Showing posts with label women poets. Show all posts
Showing posts with label women poets. Show all posts

Tuesday, September 3, 2024

"Alchemy of Words" by Ella Czajkowska - A New Poetic Voice & Classical Aesthetics

  



The Alchemy of Words is the first English-language poetry book of Ella Czajkowska who previously published a book of poems in Polish. These 70 poems deal with themes of nature, divinity, human emotions, existential contemplation and the complexities of life. The poems explore the beauty and terror of natural world, the fleeting nature of joy, the struggles of existence, and the interplay of love and hate. Through vivid imagery and entrancing verse, the poems evoke a sense of wonder and introspection. They invite readers to an adventure of exploring human experience, reflecting upon the intricacies of life and the power of language and art.

ISBN 978-1-945938-80-1, paperback, 98 pages, $22.00


ABOUT THIS BOOK

"With Alchemy of Words by Elzbieta Czajkowska, a diamond of a poet is born. We dive into a deep, bold exploration of man's place in the cosmos. Standing solo at the gate of the garden of dreams with questions sharp as a knife... "Why am I? What is my choice?" Every page cuts through the upper lip of time and echoes in the reader's head, unveiling the deepest secrets of the soul one poem at a time. Elzbieta's poems electrify, like touching a spark to gunpowder, seeing a starless sky explode in a blaze of colors. Exciting. Original. Thought provoking. Inspiring." 

                                                   ~ Marek Probosz, actor, director, and writer, 
                                                      Adjunct Professor at UCLA


"Ella Czajkowska ushers a voice of sublime sincerity into our increasingly outlandish human realm." 
                                                    ~ Piotr D. Siemion, Ph.D., Author and Essayist



                          I am the lens through which at the world I gaze,
                          And just so position myself within it.
                         Perspective—sand in an hourglass, a maze—
                         Keeps shifting: a kaleidoscope set ablaze. 
                         Love the eyes that see; love the hands that spin it.

                                                               ~ Ella Czajkowska



ABOUT THE POET



Ella Czajkowska (b. Elżbieta Czajkowska) is a professional Translator, Transcriptionist, Polish and English-Speaking certified Neuro-Linguistic Programming Master Practitioner, Certified Personal & Business Life Coach, Graphic Designer, English Second Language Teacher, Poet, and PR Manager. Her love of creative writing was born in high school, where she started writing poetry and short stories. In 2015, Ella started to write poetry in both Polish and English, and from 2017 she writes only in English. Her book of Polish language poetry, entitled “Tam, gdzie umierają marzenia”, was published in Rzeszów by Sowello in 2019. Her English-language poems appeared in the California Quarterly and the Crystal Fire anthology (Moonrise Press, 2022). She was nominated for the Pushcart Prize in 2022 by the California State Poetry Society for her poem "The Calling”. 

Ella worked for many years as Public Relations (PR) Manager for the EWELINEB brand. She has produced music and PR materials for fashion shows at the Fashion Week in such places like NYC, London, and Amsterdam, among others. Ella’s other great passion and inspiration in life is music. Surrounded by it her whole life, with both her father and mother having graduated from prestigious music schools, there was always a great respect for art and culture in her family home. All throughout her childhood she would be taken to theaters and opera houses, where her love for opera, ballet, and classical music ever grew. A graduate of two music schools, Ella learned to play piano, clarinet, and percussion—piano remains her favorite instrument to this day. A true Renaissance person with a wide range of interests, talents, and knowledge, she was born in Warsaw, Poland and lives in Los Angeles, California.


TABLE OF CONTENTS
1.   He, Who Watches  ~  2
2.   The Balance  ~  3
3.   Beauty  ~  4 
4.   Butterflies  ~  5
5.   The Sublime Senses ~ 6
6.   Of Happiness and Perfection  ~  7
7.   Nameless  ~  8
8.   Sweet Lullaby  ~  9
9.   Lady of the Gardens  ~ 10
10.   And Still  ~  12
11.   In Time  ~  13
12.   Lovely  ~  14
13.   The Calling  ~  15
14.   Of Easy Paths  ~  16
15.   Close Enough  ~  18
16.   As the Door Opens…  ~  19
17.   The Rose Path  ~  20
18.   What I Know  ~  22
19.   Covetous  ~ 24 
20.   The Fee  ~ 25
21.   Fruits of Infinity  ~  26
22.   Unforgiven  ~ 27
23.   Given  ~ 28
24.    Who You Were Before They Broke Your Heart  ~ 29
25.    Gentle Fellow  ~  30
26.    The Greatest Game  ~  31
27.    Would That It Could  ~  32
28.    Nature’s Call  ~  33
29.    Vermillion ~ 34
30.    Snake in the Grass  ~  35
31.    Eternal Change  ~  36
32.    Panic  ~  37
33.    Contemplation  ~  38
34.    Tomorrow, Tomorrow  ~  39
35.    Blood Price  ~  40
36.    Deeper Way  ~  42
37.     Endless Feast  ~  43
38.     Do Not Be Taken By The Far-Off Shores  ~  44
39.     The Wishing Well  ~  45 
40.     Outlier of Old  ~  46     
41.     Bird of Hermes  ~  47
42.     Surfeit  ~  48
43.     Eat Your Heart Out  ~  49
44.     A Moment in Time  ~  50
45.     Labyrinthine ~  52
46.     Disordered  ~ 56 
47.     The Narcissist  ~  57
48.     For the Divinity  ~  58
49.     To Whom Does Nature Speak?  ~ 60
50.      Under Savage Eye  ~ 62
51.      Our Due  ~  64
52.      Of Sky, and Ocean, and Earth ~  65
53.      Fly, Fly, Flee ~  66
54.      Remember  ~  68
55.      Little Voice  ~ 69
56.      Of Silent Songs (Three Sonnets)  ~ 70
57.      Prison-flesh  ~  73
58.      Desert Contemplations  ~  74
59.      What Heart May Be Dreaming  ~ 75
60.      I Burn  ~ 76
61.      Circles  ~  77
62.      To Be  ~  78
63.      All You  ~ 80
64.      Sisyphean (For E.V.E)  ~ 81
65.      Alchemy of Words  ~  82
66.      Secrets of the Wind  ~  83
67.      Golden Relics  ~  84
68.      Ballade in D Minor  ~  85
69.      Miracles of an Age ~  86
70.      Brick by Brick  ~  87
About Ella Czajkowska   ~  89



SAMPLE POEMS


The Sublime Senses


Until the heart stops
it desires;
until the mind stills
it aspires;

until the senses
take their leave
they deceive
such dreams they weave…



Eternal Change


Thousands of roads divergent, paths split and never taken,
Unveiling as they unravel, strand by strand, that precept
Of bygone days of youth, forgotten and forsaken.
In the face of change eternal ferocious waves have swept
Perceptions in stone written, and suddenly thus shaken
The foundations of skies burst – the heavens wept, and wept.
Torrents of tears weep they did, to cleanse and reawaken
That fair slumbering spirit, that an age and half has slept
Away in gentle dreaming, and deceit has mistaken
For benevolence charming; words of those in craft adept
For nobility and truth. That honor be retaken
In prideful arrogance, that those vices nigh be kept,
In regard highest viewed – with such lie overtaken
Deaf they be to destiny; ah! would that they awaken.

(But they slept, and slept, and slept…)



Secrets of the Wind  


On the precipice a sentinel’s
Searching eyes peer beyond the shroud
Of blurring mists of time inveiled
In truths that wove a tale so fine
Wind whispers it as secrets blest:

Where knowing dark awaits aloof,
There light shines brightest, blazing white;

Where great abyss lingers hungry,
There undaunted gaze back boldly;

Where idle words still hollow ring,
There silence speaks, all music is;

Where nothing stirs amongst gilt walls,
Where nothing sits amongst chipped plates,
There art breathes life, love nourishes.

And where longing for destruction 
At foundations tears with fury,
There passion’s fires forge despair 
Into beauty of creation.



Miracles of an Age


You, who wears your sorrow like a veil of black,
Come! Pour all your tears into an open heart
And transform your grief into boundless wonder.

In the dark of night, a glimmer of light shines,
On water’s surface shimmers, on waves, on lines
That shan’t be exceeded: safe in their confines

You stand, witness to miracles of an age
That would crush as soon as build, would free to cage,
To grow would smother; to save would hide the stage.

But there you sit, and seethe, and ever ponder,
And will your cup of wrath, full of rage, apart;
Let time pass, see all erased, then cycle back…



PRIOR PUBLICATION CREDITS

This book of 70 poems includes ten that were earlier published in Crystal Fire: Poems of Joy & Wisdom (Moonrise Press, 2022). These poems are: “Of sky, and Ocean, and Earth,” “What Heart May Be Dreaming,” “The Sublime Senses,” “Given,” “I Burn,” “Fruits of Infinity,” “Close Enough,” “Circles,” “All You,” and “The Calling.” 

In addition, prior publication of the following poems is hereby gratefully acknowledged:
o “The Calling,” California Quarterly, Vol. 48, No. 3 (Autumn 2022) 
o “Would That It Could, Eternal Change,” California Quarterly, Vol. 49, No. 1 (Spring 2023) 





Thursday, March 23, 2023

Marlene Hitt's Second Poetry Book, "Yellow Tree Alone. Selected Poems" (March 2023)

 

Moonrise Press announces the publication of Marlene Hitt's second full-size poetry volume, Yellow Tree Alone. Selected Poems. Written between 1998 and 2022, these 129 poems bring together the fruit of a lifetime of wisdom and creativity.  Some poems are reprinted from earlier publications; the poet's favorites have appeared in print several times. Others are either new or have never been published. The poems have been selected by Marlene Hitt, Alice Pero, and Maja Trochimczyk from Marlene's vast output of well-crafted and insightful verse.  Alice organized poems into seven chapters, borrowing their titles from Marlene's poems: 1. That Silken Wisper, 2. Threads, 3. Along the Path, 4. Fallen Words, 5. Thunder under the Ground, 6. The Web, 7. Pillars of Motes.  

The title is borrowed from the last poem in the book, a description of a bright yellow tree, lonely in a vast empty field - a symbol of the loneliness of the poet, often misunderstood by those around her. It is a universal condition of every poet, every creative and inspired soul that reaches beyond the mundane, beyond their immediate surroundings, transmuting the chaff of experience into the gold of words.  Marlene Hitt's poetry perfectly exemplifies this alchemy of creative craft.

182 pages (xviii pp. prefatory matter, and 164 pp.); 6 in x 9 in. 

ISBN 978-1-945938-34-4, paperback, $22.00 plus S & H 

ISBN 978-1-945938-35-1, ebook, ePub format, $10.00

Cover photo by Karen Winters, cover design by Maja Trochimczyk


Yellow Tree Alone

 

Yellow tree

Stands glowing

In sideways light

Regal and glorious

Her beauty

Her message

For life’s meaning

Wasted

With no one

To see that golden

Radiance

She sings

To no one

Who’d hear her

But the Sun, Ra

The Giver of Gold



ABOUT MARLENE HITT

Marlene Hitt was the first Poet Laureate of Sunland Tujunga (1999- 2001). She has been a member of the Chupa Rosa Writers of Sunland- Tujunga and the Foothills since its inception in 1985. Her critically-acclaimed first poetry collection Clocks and Water Drops was published by Moonrise Press in 2015. In addition to publishing numerous poetry chapbooks, she has authored a non- fiction book Sunland-Tujunga, from Village to City. Her poems appeared in Psychopoetica (UK), Chupa Rosa Diaries of the Chupa Rosa Writers, Sunland (2001-2003), Glendale College’s Eclipse anthologies, CSPS California Quarterly and Poetry Letter; three Moonrise Press anthologies (Chopin with Cherries, 2010; Meditations on Divine Names, 2012; and We Are Here: Village Poets Anthology that she co-edited in 2020 with Maja Trochimczyk). 

Most recently she was one of 12 poets invited to contribute to Crystal Fire. Poems of Joy and Wisdom (2022). Her work appears in Sometimes in the Open, a collection of verse by California Poets Laureate, and The Coiled Serpent, anthology of Los Angeles poets, edited by Luis Rodriguez (2016). She served at the Bolton Hall Museum in Tujunga as Museum Director and docent for many years. Ms. Hitt was the history writer for the Foothill Leader, Glendale News Press, North Valley Reporter, and Voice of the Village newspapers. She has been honored as the Woman of Achievement by the Business and Professional Women's Club, Woman of the Year by the U.S. Congress, and many congratulatory scrolls by the City and County of Los Angeles, and the State of California. In 2019, Village Poets of Sunland-Tujunga presented to Marlene and her husband Lloyd, a Lifetime Achievement Award, recognizing their support of poetry in the Foothills.

ACKNOWLEDGMENT BY MARLENE HITT

No poem emerges alone but is the product of many influences. Mine have come from years with the Chupa Rosa Writers, The Village Poets and from the influence of many other individuals. For this selection I thank the beauty around me, the work of other poets, of song writers and novelists whose words I admire. I thank my friends and family; the children who have taught me how to see.

More specifically, I thank Alice Pero who found my great stack of poetry, whose eyes saw and whose heart connected with my thoughts. Alice chose those she found worthy and arranged them in order and in the appropriate spaces. I am always grateful to Maja Trochimczyk who, with her expertise as publisher has made possible the work of many to be seen and appreciated, and whose support has made firecrackers of my enthusiasm.

I thank the Village Poets and Bolton Hall Museum for these many years of happiness, especially the Laureates: Joe, Pam, Elsa, Katerina, Damien, Ursula, Maja, Alice, and Dorothy whose gift is to unpack a poem to fully fathom its meaning. Thelma Reyna has been the gift of a friend. I am grateful too to Genevieve Krueger of the Chupa Rosa Writers who gave me a better education in literature than any university course.  We will never forget her.

It takes many minds, many more than I can say here to influence any work. They are all a part of me and of my words.

 Marlene Hitt, 21 March 2021

PREFACE BY ALICE PERO

Some people, wise or not so wise, seek to put poets in boxes and categories. This one is “academic,” that one “beat,” another “confessional” and then there is the “ecstatic.” But reading Marlene Hitt’s work is like coming into a room with poems of all colors. She is both conscious and unconscious. Her poems come from deep memory which contains the pioneer, the American Indian, the American housewife, the howls of coyote and the silent slither of snake. We find the landscape of Sunland-Tujunga, dry and rocky, powerful and mystical all at once. We find the solidity of the “real” and the ephemeral of the spirit world. 

She “sits before us” without excuse or modesty, a person who does not hide her doubts and confusions as she says in A Meditation, “Yet I am A new universe/ a Shy mutant/I am/A confusion/I am/Unsolved  And in the same poem, Here I sit before you/Eyes the color of an echo,/Skin pretending to look wise,/An ordinary room in a/House of un-ordinary/Dimension.”  As a poet she can conceive of her eyes being “the color of an echo” and so we realize she will never be in any “ordinary” room; she is extraordinary. 

These poems are history, threads through her own life mid-20th century when women still embodied home. She struggled with her differences, never able to really “fit,” yet always able to love. She writes of her father, mother: “Who is she, my mother?/A genius with wool and threads/ Oblivious to a poem…grandparents, great grandparents, husband.” But she is never without doubts. Do they know that under the floorboards, under the table laden with bounteous food, heads bowed in prayer, under our feet, below the wood and “slab/there would be hardened prints/of warriors? /Pieces of rusted knives,/black arrowheads/a lost flintlock…What would be the purpose of the prayers?/Or the wars?”

Her poems take us through known history, back to pre-history, to gods of the past, to stories she has found and reinvented. In these marvelous poems. Hitt is an observer; she reflects life, a mirror with words. Her poem, “Everywhere” that previously gave rise to the title of her first Moonrise Press book, Clocks and Water Drops (2015) has the flavor of Walt Whitman flying through the world, as she repeats the refrain… Water drips in a London flat, she travels “everywhere,” asleep, yet totally awake as she wanders, seeing all the tiny things that make life something worth wandering through. scree falls in “Utah/falls on a silenced beetle/just one B flat howls in Sylmar/an intruder is caught/a stone skims on Lake Victoria/close to shore… everywhere there is movement/please that it shall never stop.”

Find these poems and wake up. Marlene Hitt’s voice is movement and thunder and it will never stop.

~ Alice Pero


IN APPRECIATION BY DOROTHY SKILES

Marlene Hitt’s new collection of poems, highlights her gift as a storyteller. Sounds of life in all of its forms speak to us in her poems:  Everywhere, “water drips in a London Flat/a canary sings in Paris…”.  The Music, “music fell, the little notes,…/dropping much like snowflakes/drifting everywhere.” What the Thunder Said, “thunder shouted with/dry/deep voice…/“no more,” he rumbled! /no more!”  Oaks, “…the sound of the ax/the sound of the saw/eats into my sleep/with its open maw.”  And Wasps, “…speak in whispers/and pray/in their own words.”

Threaded throughout Hitt’s poems is a deep love of nature and of “words” spoken.  In Naming the Garden, “Bushes with plain and simple leafy life/reveal themselves and I speak their names/savor the sounds my lips make.”  In All Beautiful and Treasured Things, the poet speaks, “I fly/over wild buckwheat, …”/ “…touch the wild rose” /”My temple stands among the flowers of the chuparosa.” In Cremation of the Sycamore Tree, the poet mourns the cutting down of so many trees.  Her litany of “never love a tree,” runs throughout the poem. “It’s not wise to love a tree/that interfere with men/Watch the smoke of sycamore form/smoke lifts as if to mourn.”

Hitt’s work portrays glimpses of human relationships. In the poem, Echo, “I hear my mother’s voice/and the coughs and curses/of my father/and all those whispers/from the ages past.” In Smoke Rings, “The grave lies open for my father’s death/I curl his coat around and smell/the smoke rings tangled there/think of them over his curly hair/he left too soon. I loved him well.”  Finally, In Bury Me, the poet tells what she wants to be buried with: “a leaf from the cottonwoods, the seed of an oak, a vessel of stones, a feather from the road,  ”…Then touch your hand/to my lips/that I may taste love on my journey.”

Dorothy Skiles, 16 March 2023


PUBLISHER'S NOTE

I am delighted to share with readers this new collection of poems by Marlene Hitt, written over a period of almost 40 years. The first Poet Laureate of Sunland-Tujunga, member of Chuparosa Poets, Village Poets, and other poetry groups, Marlene Hitt practiced her writing in near isolation from the “official” poetry world, while dedicating her time to the local community, as a historian, poet, and activist. As a sixth Poet Laureate of Sunland Tujunga, member of the Village Poets, and co-editor of our 10th anniversary anthology We Are here: Village Poets Anthology (2020), I am profoundly grateful for Marlene’s collaboration and dedication to poetry. Over the years, her work has also appeared in several Moonrise Press anthologies: Chopin with Cherries (2010), Meditations on Divine Names (2012), and Crystal Fire. Poems of Joy and Wisdom (2022)

As the publisher of Moonrise Press, I am even more grateful for her poetic insights, her gifts of keen observation, reflection, and vivid expression.  In 2015, it was my great pleasure to select poems for Clocks and Water Drops, her first full-length poetry volume.  The current collection reprints some of these poems, and gathers other work scattered in various publications over the years. But there are plenty of poems here that never saw the light of the day and are here to enlighten and inspire us.  I am thankful to Alice Pero for the enormous effort of selecting poems from thousands of pages and arranging them into seven chapters with distinct moods.  In collaboration with Marlene, I changed the title of the whole volume from the Thunder Under the Ground proposed by Alice, into a more euphonious Yellow Tree Alone, that shines with the gold leaves of Marlene’s unique talent.

~ Maja Trochimczyk, Ph.D.


THELMA T. REYNA ABOUT THIS BOOK

Two lines in Marlene Hitt’s poetry collection, Yellow Tree Alone, encapsulate the spirit of her captivating book: “In this box is the past,” she writes, and, “Memories! I have used them all again and again, have dusted, polished, have put them away.” Her book—like a metaphorical “box”—overflows with vivid, soulful vignettes of ancestors braving turbulent oceans; parents and grandparents nurturing their progeny; childhood homes decaying into earth; townspeople navigating wars and ceaseless change; family members parsing love or lack of it. Matters of the heart, or of the metaphoric natural world, big and small, pulse and undulate in Hitt’s poems with strong rhythms, rhymes, and poetic imagery. This book is a tribute to her compassionate understanding of the human condition.

    ~Thelma T. Reyna,  National Award-Winning Poet

Author of Dearest Papa: A Memoir in Poems



CONTENTS

Chapter 1. That Silken Whisper ~ 3

1.         Humankind ~ 4

2.         A  Meditation ~ 5       

3.         I Wonder ~ 10              

4.         Give Way ~ 11

5.         If I Knew ~ 13              

6.         If I Had Known ~ 14

7.         Up and Over ~ 15

8.         At a Campfire ~ 16

9.         The Whisper ~ 18 

10.         The Music ~ 19

11.         Back and Forth ~ 20

12.         Prophecy ~ 21

13.         Question ~ 22

14.         Yes, I Grieve ~ 23

15.         Success, Fame ~ 24


Chapter 2. Threads ~ 25

16.         A Long Thread ~ 26                          

17.         Threads, the Children ~ 27

18.         Thread One ~28

19.         Voyage ~ 30

20.         Going Home ~ 31

21.         Everywhere ~ 32

22.         Shawl ~ 35

23.         Smoke Rings ~ 36

24.         Healing ~ 37

25.         Who is She, My Mother ~ 38

26.         All about Ashes ~ 41

27.         My Mother Visits  ~ 42

28.         Mother’s Day 1998 ~ 43

29.         Take Me Away ~ 44

30.         Scent of Mystery ~ 46

31.         Tell Me a Story, Daddy ~ 47

32.         Curiosity ~ 48

33.         Homecoming ~ 50

34.         Great Grandfather’s Reply ~ 51

35.         More Than the Parts ~ 52

36.         The Landmark ~ 53

37.         A Story ~ 54


Chapter 3.   Along the Path ~ 55

38.         New Year on Canvas ~ 56

39.         Devil Wind ~ 57

40.         What the Thunder Said ~ 58

41.         What Could You Do with a Bubble ~59

42.         Take it Back ~ 60

43.         Enlightenment ~ 61        

44.         Guilt ~ 62                      

45.         The Grown Up Year ~ 63

46.         Flowers  ~ 64

47.         Reveries ~ 65                 

48.         The Real Reason ~ 66

49.         As a Fly Buzzes By ~ 67

50.     Walls  ~ 69      

51.         The Glass ~ 70

52.         Catatonia Stone ~ 71

53.         Collision ~ 72

54.         Thought Fermentation ~ 73

55.         Cleaning out the Past ~ 74

56.         Caged Things ~ 75

57.         Here I Lie Still, ~ 76


Chapter 4.  Fallen Words ~ 77

58.         Puzzling ~ 78   

59.         New to New ~ 79

60.         How Far Have I Come? ~ 81

61.         Fibril Underneath ~ 82

62.         Night Lights ~ 84

63.         Topography Map ~ 86

64.         Child on the Floor with a Marble ~ 87   

65.         I Missed You ~ 89

66.         Fallen Words~ 90

67.         New Box of Crayons ~ 91

68.         Echo ~ 92                                       

69.         All This ~ 93

70.         The Word ~ 94

71.         Darkness ~ 95

72.         The Day the Poets Were Silent ~ 96

73.         Love Poem ~ 97

74.         If I Knew Your Name ~ 98  

75.         No Listing in the Yellow Pages ~ 99

76.         Where Will I Put the Keys ~ 100

77.         To the Stones ~ 101

78.         Bulky Item Pick Up ~ 102

Chapter 5.  Thunder Under the Ground ~ 103

79.         Two Times Around is a Mile and a Half  ~ 104

80.         The Fire That Drinks the Water ~ 105

81.     This Mad Journey ~ 106

82.         Ripples ~ 107

83.         River Cutting ~ 108

84.         Color of the Mind ~ 109

85.         Oaks ~ 110 

86.         Cremation of the Sycamore Tree ~ 112

87.         All Beautiful and Treasured Things ~114

88.         Prayer of Thanks ~ 116   

89.         Disaster ~ 117

90.         Memories ~ 118

91.         A Cloud Passed Moon ~ 119

92.         Spine Flower ~ 120

93.         Musings about Walls ~ 121

94.         Rock, Bush, Sand ~ 122

95.         Blind Born Fish ~ 123

96.         In Any Forest ~ 124

97.         Intersection ~ 125

98. Death Dances ~126

99. Deep in the Spring ~127

100.    My Very Own Place ~ 128

101.   This Romance ~129

102. It Wasn’t Always This Way  ~ 130


Chapter 6.   The Web ~ 131

103. Cards at Midnight ~132

104. Green and Cresting ~ 133

105. Homeless ~134

106. Thorns ~ 135

107. Naming the Garden ~ 136

108. That Day ~ 137

109. The Gallon of my Life ~ 138

110.         Wasp ~ 139

111.         Green ~ 140

112.         The Web ~ 141

113.     The River of Time ~ 142

114.         All the Way Down ~ 143

115.         Now I Can Hear the Plodding of Beetles ~ 144

116.         To J. Alfred Prufrock ~ 146

 

Chapter 7.    Pillars of Motes ~ 147

117.         The Wind is the Wind ~ 148

118.         After ~ 150                                    

119.         Dust to Dust ~ 151

120. Underneath ~ 152

121.         Need the Light ~ 153

122. Old Ones Gone Away ~ 154

123. No Words ~ 155

124. No Poem ~ 156

125. I Wish for You ~ 157

126. Hummingbird ~ 158

127.         As the Hawk Flies ~ 160

128. Bury Me ~ 161

129.        Yellow Tree Alone ~ 162


 


Wednesday, May 30, 2018

Grateful Conversations: A Poetry Anthology edited by Maja Trochimczyk and Kathi Stafford (May 2018)

 

Grateful Conversations: A Poetry Anthology 

Edited by Maja Trochimczyk and Kathi Stafford

Paperback, 280 pages, with black and white illustrations
ISBN  978-1-945938-22-1  
Color Paperback, 280 pages with color illustrations
ISBN 978-1-945938-24-5 
E-Book in EPUB format with color illustrations
ISBN 978-1-945938-23-8 

http://www.moonrisepress.com/grateful-conversations-anthology.html

Moonrise Press is pleased to announce the publication of Grateful Conversations: A Poetry Anthology, edited by Maja Trochimczyk and Kathi Stafford. Grateful Conversations is a portrait of a group of female poets from California, who come together each month to hone their craft and share their verse.  Known as Westside Women Writers and active as a group since 2008, they include Millicent Borges Accardi, Madeleine S. Butcher, Georgia Jones Davis, Lois P. Jones, Susan Rogers, Kathi Stafford, Sonya Sabanac, Ambika Talwar and Maja Trochimczyk. 

In the words of the WWW founder, Millicent Borges Accardi, this is “a community of women writers working together to support each other with strong attention to craft, to grow as writers and as people in community.” The volume includes poems written for seven workshops and  poetic self-portraits of the nine writers.  Many photographs by the poets (Madeleine S. Butcher, Lois P. Jones, Susan Rogers, Sonya Sabanac, Ambika Talwar and Maja Trochimczyk) provide illustrations for the poems. 

WWW at the Norton Simon Museum.August 2013.
L to R: Maja, Susan, Lois, Georgia, Sonya, Madeleine and Millicent.  

PREFACE 

“In the language of poetry, where every word is weighed, nothing is usual or normal. Not a single stone and not a single cloud above it. Not a single day and not a single night after it. And above all, not a single existence, not anyone’s existence in this world.”
— Wisława Szymborska

Poetry is an elusive gift. The women whose work is reflected in this volume have supported each other in their ongoing writing—some of them for as long as ten years. We express our support and gratitude to all the family, friends, and fellow writers on this journey with us.

Our group expanded and contracted: some women traveled a lot, others moved away, still others had to deal with illness and pain. Yet, we continued to meet and share poems, to be an inspiration for each other, especially in “arid” creative times. 

The title of our anthology “Grateful Conversations” comes from a prompt by our “Fearless Leader” Millicent Borges Accardi that was given back in 2010 to a then-smaller group. It resulted in poems that remained among the favorites of their authors.  Indeed, writing and participating in a poetry group leads to may “Grateful Conversations” – filled with appreciation for different sensitivities and life-experiences, and for shared interests in the poetic craft. 

During the workshops, we often had the eerie experience of bringing poems on related themes without planning this in advance. Interestingly, the “communion of minds” also permeated the critiques: if most poets thought that a line, ending, beginning or a metaphor were awkward, too wordy or uninspired – it was clear that revisions were in order.  

The idea of putting together an anthology based on our workshops was born in early 2016 and it has taken over two years to assemble the materials. 

We are fascinated with the diversity of poetic responses to the same prompt – be it word, image, or place. Thus, we present poems from our workshops and field trips, hoping that our readers will find their diversity refreshing.  The only criterion for inclusion of a workshop in this anthology is to have at least three poems that resulted from it.  

We asked poets to contribute mini-essays about their personal experience with poetry and the Westside Women Writers group. The poets selected their favorite poems for a self-portrait. Poems in this section may or may not have been presented for critique during our workshops; some poems may have been previously published somewhere else. They have been chosen with great care to represent what each poet thinks of herself – as samples of her most important work, or testimonials to the most significant steps in life journey, commemorated in poetry.

We are thrilled to reach the finish line and present to our readers poems, essays and photographs by Westside Women Writers. 

Let the Grateful Conversations continue…

— Maja Trochimczyk & Kathi Stafford


Madeleine and Millicent at the Norton Simon Museum, August 2013.


TABLE OF CONTENTS

Prior Publication Credits, xi
Preface by the Editors, Maja Trochimczyk &Kathy Stafford, xiii
Introduction by Millicent Borges Accardi, xv

Part I — Workshops, 1

Workshop 1 —Writing on a Prompt, 3
By Millicent Borges Accardi (2011): ”grateful conversations never had but now taking place”


  • Grateful Conversations Never Had — Millicent Borges Accardi, 5
  • Culver City, ICU — Kathi Stafford, 7
  • The Ultimate Destination — Sonya Sabanac, 8
  • The Lake of Claret — Maja Trochimczyk, 9
  • The Next Flight — Ambika Talwar, 11
  • Grateful Conversations — Susan Rogers, 12


Lois, Ambika, Kathi, Maja and Susan after Lois’s featured reading at Bolton Hall Museum, Tujunga, August 2017.

Workshop 2 —The Harpist at the Getty Villa13
Organized by Kathi Stafford in March 2013, to see the “Cycladic Harp Player” (2700 -2300 BC), an ancient sculpture at the Getty Villa, Pacific Palisades


  • Still — Madeleine S. Butcher, 15
  • Harp Player — Lois P. Jones, 16
  • Harp Player — Susan Rogers, 18
  • Seven Strings — Kathi Stafford, 19
  • Proposal — Ambika Talwar, 21
  • A Song of Stillness — Maja Trochimczyk, 23


WWW at the Norton Simon Museum.August 2013.
L to R: Maja, Susan, Lois, Georgia, Sonya, Madeleine and Millicent.  


Workshop 3 —Van Gogh at Norton Simon Museum25
Organized by Maja Trochimczyk in August 2013. Based on two paintings by Vincent Van Gogh, “The Mulberry Tree” and “Winter (Vicarage Garden under Snow)” in the permanent collection of the Norton Simon Museum in Pasadena.


  • Wild Hair — Millicent Borges Accardi, 27
  • Winter in the Vicarage Garden — Millicent Borges Accardi, 28
  • After Vincent Van Gogh’s “Winter (The Vicarage Garden under Snow)”— Lois P. Jones, 29
  • Premonition — Sonya Sabanac, 30
  • Into Color, Into Light — Maja Trochimczyk, 31
  • Half Summer - Half Wintergreen — Ambika Talwar, 33
  • Sophie and Vincent — Madeleine S. Butcher, 34
  • The Mulberry Song — Maja Trochimczyk, 36
  • Mulberry — Kathi Stafford, 38
  • Greenery — Georgia Jones-Davis, 39
  • Café Terrace with Tarkovsky —Susan Rogers, 40


Madeleine, Millicent, Sonya and Kathi in Sonya's Garden, 2016.

Workshop 4—Grandparents, 41
Proposed by Georgia Jones-Davis and Kathi Stafford, 2015

Baba —Madeleine S. Butcher, 43
My Grandmother Danced the Kazatzka — S. Rogers, 47
Grandfather’s Ring — Susan Rogers, 52
Emily at Auschwitz — Georgia Jones-Davis, 53
In That Banat Land — Sonya Sabanac, 54
A Letter to My Ancestor — Sonya Sabanac, 56
How to Make a Mazurka—Maja Trochimczyk, 58
Ciocia Tonia — Maja Trochimczyk, 60
Philosophy of the Skillet — Kathi Stafford, 62
Trail of Tears — Kathi Stafford, 64
Vajir Dei – Minister Goddess — Ambika Talwar, 65





Workshop 5 —The Museum of Jurassic Technology, 69
Organized by Lois P. Jones, Culver City, February 2016.


  • Tea with Canis Major — Ambika Talwar, 71
  • Cat’s Cradle — Georgia Jones-Davis, 73
  • The World Is Bound with Secret Knots — Sonya Sabanac, 74


WWW Poets at the Broad Museum. L to R: Maja Trochimczyk, Sonya Sabanac, 
Kathi Stafford, Lois P. Jones, Susan Rogers and Ambika Talwar, 2016

      Workshop 6 — The Broad Museum, 77
Organized by Lois P. Jones, April 2016


  • At the Broad — Kathi Stafford, 79
  • Blue Venus – I, Your Witness —Ambika Talwar, 80
  • The Infinity Room — Maja Trochimczyk, 82

    Photo by Lois P. Jones, Switzerland.

    Workshop 7 — Rivers, 85
    Proposed by Maja Trochimczyk and Sonya Sabanac, 2016


    • Find the River — Susan Rogers, 87
    • Varanasi - Luminous City — Ambika Talwar, 89
    • Shifting — Sonya Sabanac, 91
    • White River — Kathi Stafford, 92
    • Easter Apocalypsis — Maja Trochimczyk, 93


    Marbles by Charles Accardi



    PART II – SELF PORTRAITS, 95


    1. Millicent Borges Accardi, 97

    • Here Lies the Thing I Most Desire, 98
    • Faith, 100
    • Coupling, 103
    • Ciscenje Prostora, 104
    • Only More So, 106
    • Adore the Field, 108
    • May You Vanish Like the Wind, 109


    2. Madeleine S. Butcher, 111
    • Essay, 112
    • Awesome, 114
    • My Seeing Eyes, 115
    • Aftermath, 116
    • Picture This, 117
    • Device, 118
    • To Come, 119
    • How Do I Know Thee, John Lee? 120
    • Black is the Night, 121
    • Meadow, 121
    • Bonsai, 122



    Photo by Neil Gruen, Gruen Photography.
    3. Georgia Jones-Davis, 123


    • Essay, 124
    • Safety, 126
    • The Indifference at the Molten Core, 128
    • Monumental Dog, 129
    • This Rajasthan, 131
    • Understudy, 132
    • The Visitors, 134
    • I’d Like To Travel Like William Stafford, 137
    • Points of Destination, 138



    4. Lois P. Jones, 141

    • Self Portrait, 142
    • Red Horse, 143
    • One, 145
    • Shema! 146
    • Günther’s Tree, 147
    • Trélex, 148
    • The Scent of Ariel, 150
    • Foal, 151
    • The Landscape of Flight, 153



    5. Susan Rogers, 155
    • Essay, 156
    • The Origin is One, 157
    • Kuan Yin, 160
    • Grass, 161
    • First Night in Takayama, 162
    • Longing for October, 164
    • What the Trees Say, 166
    • Across Bridges, 169
    • Shiawase, 171
    • The Poem Inside, 172
    • And the Soul Shall Dance, 174
    • This Lotus, 175
    • What Returns, 176



    6. Sonya Sabanac, 177

    • Essay: Poetry – Everlasting Moments, 178
    • A Magical Prayer, 180
    • No Man’s Land, 181
    • Mirjana, 184
    • Kristina Hugging a Tree, 186
    • Somewhere Far Across the Ocean, 188
    • Shifting Balance, 190
    • The Last Call, 191
    • The South Tower, 194
    • Upon Listening to the Sretensky Monastery Choir, 196
    • The White Fields of Sky, 198



    7. Kathi Stafford, 199
    • Essay: Tulsa Town, 200
    • These Bones, 202
    • Division, 203
    • Hive, 204
    • Blank Check, 205
    • To May in her coma after the motorcycle, 207
    • Desire, 208
    • Never Unlock, 209



    8. Ambika Talwar, 211

    • Essay: Poetry of Source Within, 212
    • Hunger of Fireflies, 216
    • Golden Pear: Patience or Penance? 217
    • Sweet Fire Dance of Dissent, 219
    • Kindlings…, 221
    • The Waking, 223
    • Singularity, 225
    • Love: Salt of the Earth, 228
    • The Fragrance of Prayer, 230

    9. Maja Trochimczyk, 231


    • Essay: Why, Write? 232
    • Definition: Writing, 234
    • In Millicent’s World, 236
    • An Ode of the Lost, 237
    • On Eating a Donut at the Kraków Airport, 239
    • Shambhala, 241
    • The Lady with an Ermine, 243
    • On Divine Comedy and Ice Cream, 245
    • Repeat after Me, 247
    • In Morning Light, 249



    Photo by Maja Trochimczyk

    Biographies, 253

    Millicent Borges Accardi, 254
    Madeleine S. Butcher, 254
    Georgia Jones-Davis, 254
    Lois P. Jones, 255
    Susan Rogers, 255
    Sonya Sabanac, 255
    Kathi Stafford, 256
    Ambika Talwar, 256
    Maja Trochimczyk, 256


    Photo by Madeleine S. Butcher