poet laureate Ina Coolbrith; Alabama poet laureate Kate Slaughter McKinney; A.F. Bates (probably Katharine Lee Bates, the author of "America the Beautiful?); Irish-Indian writer, philosopher, and convert to Hinduism, James Cousins; editor of the Century Magazine, Richard Watson Gilder; editor of the New York Times, John Houston Finley; co-founder of the Sierra Club and of the American Academy of Arts and Letters Robert Underwood Johnson; and Paderewski's biographer Charles Phillips, among many others. 

Paderewski plays Chopin, postcard 1890, Krakow. Maja Trochimczyk Collection.

The second part presents four essays about Paderewski by Dr. Trochimczyk. Two of these studies, written in 2001 (published in Polish Music Journal, Vol. 4) and in 2025 are dedicated to the textual and contextual analysis of the poems, The first describes a variety of poems about Paderewski that viewed him either as a musician or statesman, a Polish patriot. The second, traces the changing image of the pianist, from a virtuoso, through a divine messenger, comparable to a seraph or archangel, to a heroic Polish patriot, and finally to an immortal, spiritual master, akin to Ascended Masters of Theosophy, who lead their faithful disciples on the path of spiritual ascension into enlightenment. In Paderewski's case, that path is outlined by the sound of his piano, reverently heard in the world's concert halls. 

Paderewski as an eternally young Archangel on the cover
 of The Etude in 1915 when he was 55 years old.

The remaining two studies focus on the constructs of Paderewski stage persona and his reception, predominantly by his female audiences. A discussion of the idealized portraits of the pianist as an archangel, worshipped mostly by women, includes references to poetry, art, and philosophy of Aestheticism of the Gilded Age (2010, published in Polish American Studies, Vol. 67). The fourth essay explores the ramifications of the "Brighton Album" assembled in 1890-1898 (with some items from 1911-14) by one of Paderewski’s ardent female fans in England. Miss Madeleine Michell attended over 50 concerts and preserved hitherto not known documents about his career. In the last part of this volume, readers find a detailed calendar of Paderewski’s life and career, and lists of his writings, speeches, & music compositions, as well as a bibliography. 

1912 ad for Victor-Victrola of Paderewski recordings with image
by Edward Burne-Jones of Paderewski as an archangel (1891).

PADEREWSKI ESSAYS & POEMS - TABLE OF CONTENTS

Part I. Paderewski Poems —1

 1. “Impressions of a Paderewski Recital”—Anonymous—3

2. “A Scotch Tribute”—Anonymous—4

3. “To Paderewski”—Anonymous (1924)—6

4.“To Paderewski”—Anonymous (1925)—7

5. “Lines to an Artist (I.J.P. ) On His Playing”—A. B.—8

6. “To Paderewski—Sovereign—Pianist (1)” —A. F. Bates—9

7. “To Paderewski—Sovereign—Pianist (2)” —A. F. Bates—10

8. “Genius”—Dorothy Hull Beatty—11

9. “I Am Music”—Berton Bellis—12

10. “Paderewski Plays the Moonlight Sonata”—Arthur Bryant—15

11. “When Paderewski Plays”—Will George Butler—16

12. “Polonia Resurgata”—Adolphe de Castro—18

13. “Paderewski”—Myrtle E. Cone—19

14. “Paderewski”—Ina Coolbrith—20

15. “Paderewski Plays at Lausanne Cathedral” —James H. Cousins—21

16. “When Paderewski Plays”—Flora Fain Crist—22

17. “To Paderewski”—Mary Francis Crosby—23

18. “Paderewski”—Dorothy Dudley—24

19. “The Golden Bear”—Charles Mills Gayley—25

20. “[Untitled]”—Sara Groenevelt—26

21. “Paderewski at Troy”—John Huston Finley—27

22. “To Paderewski”—John Huston Finley—28

23. “How Paderewski Plays”—Richard Watson Gilder—29

24. “The Portrait of Paderewski”—“Halka”—31

25. “When ‘Padi’ Comes to Town”—George W. Hootman—32

26. “To Paderewski, Patriot” —Robert Underwood Johnson—34

27. “[To Paderewski, Untitled]”—Josephine & M.—35

28.“Paderewski”—Jessica H. Lowell—36

29.“Sonata Appassionata”—Lucia Clark Markham—38

30. “Lines to Monsieur Paderewski on Hearing Him Play at the Brighton Pavilion”—M.E.A. —40

31. “Paderewski”—Kate Slaughter McKinney—41

32. “Great Master”—Ester Jacoby Merrill—42

33. “Sonnet to Paderewski”—Alice May Moir—43

34. “The Maestro”—Juliet C. Olin—44

35. “Immortal”—William Kimberly Palmer—45

36.“Ignace Paderewski (1940)”—Einar Atair Paulenton—46

37. “Poland and Paderewski”—Charles Phillips—47

38. “To Paderewski After Years"—Ernest Powell—49

39. “Jan Ignace Paderewski”—Procter—50

40. “To Paderewski’s Dog”—Jean Hennepin Render—51

41. “When Paderewski Came to Town”—Grantland Rice—52

42. “When Paderewski Plays”—Windsor V. Richberg—53

43. “Paderewski”—Josephine Rita Sargeant—54

44. “Mr. Ignace Paderewski, Morges, Switzerland” —B. Sterling—55

45. “Chanson d’e te (Song of the Summer)” —William Struthers—56

46. “The Last Pure Chords of a Chopin’s ‘Berceuse’” —William Struthers—57

47. “Paderewski”—Elisabeth Tousey—58

48.“Paderewski in Gold”—Maja Trochimczyk—61

49. “To Paderewski. A Sonnet”—Elva W. Williams—62

50. “What Paderewski Taught Me about Being” —Kath Abela Wilson—63

51. “Poland’s Resurrection”—Anthony Zaleski—64

Paderewski postcard by Artur Szyk, from a series about Polish American friendship, 1939.

Part II. Paderewski Essays—67 (By Maja Trochimczyk)

Essay 1. Paderewski in Poetry: Master of Harmonies or Poland's Savior—69

Essay 2. An Archangel at the Piano: Paderewski’s Image and His Female Audience—105

Essay 3. A Paderewski Album from Brighton, England, 1890-1914—152

Essay 4. Romantic, Sublime, Heroic, Immortal: Paderewski in English-language Poetry—178

Part III. About Paderewski—209 (Edited by Maja Trochimczyk)

Paderewski—A Calendar of Life—210 

Paderewski’s Writings—239 

Paderewski’s Compositions—243 

Paderewski Archives and Musea—249 

Selected Bibliography—249


ISBN 978-1-945938-84-9 (hardcover), 196 pages (vi + 190pp), $44.00
ISBN 978-1-945938-85-6 (paperback), $28.00
ISBN 978-1-945938-86-3 (eBook in ePub format)

"Three Paderewski Plays" by Kazimierz Braun is a collection of theatrical works dedicated to the life, career, and impact of a famous Polish pianist, composer, statesman, and philanthropist, Ignacy Jan Paderewski (1840-1941). "Maestro Paderewski" is set as a play for one actor, illustrated with Paderewski’s  music, and presented as the virtuoso pianist-composer’s reflection on his career in music and politics. It previously appeared in the first volume of Braun's Dramaty Zebrane. Collected Plays published in 2024 in Polish and English. The other two plays were included in a bilingual edition of Dramaty Zebrane. Collected Plays, vol. 4 in 2025. 

The play "Paderewski's Children" focuses on the patriotic activities of Lieutenant (later Colonel) Jan Chwalski – a poet, playwright, and the handler of the Paderewski puppet, during the creation of Polish Army in Canada in 1917 (it later became the Haller's Army and fought alongside Americans against the Germans in WWI). The play is in two parts and ends during World War II. Finally, "Paderewski's Return" is set in 1922 and presents the dilemma of the aging pianist’s return to the stage after a decade when he was dedicated solely to political activities and struggle for Poland’s independence. The book includes an introductory essay by the author, and general information edited by Maja Trochimczyk: lists of Paderewski's compositions and writings, and a selected bibliography. 

This book is a companion volume to “Paderewski Essays & Poems” edited by Maja Trochimczyk, with 52 newly discovered English-language poems about the virtuoso pianist (written in 1890-1941 and in 2020s), as well as four studies of his life and music, a detailed calendar of life, and lists of his works and writings by Maja Trochimczyk.

Paderewski on the cover of The Etude in 1931, at the age of 71.

THREE PADEREWSKI PLAYS - TABLE OF CONTENTS

Page 1. The Life and Work of Ignacy Jan Paderewski – by Kazimierz Braun

Page 19. Maestro Paderewski — by Kazimierz Braun

Page 47. Paderewski’s Children — by Kazimierz Braun

Page 109. Paderewski’s Return — by Kazimierz Bran

Page 171. Paderewski’s Writings — by Maja Trochimczyk

Page 177. Paderewski’s Compositions by Maja Trochimczyk

Page 184. Paderewski’s Archives and Musea — by Maja Trochimczyk

Page 185. Selected Books and Studies about Paderewski — by Maja Trochimczyk

Prof. Kazimierz Braun during the Presentation of the Golden Award from the Modjeska Club (2025).

Prof. Kazimierz Braun is a director, writer, and scholar. For many years, he was artistic director and general manager of professional theaters in Poland. He directed in Poland, the United States, Canada, Ireland, Germany, and other countries. He taught at Polish and American universities. He published over eighty books, including several volumes on theatre history and theory, as well as novels, dramas, and poetry. His plays have been staged in Poland, USA, Canada, and Ireland.  His honors include Literary Award from the Union of Polish Writers Abroad in London, and recently the Golden Award for eminent filmmakers from the Helena Modjeska Art & Culture Club.

https://modjeskaclub.blogspot.com/2025/09/kazimierz-braun-receives-2025-golden.html

Actors Marek Probosz, Agata Pilitowska, with Maja Trochimczyk presenting the Golden Award to  Professor Kazimierz Braun, Zoom, May 2025. https://youtu.be/75e0aMXUEJg

Maja Trochimczyk presents Paderewski's poems at the Polish Embassy in Washington D.C., 2018. A piano roll with Paderewski's portrait is unrolled as decoration.

https://chopinwithcherries.blogspot.com/2018/01/paderewski-and-polands-independence-vol.html

Dr. Maja Trochimczyk is a Polish American music historian, poet and translator, the author of 22 books, 30 book chapters, and 28 peer-reviewed research studies, as well as hundreds of poems and essays, including six research studies dedicated to Paderewski. With two master’s degrees from Poland (a M.A. in musicology from Warsaw University, Poland, and a M.A. in sound engineering from Chopin University of Music in Warsaw), and Ph.D. from McGill University, Montreal, Canada, she published nine books on music and Polish culture, & numerous research studies about Polish composers (Chopin, Szymanowska, Paderewski, Lutosławski, Górecki, Bacewicz, etc.), and other topics. She presented her work at over 90 international conferences. An award-winning poet, President of the California State Poetry Society, & the Editor of California Quarterly, she wrote and edited eleven poetry volumes, including five poetry anthologies, starting from Chopin with Cherries: A Tribute in Verse (2010) celebrating the 200th birthday of Fryderyk Chopin with 123 poems by 92 poets. She wrote six research studies about Paderewski, his music, and his image in poetry.

Trochimczyk reads poems about Paderewski in 2018.







Saturday, January 3, 2026

"Trafficking in TIme - 168 Sonnets" by Konrad Tademar Wilk Nominated for 2025 Pushcart Prize (December 2025)

ISBN 978-1-945938-81-8 paperback, 226 pages, $30.00

ISBN 978-1-945938-82-5 hardcover, 226 pages, $46.00

ISBN 978-1-945938-83-2 e-Book in e-Pub format

Konrad Tademar Wilk’s 168 sonnets, written in a period of seven months in 2013, from 1 March to 30 September, are all entitled UUR with the appropriate Roman number. “UUR” means “hour” in Dutch and there are 168 hours in a week. Since each poem was written on a special date in the Catholic, Roman, Druidic, or modern calendars, these dates and commemorations are mentioned at the end of each sonnet. 

The poems contain a plethora of quotations and references making their comprehension difficult for the uninformed. To somewhat clarify the complex web of allusions and multi-lingual citations, they are duly annotated. The notes include translations from Polish, Latin, French, German, Russian, Sanskrit, and other languages, as we as basic explanations about concepts referred to in the texts. However, it was deemed necessary to also provide longer commentaries for some of these poems, as their context required elucidation. 

While written in response to events of their time, and firmly rooted in the year 2013, it might be said that these sonnets “traffic in time” by transcending time and bridging together worlds of myth, science, linguistic, psychology, spirituality and religion. Six sonnets from the book were nominated for the Pushcart Prize for 2025. They are reproduced below

ABOUT THIS BOOK

Trafficking in Time is a rich poetic exploration of time, history, spirituality, and human experience. Through sonnets that intertwine personal narrative with cultural memory and metaphysical inquiry, Konrad Tademar Wilk presents a complex, multifaceted meditation on existence and meaning.

  Gwendolyn Taunton 

author of Eternal Wisdom: The Esoteric Gnosis of Perennial Philosophy



KONRAD TADEMAR WILK

Konrad Tademar Wilk is an American poet living in Los Angeles. His works range from single sonnets to epic poems on themes including current events, myth, and philosophy. In addition to American subjects, his work is strongly informed by international events and history, especially those of freedom and oppression. His early childhood was spent in Poland where he was particularly influenced by the rise of the anti-communist Solidarity labor union.                 

Following his return to the U.S., he studied philosophy and literature at Los Angeles City College where he was president of the Poet's Platform. He then went on to graduate from UCLA. His poetry book Fifty Sonnets, titles like labels only get in the way... is available for purchase on-line.  Other poetry chapbooks in Polish and English are out of print He has appeared in Los Angeles venues such as the Onyx, Ground's Zero, Magicopolis Theater, Wilshire Art Gallery, Bolton Hall Museum, and Pig and Whistle. In 1991, he founded the Witching Hour Poetry Gathering which has met continuously for over 30 years. In 2020, he joined the Board of Directors of the California State Poetry Society, as one of the Editors of the California Quarterly. He is also an active member of Helena Modjeska Art & Culture Club and was a member of Krak Poetry Group in Los Angeles while it was still active. 

Additionally, he is a founding member of the Pecan Pie Organization, dedicated to artistic promotion and stage performances.  Mr. Wilk recently served as the artistic director for Warsaw 80/75 performance of poetry, dance and music, celebrating the 80th anniversary of the outbreak of WWII (German attack on Poland), and the 75th anniversary of the Warsaw Uprising in 1944.  The event was held at the Santa Monica Playhouse in September 2019. 



TABLE OF CONTENTS

UUR I, “To quiet the soul enough…”  — 3

UUR II, “Uncomfortable dimensions…” — 4

UUR III, “Unsettling dreams in spaces…” — 5

UUR IV, “’It’s a hobby,’ once again I heard…” — 6

UUR V, “Rivets and cold hard steel…” — 7

UUR VI, “Polish leftists embarrassed…” — 8

UUR VII, “Midnight has passed…” — 9

UUR VIII, “The night requires …” — 10

UUR IX, “For the rhythm of the sacred…” — 11

UUR X, “I see the vast emptiness…” — 12

UUR XI, “This then is the material…” — 13

UUR XII, “Turn the page and let…” — 14

UUR XIII, “Suspension of time within…” — 15

UUR XIV, “For they would dismiss…” — 16

UUR XV, “Cosmic fairytales and…” — 17

UUR XVI, “Arrow of Time outpaces …” — 18

UUR XVII, “Homeostasis in a stolen…” — 19

UUR XVIII, “For it is the Papacy…” — 20

UUR XIX, “Time is the sea the pilot sails…” — 21

UUR XX, “Solitude in a metal box…” — 22

UUR XXI, “Blessed be Einstein in his…” — 23

UUR XXII, “Howl at the full moon…” — 24

UUR XXIII, “You’ll know yourself only…” — 25

UUR XXIV, “An intramolecular…” — 26

UUR XXV, “Canto incompleto, ravens gather…” — 27

UUR XXVI, “Twenty one thirty seven…” — 28

UUR XXVII, “Gravitas in the murky stream…” — 29

UUR XXVIII, “Fever and mist before my eyes…” — 30

UUR XXIX, “And now it begins that secrets…” — 31

UUR XXX, “Swiftly now, time is a wave…” — 32

UUR XXXI, “Hastily sketched notes…” — 33

UUR XXXII, “Asynchronous axiomatic…” — 34

UUR XXXIII, “I step through the…” — 35

UUR XXXIV, “In the absence of absolute…” — 36

UUR XXXV, “You waited too long…” — 37

UUR XXXVI, “At the end of the tunnel…” — 38

UUR XXXVII, “Here I lower my knee…” — 39

UUR XXXVIII, “Manifested inflorescence…” — 40

UUR XXXIX, “April is a difficult month…” — 41

UUR XL, “Stepping at an agile clip…” — 42

UUR XLI, “Deep within the clenched jaw…” — 43

UUR XLII, “Fortuitous shadows cast…” — 44

UUR XLIII, “The truth remains…” — 45

UUR XLIV, “Abstraction interferes…” — 46

UUR XLV, “Allochthonous configurations…” — 47

UUR XLVI, “Passing through, Roman knight …” — 48

UUR XLVII, “Damaged. A crystal vase…” — 49

UUR XLVIII, “Neptune kisses my son’s feet …” — 50

UUR IL, “Each of us is a geometry…” — 51

UUR L, “Betwixt the agony and…” — 52

UUR LI, “Golden head of sleepy hair…” — 53

UUR LII, “Particles of salt unevenly spilled…” — 54

UUR LIII, “It is midnight and the Sheriffs…” — 55

UUR LIV, “There is a hidden cause within…” —56

UUR LVI, “I found a pair of tiny socks…” — 57

UUR LVI, “And then the darkness…” — 58

UUR LVII, “Divinity is contained in…” —59

UUR LVIII, “Happiness is a woman drunk…” — 60

UUR LIX, “Who is Adam Mickiewicz…” — 61

UUR LX, “Errors are pathways to…” —63

UUR LXI, “For the hour is late and…” — 64

UUR LXII, “Homo homini lupus est…” — 65

UUR LXIII, “Now I close the doors of…” — 66

UUR LXIV, “For they shall come into…” — 67

UUR LXV, “Faded it has: the memory…” — 68

UUR LXVI, “But earlier the depth was…” — 69

UUR LXVII, “Never is a harsh word…” — 70

UUR LXVIII, “I have now run out of blank…” — 71

UUR LXIX, “We spoke of other things too…” — 72

UUR LXX, “Don’t speak to me of Plumber …” — 73

UUR LXXI, “A white feather floating…” — 74

UUR LXXII, “Cool breeze within the taste…” — 75

UUR LXXIII, “Concurrent motion across…” — 76

UUR LXXIV, “The wind is turning my…” — 77

UUR LXXV, “An empty road ivory lit …” — 78

UUR LXXVI, “I invoke what I see…” — 79

UUR LXXVII, “And then there was one…” — 80

UUR LXXVIII, “Old runic spells, blood…” — 81

UUR LXXIX, “Data juxtaposition acquired…” — 82

UUR LXXX, “Cool to the touch, a hard…” — 83

UUR LXXXI, “Sabines are spoils of war…” — 84

UUR LXXXII, “It capitulates in nocturnal…” — 85

UUR LXXXIII, “I am of two minds, split…” — 86

UUR LXXXIV, “Midsummer blossoms…” — 87

UUR LXXXV, “Between the woods and…” — 88

UUR LXXXVI, “Youth’s a currency with…” — 89

UUR LXXXVII, “Some runes can be written…” — 90

UUR LXXXVIII, “For it is fortune that lights…” — 91

UUR LXXXIX, “Notice the tone, see how it…” — 92

UUR XC, “I dreamed the path up to find…” — 93

UUR XCI, “I demanded something…” — 94

UUR XCII, “Day’s ended on lavender…” — 95

UUR XCIII, “Leave no message unanswered…” — 96

UUR XCIV, “Poseidon doses in the late …” — 97

UUR XCV, “Fog has come to the shores of…” — 98

UUR XCVI, “Capturing topography of the…” — 99

UUR XCVII, “White stones in a semi-circle…” — 100

UUR XCVIII, “You don’t believe me, you…” — 101

UUR IC, “We are carriers of a viral truth…” — 102

UUR C, “A tropical garden pickled…” — 103

UUR CI, “We don't understand each other …” — 104

UUR CII, “There is no time without matter…” — 105

UUR CIII, “Is God then a problem in…” — 106

UUR CIV, “An embryonic conception…” — 107

UUR CV, “The topography of ideas has to…” — 108

UUR CVI, “Coffee is no substitute for…” — 109

UUR CVII “The dreamer of moonlit…” — 110

UUR CVIII, “’You don’t know Russians…” — 111

UUR CIX, “For one more minute it’s my…” — 112

UUR CX, “It was the day after we heard it…” — 113

UUR CXI, “Disengagement — a recall notice…” — 114

UUR CXII, “For each tree is a reflection of…” — 115

UUR CXIII, “Bitter taste of coffee near…” — 116

UUR CXIV, “Deconstructed motion in…” — 117

UUR CXV, “The soul’s not an…” — 118

UUR CXVI, “The fantasy of erotic…” — 119

UUR CXVII, “Razor blade applied to the…” — 120

UUR CXVIII, “‘Tis Tyr’s Dag and the Fenris …” — 121

UUR CXIX, “So if only we had left our…” — 122

UUR CXX, “I invoke Reineildis and Helier…” — 123

UUR CXXI, “A two-sided coin is then all …” — 124

UUR CXXII, “In between the cycles of…” — 125

UUR CXXIII, “Alternate laws in hidden…” — 126

UUR CXXIV, “There is really no place to…” — 127

UUR CXXV, “Silence is a purification…” — 128

UUR CXXVI, “The Grove of the Cave…” — 129

UUR CXXVII, “Never mind the seduction…” — 130

UUR CXXVIII, “ Merciless time troubles…” — 131

UUR CXXIX, “And now other thoughts all …” — 132

UUR CXXX, “Aggression inside of the…” — 133

UUR CXXXI, “Sultry Salacia spreads her…” — 134

UUR CXXXII, “Behold the child in trusting…” — 135

UUR CXXXIII, “Art is a biological process…” — 136

UUR CXXXIV, “Death is not an argument…” — 137

UUR CXXXV, “Invoked, and he will come…” — 139

UUR CXXXVI, “Uranus and Pluto I sing…” — 140

UUR CXXXVII, “Then I dream of a slippery…” — 141

UUR CXXXVIII, “Her golden hair like…” — 142

UUR CXXXIX, “Motion in stillness bisecting…” — 143

UUR CXL, “Kukulkan circles above me…” — 144

UUR CXLI, “This then is the enemy’s plan…” — 145

UUR CXLII, “Take note of the Múbid…” — 146

UUR CXLIII, “Ruthenian lass, what…” — 147

UUR CXLIV, “So, let me take you to wide…” — 148

UUR CXLV, “Death is the edge of a…” — 149

UUR CXLVI, “What can we do against the…” — 150

UUR CXLVII, “The pig-man commeth…” — 151

UUR CXLVIII, “And so the feet can be…” — 152

UUR CIL, “Ev’n at this late hour the…” — 153

UUR CL, “Young nymphet, cowboy boots…” — 154

UUR CLI, “I’ve taken notes, cast runes…” — 155

UUR CLII, “A cool glass of water is…” — 156

UUR CLIII, “The portcullis are rusty…” — 157

UUR CLIV, “Sathish. A common enough…” — 158

UUR CLV, “Since I have hidden myself…” — 159

UUR CLVI, “For I hear the voice command…” — 160

UUR CLVII, “Given enough time, the worst…” — 161

UUR CLVIII, “Parallel lines intersecting…” — 162

UUR CLIX, “What thoughts crystallized in…” — 163

UUR CLX, “Hear me Euterpe, is the moon…” — 164

UUR CLXI, “The occupation excavates…” — 165

UUR CLXII, “The geometry of the glass…” — 166

UUR CLXIII, “Why do I feel death so near…” — 167

UUR CLXIV, “I’ve slept again in the…” — 168

UUR CLXV, “I’ve sinned again, engaged…” — 169

UUR CLXVI, “I must take you into…” — 170

UUR CLXVII, “Know that the eye sees only…” — 171

UUR CLXVIII, “Light a torch for the dead…” — 172

COMMENTARY — 175

KONRAD TADEMAR WILK —205



SONNETS NOMINATED FOR PUSHCART PRIZE 2025

UUR II


Uncomfortable dimensions* interlaced with mood
Melancholy dangling on a subtle shoestring
Lines of grain filed down flat to five minutes, crude—
— words put to simple catchy music, that idiots sing

With bitter taste of coffee filled with cyanide**
A world-wide war within a beer bottle bravely drunk
Where is the modern poet to go to hide?

Smell of Los Angeles a few whiffs from a skunk

Traffic in Time, capturing dreams, caution: wet floor
No more space left for flowers and trees, but who cares
All you’ve to do is snap your fingers for a whore
And a Country Western song to hop, skip in pairs

My cell phone battery is dead, thanks’ be to see
Blesséd silence of urban decaying debris.

                                                                March 6, 2013

NOTES: 

* In supersymmetry (a theoretical framework of physics) eleven-dimensional gravity allows for the highest number of dimensions to explain reality. 

** A poetic concatenation of two Agatha Christie (1890-1976) plot points from her spy-thriller play Black Coffee (1930) & her detective novel Sparkling Cyanide (1945). 


UUR XXXV

You waited too long, startled… the quiet has fled 
Hidden now in some nook sculpted out of dark tear
It will weep softly there, weave out of a white thread—
—a shawl of repression with which to wrap peace with care

Weave across the tear, a dark dreaming drudgery 
Into which it can pour its softness and despair
Its heavy head and trembling heart, there to hide, flee 
Careful now, the quiet is a dark sea, Kraken’s lair* 

Within which swim all manner of myth and legend
And maidens swooning in a knight’s arms, and loss, love
And here the quiet has woven its nest, to defend—
—against the bright spacetime fabric’s awful above

A rip in the tapestry, a leak of silence
The quiet makes its stand here, with calm brutal violence. 

                                                                    April 18, 2013

NOTE:

* Alfred Lord Tennyson (1809-1892), “The Kraken” (1830).


UUR LV


I found a pair of tiny socks near my pillow
And for a moment, late at night, I could not grasp—
—the meaning of them, till I felt that strange billow—
—rising inside — force with which my heart to clasp

I have a child, a tiny little boy, small two feet
A son who wears those silly-small socks when he walks
In a tiny pair of blue shoes, ready the world to meet
Exploring — even though he babbles when he talks

And so I held the little socks, looked into the crib
There he was — trusting me to keep him safe —asleep
A tiny man, two feet, arms, sharp eyes, milk stained bib
And the love within me swelled to an ocean deep

Then I kissed his small feet, with one kiss per small heel
And myself went to sleep, perplexed with what I feel.

                                                           May 29, 2013, – for Artur

 UUR XC


I dreamed the path up to find the way home again
The candle flickers, its flame alive, yearning to set fire—
—to a world not ready for its light, the insane—
—preach reason to the forgiving saints un-tired

Silver and gold in a booming old town, bearded—
—young men spitting tobacco while the beer flows free…
So what would you have me do when I will not plead—
—for mercy from fate, string up that noose on the tree—

—and let me dangle from it if that is what you will
They set the house ablaze, and shot the horses dead
My girl ran off with the priest, and my heart was still
When the good and friendly angel and I finally wed

I know nothing except the taste of bitten lips
My drink has spilled, the mask I wear quietly slips.

                                                                    June 27, 2013

UUR CLI


I’ve taken notes, cast runes against the wind, let fast—
—spells to the tracks of time’s passage to say, to pray
To render my thoughts into ink-scribed stains that last
But the Logos speaks in its own voice, just to say

Golden hour, late summer day with half naked girls
All the cars on the street are silver, grey or black
We’ve created a beige world, scattered all the pearls
All that’s left is Thor’s Mjolnir with wind at the back

Air is still, suspended sequence, events on hold
The cycle of thoughts spins to a stop, slowly spent
For each sigil spills from the quill in contrast bold
Strung together molds reality to what is meant

Count each obstacle and delay as a blessing
What is, must so be — all what if’s are pure guessing.


                                   August 29, 2013​, Feast day of Santa Sabina and
                                   the Beheading of Saint John the Baptist


UUR CLXVI


I must take you into the bosom of my words

For such is the decree of the Tree Gods who mourn
 For if we do not cry, then termites will be lords
And all that will remain is a page of verse, torn

For it is a sin to cut down a tree, grave, vile
It offers us unconditional love, trust, shade
The best bark is the one that has weathered awhile
I should sing you in a style that meets in a trade…

But alas I met your chant at the autumnal—
—equinox of your death… a war kill for the dark
Bad omen to be sure for poets eternal
And so I mourn you Kofi Awoonor, embark…

…on your final journey, to childhood’s sweet abode
Mawu and Lisa open their arms down the road!


                    September 21, 2013, the Autumnal Equinox
                    on the death of Kofi Awoonor, poet

Monday, November 3, 2025

Christopher Vened's "The Wise Child & Magic. Three Plays" Published in November 2025

The Wise Child & Magic. Three Plays by Christopher Vened
ISBN 978-1-945938-37-5, 122 pages, hardcover
ISBN 978-1-945938-75-7, 122 pages, paperback
ISBN 978-1-945938-76-4, e-Book in e-Pub format

The Wise Child and Magic. Three Plays is a creative adaptation from classical fairy tales. The Emperor’s New Clothes, originally written by Hans Christian Andersen, is a satire on human vanity, narcissism, mendacity, and pretentiousness. The Maiden without Hands, originally included in the Grimm’s Fairy Tales, is a surreal story about the fears and hopes a girl experiences during puberty.  Psyche, originally written by Hans Christian Andersen, is a tragic story about a talented Renaissance artist who seeks perfection in art. But he gives up his vocation as a sculptor because a girl breaks his heart.  

Spirit of the Mountains - photo by Christopher Vened

According to the author, the cover image is his photo of the Spirit of the Mountains (Duch Gór) that comes from the Garden of Fairytales (Ogród Bajek), in Międzygórze, Poland, a mountain resort, in which he grew up. Vened continues: "There is a story about it, or, rather, many stories and it is personal to me because my family was running the place. It was an enchanting place and quite unusual, originally built (without using mechanical tools) by a German man, Izydor Kriesten, only from what he had found in the forest: bark, branches, roots, and stones. I spent many days in this garden during my early childhood because my Grandma was a guide for tourists there. She was telling them the fairytales that those artifacts illustrated."

Garden of Fairy Tales - photo by Christopher Vened

~ Table of Contents ~

Table of Contents ~ ~ ~ ~ ~ ~ ~ ~ vi

Introduction ~ ~ ~ ~ ~ ~ ~ ~ ~  ~  vii

The Emperor’s New Clothes ~ ~ ~ 3

The Maiden without Hands ~ ~ ~ 33

Psyche  ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ 69

About the Author  ~ ~ ~ ~ ~ ~ ~ 113


Redwoods and Ferns - by Maja Trochimczyk

 ~ Introduction ~

The Wise Child and Magic. Three Plays contains three one-act plays that are adapted from classical fairy tales.

The Emperor’s New Clothes, originally written by Hans Christian Andersen, is a satire on human vanity, narcissism, mendacity, and pretentiousness. Everybody sees that the emperor is naked but only an innocent child dares to speak it. Why is only this child truthful to himself but all the adults embrace falsehood? Well, they are all afraid to be canceled, but the child does not know how to lie yet. The play is absurdly funny, but it also has a bitter message for contemporary times about the possible dangers and falsehood of political correctness. Let it be a warning that people must be free to speak the truth. The play is set up in rococo style, and it shall be highly theatrical in realization. 

The Maiden without Hands, originally written by an anonymous writer, is included in the Grimm’s Fairy Tales. It is a surreal story about the fears and hopes a girl experiences during puberty. At times the story is like a nightmare, at others, like a beautiful dream. Nothing is realistic about it, but everything is true. The story explores the depth of her psyche through symbolic images, and its function is to initiate adolescent girls to adulthood. The play is set up in the Early Medieval Period that is full of fantastic creatures, superstition, and miracles. It has a feel of a poetical folk fairy tale.

Psyche is based on Hans Christian Andersen’s lesser-known story of the same title. As of yet, it has never been adapted to anything else, which is curious because it is one of his best works. It is not a fairy tale, as most of his works are, but a realistic story. Still, it features the supernatural that occurs in art. It is a tragic story about a talented Renaissance artist who seeks perfection in art. But he gives up his vocation as a sculptor because a girl breaks his heart, and then he spends the rest of his life in a monastery. He escapes from life because it is too dirty for him, and he can’t handle it. He hides in the monastery to find a heavenly peace but instead he is tormented by the devil from within. The moral of the story is this: follow your calling and don’t waste your talent because you will suffer.

~ Christopher Vened

 ~ About the Author ~

Christopher Vened is originally from Poland where he had an illustrious career as an actor in an internationally renowned theatre company, the Wroclaw Pantomime Theatre of Henryk Tomaszewski. When martial law was declared in Poland in the end of 1981, Christopher defected to the West for political reasons. First, he stayed in West Berlin, where he worked in Transformtheater and founded his own company, Impuls. Then, in 1984, he permanently moved to the USA, where he rebuilt his career teaching acting, choreographing, directing, and writing plays. 

He wrote the acting book, In Character: An Actor’s Workbook for Character Development, which is published by Heinemann Drama since 2000. His writing credits include a one-man show Human Identity; a play Infidel; and A Theatrical Memoir: An Interview with Myself. Recently, he wrote The Theater Manifesto of an Old Man, where he talks about his  own philosophy of theatre. He leans towards the theater of meaning, and believes that in modern, postmodern culture, meaning has been relativized, distorted or lost, and needs to be restored or rediscovered.

 His most delightful project was the theatre production of Three Stories, which consists of three plays based on classical fairy tales: The Emperor’s New Clothes, The Maiden without Hands, and Psyche. He was commissioned to write these plays by the Acting Conservatory of OCSA, where he also directed these plays in the school’s Studio Theatre, in the fall of 2019.  For more information and photos from this performance, please visit: https://dramastudioonline.com/3-stories/.

A Forest Secret - Photo by Maja Trochimczyk




Sunday, September 7, 2025

Kazimierz Braun - Collected Plays, Vol. 4, Theater of Memory, Published in September 2025

 ISBN 978-1-945938-71-9 (hardcover), 416 pages, 
incl. 6 pages of introduction and 410 of text. $64.00. 

 ISBN 978-1-945938-72-6 (paperback), $45.00

 ISBN 978-1-945938-73-3 (eBook, PDF), $30.00 

Video - 2025 Golden Award by the Modjeska Cub to Kazimierz Braun.   https://youtu.be/75e0aMXUEJg

Dramaty Zebrane. Collected Plays. Tom 4. Volume 4. Teatr Pamięci. Theater of Memory by Kazimierz Braun is a bilingual collection of plays  published by Moonrise Press in September 2025 completes the four-part Collected Plays bilingual edition in Polish and English. 

This is the fourth volume of the collection that includes also:

    Tom 1. Volume 1. Teatr Jednego Aktora. Plays for One Actor. 

    Tom 2. Volume 2.  Teatr Niezgody. Theater of Discord. 

    Tom 3. Volume 3. Teatr Artystek. Theater of Women Artists. 

All four volumes include the same brief dedication in English and Polish: 

 We Wstępie do swego dramatu Pierścień Wielkiej-Damy pisze Cyprian Norwid: „…idzie dziś o dzieła dramatyczne, które by nie mniejszy dla osobnego czytania i dla gry scenicznej przedstawiały interes”. Tak i ja myślę. Ofiarowuję te dramaty zarówno czytelnikom, jak ludziom teatru: reżyserom, aktorom, scenografom, producentom. 

K.B.

In the Introduction to his drama The Ring of a Great Lady, Cyprian Norwid writes: "... as I see it, today we’re in need of dramatic works that would be no less interesting for a private reading as well as for a stage performance." So do I think. I am offering these dramas both to readers and to people of the theater: directors, actors, set designers, producers.

K.B.

► ▼ ◄

 CONTENTS OF VOLUME 4 - THEATER OF MEMORY (416 p.)

 ISBN 978-1-945938-71-9 (hardcover)

 ISBN 978-1-945938-72-6 (paperback)

 ISBN 978-1-945938-73-3 (eBook, PDF)  

SPIS TREŚCI

Teatr Pamięci — 1

Niewyznane Zwierzenia —   3

Promieniowanie. Rzecz o Marii Skłodowskiej-Curie  —  17

Dzieci Paderewskiego —  37

Paderewski Wraca — 77

Płonący Anioł. Rzecz o Leonie Schillerze — 121

Szkło Bolesne. Opowieść Matki o Powstaniu  Warszawskim — 161

Nota o autorze — 409

CONTENTS

Theater of Memory — 207

Unconfessed Confession  —  209

Radiation. The Story of Maria Skłodowska-Curie  —  219

Paderewski’s Children  —  239

Paderewski’s Return  —  277

An Angel in Fire. A Story of Leon Schiller —  321

The Warsaw Uprising. A Mother’s Story  — 363

Note About the Author — 409

► ▼ ◄

Teatr pamięci to czwarty tom zbioru dramatów Kazimierza Brauna. Zawiera on sztuki, w których autor zaprasza czytelnika lub widza, aby towarzyszyli włoskim aktorom Commedii dell Arte, występującym w Paryżu w latach 1730.; aby stanęli w pobliżu potężnego geniuszu uczonej Marii Skłodowskiej-Curie; aby byli świadkami losów i dzieł wielkiego pianisty, kompozytora i męża stanu Ignacego Paderewskiego; zadumali się nad losem wielkiego reżysera Leona Schillera; znaleźli się w Warszawie szykującej się do Powstania w 1944 r., a następnie bohatersko walczącej z niemieckim najeźdźcą. 

Kazimierz Braun jest reżyserem, pisarzem i teatrologiem. Prowadził teatry i reżyserował w Polsce, a także w Ameryce, Irlandii, Kanadzie, Niemczech i innych krajach. Uczył na uniwersytetach w kraju i w USA. Wydał liczne książki z historii i teorii teatru. W jego dorobku pisarskim znajdują się również powieści, opowiadania, dramaty i poezje. Jego sztuki były wystawiane w Polsce, Irlandii Kanadzie i USA.

► ▼ ◄

Theater of Memory is the fourth volume of a collection of dramas by Kazimierz Braun. It includes plays in which the author invites the reader / spectator to accompany the Italian actors of the Commedia dell Arte performing in Paris in the 1730s; to stand close to the powerful genius of the scientist Maria Skłodowska-Curie; to witness the fate and works of the great pianist, composer and statesman Ignacy Paderewski to pondered over the fate of the great director Leon Schiller; to find themselves in Warsaw preparing for the Uprising in 1944, and then heroically fighting the German invaders. 

Kazimierz Braun is a director, writer and scholar. He was artistic director and general manager of professional theatres in Poland. He directed in Poland, the United States, Canada, Ireland, Germany, and other countries. He taught at Polish and American universities. He published several books on theatre history and theory, as well as novels, dramas, and poetry. His plays have been staged in Poland, USA, Canada, and Ireland.


► ▼ ◄



CONTENTS OF VOLUME 3 - THEATER OF WOMEN ARTISTS (250 pages)

ISBN 978-1-945938-68-9 (hardcover)

ISBN 978-1-945938-69-6 (paperback)

ISBN 978-1-945938-70-2 (eBook, PDF)  

SPIS TREŚCI

Teatr Artystek — 1

Tamara L .—  3

Opowieści Poli Negri  — 31

Powrót Ordonki  —  63

American Dreams — 97

Nota o autorze — 243

CONTENTS

Theater of Women Artists —  125

Tamara L.—   127

Pola Negri Tales — 153

The Return of Ordonka —  183

American Dreams — 217

Note About the Author  — 243

► ▼ ◄



CONTENTS OF VOLUME 2 - THEATER OF DISCORD (312 pages)

ISBN 978-1-945938-66-5 (hardcover)

ISBN 978-1-945938-65-8 (paperback)

ISBN  978-1-945938-67-2 (eBook, PDF)  

 

SPIS TREŚCI
Teatr niezgody — 1
Wiatr Niepodległości —  3
Postscriptum: Powrót do domu —  26
Lanckorońska  —  28
Internowani. Zły Sen  —  55 
Bojkot. Dramat w dwóch częściach —  86
Kwarantanna  — 126
Nota o autorze —  305

CONTENTS
Theater of Discord —  153
Wind of Independence — 155
Postscript: Returning Home  —  178
Lanckorońska —  180
Internees. A Nightmare —  209 
Bojkot. Drama in Two Parts  — 240
Quarantine —   279
Note About the Author  —   305

► ▼ ◄



CONTENTS OF VOLUME 1 - PLAYS FOR ONE ACTOR (364 p.)

ISBN 978-1-945938-62-7 (hardcover)

ISBN 978-1-945938-63-4 (paperback) 

ISBN  978-1-945938-64-1 (eBook, PDF)


SPIS TREŚCI

Moje przygody w teatrze jednego aktora—3

Sztuki dla aktorki  — 15                    
Królowa Emigrantka  —  17
Hollywood znaczy święty las — 57

Sztuki dla aktora —   75
Kościuszko. Naczelnik  —   77
Powrót Norwida  —  97
Sienkiewicz. Ku niepodległości — 115
Mistrz Paderewski   —  135
Cela Ojca Maksymiliana  — 151
Nota o autorze — 357


CONTENTS
My Adventures With Plays For One Actor— 177

Plays For An Actress —  187
Emigrant Queen  ——  189
Hollywood Means The Sacred Forest  — 237

Plays For An Actor —  255
Kościuszko. The Commander — 257
Norwid Returns — 277
Sienkiewicz. Towards Independence — 295 
Maestro Paderewski  — 315
Father Maximilian’s Cell  —333

Note About The Author — 357


► ▼ ◄

Prof. Braun on Zoom, May 2025.

THE THEMES OF CONSCIENCE, PATRIOTISM AND BETRAYAL
IN PLAYS BY KAZIMIERZ BRAUN

The Collected Plays. Dramaty Zebrane by Kazimierz Braun gather together results of decades of the playwright's work creating "patriotic theater" that focuses mostly on Polish history and Poland's great historical figures. The set consists of 23 plays in Polish accompanied by their English translations, with a total of 1341 pages. The four volumes are organized first by category (plays for one actor /actress are in volume 1, other volumes have casts of different number), and then by content (volumes 2 through 4 contain plays focusing on various subjects and issues, from gender - in Vol. 3 Theater of Women Artists, through dissent and discord - in Vol. 2 Theater of Discord, to memory, history seen from afar, from a distant, reflective perspective - in Vol. 4, Theater of Memory.  All plays are organized into two sections, first in Polish, then in English. The large book format 8 1/2 by 11 inches, and hardcover edition predestine these volumes for library shelves, though paperback edition and PDF edition are also available. 

Ignacy Jan Paderewski. Postcard by Artur Szyk

Braun has been particularly attentive to Polish heroes associated with the restoration of Poland's independence in 1918. Three plays are about Ignacy Jan Paderewski (1860-1941), pianist, composer and statesman credited with "resurrecting" Poland after 123 years of the country being divided between Russia, Prussia and Austria. A play for one actor "Maestro Paderewski" was written for the talented and dedicated Polish-American actor Marek Probosz, and conceived after their successful collaboration on the staging of "Norwid Returns" - a solo play dedicated to the tragic fate and timeless art of the great Romantic poet, Cyprian Kamil Norwid, 1821-1883). 

 Two other Paderewski plays are found in Vol. 4. "Paderewski's Children" (focusing on the patriotic activities of Lieutenant (later Colonel) Chwalski – a poeta, playwright, and the handler of the Paderewski puppet, during the creation of Polish Army in Canada in 1917 (it later became the Haller's Army and fought alongside Americans against the Germans in WWI). and "Paderewski's Return" presents the dilemma of the pianist’s return to the stage after a decade when he was dedicated solely to political activities and struggle for Poland’s independence.

The Nobel-Prize-winning novelist,  Henryk Sienkiewicz (1846-1916) who was also active in Paderewski's patriotic committees, appears at the end of his life in Poland, when he is leaving his manor to its uncertain fate  during WWI ("Henryk Sienkiewicz - Towards Independence" in Vol. 1). Finally, a fascinating and little-known episode from Poland's struggle for independence is found in Braun's family history: the "Wind of of Independence" presents his family's patriotic activities in Tarnow during the turmoil when WWI ended, Poles rose in an insurrection and Austrian troops withdrew. 


Tadeusz Kosciuszko's portrait by Karl Gottlieb Schweikart -Wikimedia Commons. 

The great heroes of Polish history whose pivotal moments  and experiences are captured by Kazimierz Braun include General Tadeusz Kosciuszko (1746-1817), a hero of the American Revolutionary War who fought for Poland's independence in 1794, was imprisoned for two years and sent back to America by the Tsar (this play definitely should be staged in 2026, the 250th anniversary of American Independence). "Father Maximilian's Cell" presents the tragic fate of Father Maximilian Maria Kolbe OFMConv. (1894-1941), a Catholic Saint murdered in German NAZI Auschwitz Concentration Camp, where he volunteered to replace another man who was a father and thus unwilling to die. These two great patriots of impeccable character and moral virtues are celebrated worldwide. 

Countess Karolina Lanckoronska (1898-2002) is far less known, even though, her heroism and self-sacrifice were enormous. An heir of an aristocratic family and an art historian, during WWII she was harassed first by Soviets and then by Germans for her role in the Polish resistance movement.  Soviets “nationalized” her estate, threw her out of her job for the Jan Kazimierz University in Lwów and took over her apartment. After moving to Kraków and engaging in her anti-German activities, she was arrested and imprisoned in Ravensbrück. After the war, she emigrated to Italy, where she established a foundation helping many Polish students. 

Another great patriot was an actress, director, producer, celebrity and fashion icon, Helena Modrzejewska (1840-1909) known in America as Helena Modjeska, a Shakespearean actress of worldwide fame. Modjeska came to California in 1876 with a group of utopian-minded artists, Henryk Sienkiewicz among them, and since 1877 conquered the American stages, specializing in Shakespearean repertoire and giving thousands of performances.  Her patriotic and anti-Russian speech at the World Columbian Exposition in 1893 in Chicago had her permanently banned from returning to her native Poland (Russian partition) so she settled in California and continued to perform, as well as assist numerous artists in their budding careers. 

 Modjeska's farewell to her beloved home of Arden in the Silverado Canyon area of Orange County before she moved to the Bay Island in Newport Beach, sets the stage for reminiscences about her past friendships, romances, and passions in a solo play, "Emigrant Queen." Polish emigre actresses Nina Polan and Maria Nowotarska  became "Queens" and aptly impersonated Modjeska on the stage.

Several plays were written for two actresses from the Polish Salon of Poetry and Theater in Toronto, Maria Nowotarska (originally from The J. Slowacki in Kraków), and her daughter Agata Pilitowska.  They toured the world with these plays, educating audiences about Polish history and culture, and helping emigres preserve Polish language and identity. Maria Sklodowska-Curie (1867-1934), a double Noble-Prize-winning scientist was seen in a dialogue with her daughter ("Radiation").  In other plays, a beautiful, and successful artistic celebrity is contrasted with an older figure, acting as a voice of conscience or memory.  

"Tamara L" pairs the flamboyant Art Deco painter Tamara de Lempicka (1894-1980) with a wise and pious Mother Superior. "The Return of Ordonka" highlights the successes of the Polish singer and film star Hanna Ordonówna (b. Maria Anna Pietruszyńska, 1902-1950) and her fate during WWII when she survived Soviet occupation by joining the Second Corps of Polish Army under General Anders and helping care for Polish war orphans evacuated from the Soviet gulags to safety in India or Iran.  The greatest Polish star in inter-war Hollywood, Pola Negri (b. Barbara Apolonia Chałupiec, 1897-1987) talks about her career, her romance with Rudolf Valentino, her interest in starring in German films in the 1930s, and career highlights. The play, illustrated with film fragments, truly brings the silent movie star to life. 

Pola Negri in "The Way of Lost Souls" - Wikimedia Commons. 

The final "biographical" play traces the betrayal of youthful ideals during the onset of communism in Poland occupied by Soviet forces after 1945 - the influential theater director Leon Schiller (1887-1954). A devout Catholic in his youth, member of the Third Order of lay brothers of St. Francis, he made a complete turnaround during the Stalinist era of repressions, forceful introduction of "socialist realism" themes and rejection of all references to religion.  

White the characters are fictitious, the drama of youth sacrificing their lives for the nation in 1944, depicted in the "Warsaw Uprising" - seems very real, as it is based on a sublimation of thousands of tragedies of this tragic gesture - the underground Home Army fighters battled the overwhelming forces of Germans and Russians under their command for 63 days from 1 August 1944 to 3 October 1944.  18 thousands of fighters died, but over 200,000 civilians were massacred by German Nazi, Waffen SS, and RONA forces. Only the mother survives her children and visits the cemetery at the end of Braun's poignant, dramatic play. 

The theme of betrayal of one's conscience and beliefs for the sake of a potential material and artistic success (that often never materializes due to the characters' tragic ending) appears in several plays without "real-life" characters. Plays about fictional characters place them in the liminal circumstances of imprisonment after the fall of Solidarity ("Internees. A Nightmare"), return to the stage after political betrayal ("Bojkot. Drama in Two Parts"), emigration to the U.S. in the 1980s ("American Dream" about two misguided actresses, and "Hollywood Means Sacred Forest" about one lost soul, that dreamed about American success after emigration without knowing the language), and the Covid 19 shutdowns, censorship and globalist takeover ("Quarantine").  In the latter play for two actors, "Sylvia" remains faithful to her youthful ideals, and "Pierre" sells his soul to the devil of success and fame. The "play in the play" is of the commedia dell'arte - a genre that fascinates Braun as a theater historian, and that is also explored in a brief comedy "Unconfessed Confession" about the genesis of modern theater.

With their wealth of imaginative settings, fascinating upright and fallen characters, dramas of conscience and choice, the four volumes of Collected Plays by Kazimierz Braun deserve to be studied, read, and performed by  Poles worldwide for years to come. 

Maja Trochimczyk, Ph.D.
President, Moonrise Press

In May 2025, Prof. Kazimierz Braun received the Golden Award from the Modjeska Club. The award serves as an lifetime achievement award for directors, theater and film professionals. 






Presentation of award from Helena Modjeska Art & Culture Club, to Kazimierz Braun -the 2025 Golden Award (Złota Nagroda) for lifetime achievement in theater arts - as playwright and director. With actors Agata Pilitowska of Polish Theater in Toronto and Marek Probosz of Los Angeles. Interview by dr. Maja Trochimczyk, president of the Club.