Showing posts with label Sabanac. Show all posts
Showing posts with label Sabanac. Show all posts

Wednesday, November 28, 2018

Poets Hitt, Mataric, and Pero About "Grateful Conversations" Anthology. November 25 Reading



"Grateful Conversations, edited by Maja Trochimczyk and Kathi Stafford, brings to its readers a wealth of women's wisdom and talent.  This beautiful book contains poetic self-portraits of nine poets that form the Westside Women Writers group.  The poets selected their own favorite poems that represent their worldviews and experiences; they also provided illustrations - photos of nature and families. A large portion of the volume is dedicated to verse based on shared themes, prompts, or site-visits to museums.  Wisdom comes with age, and all nine poets featured in this anthology are over 50 years old so they have lived through a lot.  While I feel compassionate towards the tragedies they describe, both personal and of others, I particularly like poems about family, the little blessings of daily life that are too often overlooked and should be cherished, with gratitude and grace. Rarely can one find in one place so many deeply moving and inspired poems, about the traumas of the past, the gifts to be cherished in the present, and hopes for a bright future."

             ~ Marlene Hitt,  author of Clocks and Water Drops  (Moonrise Press, 2015)

"I highly recommend "Grateful Conversations" for every library and poetry class. This anthology, edited by Dr. Maja Trochimczyk, a Polish American scholar and poet, and Ms. Kathi Stafford, an attorney and poet, presents work by Westside Women Writers, a group of nine poets that meet every month to share poems, encourage and learn from each other. As a poetry teacher, I know how important such feedback is, and I appreciate seeing in print the proof of this work in the form of workshop poems written after site visits to local museums. As a Serbian American poet and writer, I'm also very pleased to see the work of my former poetry student, Sonya Sabanac, featured so prominently in this anthology, especially her poems about our war-torn homeland and the trauma of displacement as an emigrant. I am also very happy to read the poems of Dr. Maja Trochimczyk, whose work I have known and appreciated for many years. These two fellow Slavic authors are joined in the anthology by poets with roots in California, whose names are well known in the literary circles of America, such as Millicent Borges Accardi, a Portugese American, Ambika Talwar, an Indian American, Lois P. Jones, or Georgia Jones-Davis.  Some of the poets are Jewish, some are Christian, some are spiritual without a religious denomination. All share the women's wisdom and maturity. All share their talents and poetic inspiration for which all readers should be grateful."

              ~ Dr. Mira N. Mataric, Poet, Writer, Translator, and Educator, Pasadena, California

"Nine women poets converse, wake us up, send us to higher ground. Grateful Conversations carries us in and out of the emotion of memory, family, spirit, solid things and landscapes. Unlike much modern poetry, the nine writers present life and hope, not death and loss. This anthology gives us abundance, not scarcity, joy, not the grating irritations of guilt, fear and dissolution. There are generous portions for each poet: Accardi, Butcher, Jones-Davis, Jones, Rogers, Sabanac, Stafford, Talwar, Trochimczyk each get twenty to thirty pages of poetry with photographs taken by the poets and also there are seven sections of workshop poems. These are poets on quests for spiritual renewal, yet the poems are not sticky with New Age platitudes, but articulate, moving, textured and the reader is grateful, uplifted. “Look at these dogwood blossoms/caught in the act of flying,” writes Lois P. Jones.  We look and we fly.

           ~ Alice Pero, author of Thawed Stars



Maja Trochimczyk, Sonya Sabanac and Susan Rogers


PHOTOS FROM NOVEMBER 25, 2018 READING AT BOLTON HALL MUSEUM

Grateful Conversations anthology was represented by Susan Rogers, Sonya Sabanac and Maja Trochimczyk, with a reading focused on the themes of gratitude, personal history, and life wisdom.



Maja Trochimczyk read her "Ode of the Lost" as well as the Lady with an Ermine" and Ciocia Tonia, about the fate of her maternal great aunt, deported to Siberia by Soviets in 1940/

Ciocia Tonia

~ for my Mother’s Aunt, Antonina “Tonia” GliƄska, 
   deported by the Soviets to Siberia in 1940


Only a pear tree
between fields of sugar beets and corn.

Ripe pears — that’s all left from the house, 
barn and orchard. The farm where she raised 
her sons, milked her cows, and baked her bread.

Only a pear  tree. A lone memento 
standing forlorn in an August field.

They ploughed it over— the village church and bus stops, 
the neighbors’ corrals, where their horses used to neigh.
They ploughed it over — her garden of herbs 
and cosmos, its fragile lace of leaves kissed 
by sunlight, a dream of a flower, really — 
she used to so love its ephemeral beauty, 
a ghost of the past.

It was the worst, then, to see her neighbors 
running with news — her husband shot 
in the middle of the dusty village road.

No time for grief, she saved her tears for later.
The orders came at once: a day to pack,
a long train ride to an unfamiliar city, 
near a river she never longed to see.

They said, pack wisely — take only
 the warmest clothes, boots, pillows. 
Bring as much food as you can carry. 

Where you are going, there is nothing, 
except for freezing breath 
and bitter cold. 

It is not painful now, just surprising, 
her whole life gone, and only one tree left.
No trace of her ancestral village on the maps.

Only a pear tree 
in an empty field of stubble.

Only a pearl tree 
in her golden field of dreams. 

(c) 2018 by Maja Trochimczyk







Sonya Sabanac read poems about her immigrant experience as a war refugee from Serbia, who left during the Balkan war. Having lost everything and having left her country in a rush to save her life, she made a powerful anti-war statement in a poem that took over 10 years to write.






Susan Rogers presented five of her favorite poems, including perennial favorites, The Origin is One, Grass, and Longing for October, as well as the Grateful Conversations title poem of the entire anthology.


Susan Rogers

Grateful Conversations 


Everything we have we’re given
in love to use in love, in grace.
There is nothing we alone have written.

We are but a conversation
of light. Through this exchange we trace
everything we have. We’re given

sour and sweet, lemon, raisin
and grain to bind them into place—
There is nothing we alone have written.

We eat cakes but have forgotten
their origin. We have erased
everything. We have; we’re given.

We look. We laugh. We love. We listen.
We welcome gifts we embrace.
Yet there is nothing we alone have written.

Watch sunset turn to a ribbon.
Remember honey and its taste.
Everything we have we’re given.
There is nothing we alone have written.

(c) 2018 by Susan Rogers

Sonya Sabanac

Poets from Nov 25 reading. L to R seated: Sonya Sabanac, Andrew Kolo,
Susan Rogers, Konrad Tademar, Liliana Tademar. Standing: Mira Mataric
Maja Trochimczyk, Joe DeCenzo, Marlene Hitt, Phil Larsen, Pam Shea, and
guitarist Mark Achuff, special guest musician.



Friday, October 12, 2018

Readings from "Grateful Conversations" Anthology on November 25, 2018 and February 15, 2019


"Grateful Conversations" Group Reading, October 7, 2018


Grateful Conversations anthology is going places... A college professor in Australia wants to adopt this anthology for her course on gratitude. The anthology made it into the hands of famous poet Dana Gioia..

Maja Trochimczyk with Dana Gioia and Grateful Conversations. Photo by Dawn Jenkins

The very first appearance of this anthology in public was during the "Gathering of California's Poets Laureate" - an event hosted by Dana Gioia, organized by the California Arts Council and held on October 6, 2018 at the McGroarty Arts Center in Tujunga.

Maja Trochimczyk with "Grateful Conversations" and Robin Coste-Lewis, Photo by Dawn Jenkins

Maja Trochimczyk read her poem "In Morning Light" and presented copies  of the anthology to Dana Gioia, California Poet Laureate and former chair of the National Endowment for the Arts, Robin Coste Lewis, Los Angeles Poet Laureate, and Anne Bown-Crawford, Executive Director of the California Arts Council. The reading was filmed so hopefully the book will make it into the documentary about Poets Laureate.

Stage and audience at McGroarty Arts Center

McGroarty Arts Center, former home of California Poet Laureate John Steven McGroarty.

The first public presentation of the "Grateful Conversations" anthology was supposed to take place on Sunday, October 7, 2018 at 5 p.m. at the Flintridge Bookstore and Coffeehouse, in La Canada - Flintridge (1010 Foothill Blvd).  Now it is the second. The reading was free and books were available to purchase and have autographed by the poets. 


Seven poets  presented their work (Lois P. Jones, Susan Rogers, Madeleine S. Butcher, Maja Trochimczyk, Kathi Stafford, Ambika Talwar and Sonya Sabanac) but all poets will be  represented, as work by Georgia Jones-Davis and the group's founder Millicent Borges Accardi will also be read.

Photo by Lucyna Przasnyski.


You can explore the anthology's poems and find out about the poets on Moonrise Press Blog http://moonrisepress.blogspot.com/2018/06/sample-poems-from-grateful.html

Photo by Lucyna Przasnyski

You can read the introduction with the table of contents on Moonrise Press Blog http://moonrisepress.blogspot.com/2018/05/grateful-conversations-poetry-anthology.html

Photo by Lucyna Przasnyski

The paperback is available from Amazon.com
https://www.amazon.com/Grateful-Conversations-Anthology-Maja-Trochimczyk/dp/1945938226

Photo by Lucyna Przasnyski

 The ebook with color photos is available from kobo.com
https://www.kobo.com/my/en/ebook/grateful-conversations-a-poetry-anthology


The following readings are planned:

1) at the Bolton Hall Museum (Sunday, November 25, 2018, Sunday after Thanksgiving, with Marc Achuff, classical guitar and Krak Poetry Group Celebrating the Centennial of Poland's Regained Independence),
2) at Beyond Baroque (Friday, February 15, 2019 at 8 pm),
3) at the Rapp Saloon in Santa Monica (hosted by Elena Secota, date TBD),
4) in Ventura, hosted by Phil Taggart (4 April 2019).

California poetry journal, Quill and Parchment will post a preview and a review of the book in coming months.

The poets will also appear on Poets' Cafe hosted by Lois P. Jones and other promotional activities are in preparation.


Wednesday, May 30, 2018

Grateful Conversations: A Poetry Anthology edited by Maja Trochimczyk and Kathi Stafford (May 2018)

 

Grateful Conversations: A Poetry Anthology 

Edited by Maja Trochimczyk and Kathi Stafford

Paperback, 280 pages, with black and white illustrations
ISBN  978-1-945938-22-1  
Color Paperback, 280 pages with color illustrations
ISBN 978-1-945938-24-5 
E-Book in EPUB format with color illustrations
ISBN 978-1-945938-23-8 

http://www.moonrisepress.com/grateful-conversations-anthology.html

Moonrise Press is pleased to announce the publication of Grateful Conversations: A Poetry Anthology, edited by Maja Trochimczyk and Kathi Stafford. Grateful Conversations is a portrait of a group of female poets from California, who come together each month to hone their craft and share their verse.  Known as Westside Women Writers and active as a group since 2008, they include Millicent Borges Accardi, Madeleine S. Butcher, Georgia Jones Davis, Lois P. Jones, Susan Rogers, Kathi Stafford, Sonya Sabanac, Ambika Talwar and Maja Trochimczyk. 

In the words of the WWW founder, Millicent Borges Accardi, this is “a community of women writers working together to support each other with strong attention to craft, to grow as writers and as people in community.” The volume includes poems written for seven workshops and  poetic self-portraits of the nine writers.  Many photographs by the poets (Madeleine S. Butcher, Lois P. Jones, Susan Rogers, Sonya Sabanac, Ambika Talwar and Maja Trochimczyk) provide illustrations for the poems. 

WWW at the Norton Simon Museum.August 2013.
L to R: Maja, Susan, Lois, Georgia, Sonya, Madeleine and Millicent.  

PREFACE 

“In the language of poetry, where every word is weighed, nothing is usual or normal. Not a single stone and not a single cloud above it. Not a single day and not a single night after it. And above all, not a single existence, not anyone’s existence in this world.”
— WisƂawa Szymborska

Poetry is an elusive gift. The women whose work is reflected in this volume have supported each other in their ongoing writing—some of them for as long as ten years. We express our support and gratitude to all the family, friends, and fellow writers on this journey with us.

Our group expanded and contracted: some women traveled a lot, others moved away, still others had to deal with illness and pain. Yet, we continued to meet and share poems, to be an inspiration for each other, especially in “arid” creative times. 

The title of our anthology “Grateful Conversations” comes from a prompt by our “Fearless Leader” Millicent Borges Accardi that was given back in 2010 to a then-smaller group. It resulted in poems that remained among the favorites of their authors.  Indeed, writing and participating in a poetry group leads to may “Grateful Conversations” – filled with appreciation for different sensitivities and life-experiences, and for shared interests in the poetic craft. 

During the workshops, we often had the eerie experience of bringing poems on related themes without planning this in advance. Interestingly, the “communion of minds” also permeated the critiques: if most poets thought that a line, ending, beginning or a metaphor were awkward, too wordy or uninspired – it was clear that revisions were in order.  

The idea of putting together an anthology based on our workshops was born in early 2016 and it has taken over two years to assemble the materials. 

We are fascinated with the diversity of poetic responses to the same prompt – be it word, image, or place. Thus, we present poems from our workshops and field trips, hoping that our readers will find their diversity refreshing.  The only criterion for inclusion of a workshop in this anthology is to have at least three poems that resulted from it.  

We asked poets to contribute mini-essays about their personal experience with poetry and the Westside Women Writers group. The poets selected their favorite poems for a self-portrait. Poems in this section may or may not have been presented for critique during our workshops; some poems may have been previously published somewhere else. They have been chosen with great care to represent what each poet thinks of herself – as samples of her most important work, or testimonials to the most significant steps in life journey, commemorated in poetry.

We are thrilled to reach the finish line and present to our readers poems, essays and photographs by Westside Women Writers. 

Let the Grateful Conversations continue…

— Maja Trochimczyk & Kathi Stafford


Madeleine and Millicent at the Norton Simon Museum, August 2013.


TABLE OF CONTENTS

Prior Publication Credits, xi
Preface by the Editors, Maja Trochimczyk &Kathy Stafford, xiii
Introduction by Millicent Borges Accardi, xv

Part I — Workshops, 1

Workshop 1 —Writing on a Prompt, 3
By Millicent Borges Accardi (2011): ”grateful conversations never had but now taking place”


  • Grateful Conversations Never Had — Millicent Borges Accardi, 5
  • Culver City, ICU — Kathi Stafford, 7
  • The Ultimate Destination — Sonya Sabanac, 8
  • The Lake of Claret — Maja Trochimczyk, 9
  • The Next Flight — Ambika Talwar, 11
  • Grateful Conversations — Susan Rogers, 12


Lois, Ambika, Kathi, Maja and Susan after Lois’s featured reading at Bolton Hall Museum, Tujunga, August 2017.

Workshop 2 —The Harpist at the Getty Villa13
Organized by Kathi Stafford in March 2013, to see the “Cycladic Harp Player” (2700 -2300 BC), an ancient sculpture at the Getty Villa, Pacific Palisades


  • Still — Madeleine S. Butcher, 15
  • Harp Player — Lois P. Jones, 16
  • Harp Player — Susan Rogers, 18
  • Seven Strings — Kathi Stafford, 19
  • Proposal — Ambika Talwar, 21
  • A Song of Stillness — Maja Trochimczyk, 23


WWW at the Norton Simon Museum.August 2013.
L to R: Maja, Susan, Lois, Georgia, Sonya, Madeleine and Millicent.  


Workshop 3 —Van Gogh at Norton Simon Museum25
Organized by Maja Trochimczyk in August 2013. Based on two paintings by Vincent Van Gogh, “The Mulberry Tree” and “Winter (Vicarage Garden under Snow)” in the permanent collection of the Norton Simon Museum in Pasadena.


  • Wild Hair — Millicent Borges Accardi, 27
  • Winter in the Vicarage Garden — Millicent Borges Accardi, 28
  • After Vincent Van Gogh’s “Winter (The Vicarage Garden under Snow)”— Lois P. Jones, 29
  • Premonition — Sonya Sabanac, 30
  • Into Color, Into Light — Maja Trochimczyk, 31
  • Half Summer - Half Wintergreen — Ambika Talwar, 33
  • Sophie and Vincent — Madeleine S. Butcher, 34
  • The Mulberry Song — Maja Trochimczyk, 36
  • Mulberry — Kathi Stafford, 38
  • Greenery — Georgia Jones-Davis, 39
  • CafĂ© Terrace with Tarkovsky —Susan Rogers, 40


Madeleine, Millicent, Sonya and Kathi in Sonya's Garden, 2016.

Workshop 4—Grandparents, 41
Proposed by Georgia Jones-Davis and Kathi Stafford, 2015

Baba —Madeleine S. Butcher, 43
My Grandmother Danced the Kazatzka — S. Rogers, 47
Grandfather’s Ring — Susan Rogers, 52
Emily at Auschwitz — Georgia Jones-Davis, 53
In That Banat Land — Sonya Sabanac, 54
A Letter to My Ancestor — Sonya Sabanac, 56
How to Make a Mazurka—Maja Trochimczyk, 58
Ciocia Tonia — Maja Trochimczyk, 60
Philosophy of the Skillet — Kathi Stafford, 62
Trail of Tears — Kathi Stafford, 64
Vajir Dei – Minister Goddess — Ambika Talwar, 65





Workshop 5 —The Museum of Jurassic Technology, 69
Organized by Lois P. Jones, Culver City, February 2016.


  • Tea with Canis Major — Ambika Talwar, 71
  • Cat’s Cradle — Georgia Jones-Davis, 73
  • The World Is Bound with Secret Knots — Sonya Sabanac, 74


WWW Poets at the Broad Museum. L to R: Maja Trochimczyk, Sonya Sabanac, 
Kathi Stafford, Lois P. Jones, Susan Rogers and Ambika Talwar, 2016

      Workshop 6 — The Broad Museum, 77
Organized by Lois P. Jones, April 2016


  • At the Broad — Kathi Stafford, 79
  • Blue Venus – I, Your Witness —Ambika Talwar, 80
  • The Infinity Room — Maja Trochimczyk, 82

    Photo by Lois P. Jones, Switzerland.

    Workshop 7 — Rivers, 85
    Proposed by Maja Trochimczyk and Sonya Sabanac, 2016


    • Find the River — Susan Rogers, 87
    • Varanasi - Luminous City — Ambika Talwar, 89
    • Shifting — Sonya Sabanac, 91
    • White River — Kathi Stafford, 92
    • Easter Apocalypsis — Maja Trochimczyk, 93


    Marbles by Charles Accardi



    PART II – SELF PORTRAITS, 95


    1. Millicent Borges Accardi, 97

    • Here Lies the Thing I Most Desire, 98
    • Faith, 100
    • Coupling, 103
    • Ciscenje Prostora, 104
    • Only More So, 106
    • Adore the Field, 108
    • May You Vanish Like the Wind, 109


    2. Madeleine S. Butcher, 111
    • Essay, 112
    • Awesome, 114
    • My Seeing Eyes, 115
    • Aftermath, 116
    • Picture This, 117
    • Device, 118
    • To Come, 119
    • How Do I Know Thee, John Lee? 120
    • Black is the Night, 121
    • Meadow, 121
    • Bonsai, 122



    Photo by Neil Gruen, Gruen Photography.
    3. Georgia Jones-Davis, 123


    • Essay, 124
    • Safety, 126
    • The Indifference at the Molten Core, 128
    • Monumental Dog, 129
    • This Rajasthan, 131
    • Understudy, 132
    • The Visitors, 134
    • I’d Like To Travel Like William Stafford, 137
    • Points of Destination, 138



    4. Lois P. Jones, 141

    • Self Portrait, 142
    • Red Horse, 143
    • One, 145
    • Shema! 146
    • GĂŒnther’s Tree, 147
    • TrĂ©lex, 148
    • The Scent of Ariel, 150
    • Foal, 151
    • The Landscape of Flight, 153



    5. Susan Rogers, 155
    • Essay, 156
    • The Origin is One, 157
    • Kuan Yin, 160
    • Grass, 161
    • First Night in Takayama, 162
    • Longing for October, 164
    • What the Trees Say, 166
    • Across Bridges, 169
    • Shiawase, 171
    • The Poem Inside, 172
    • And the Soul Shall Dance, 174
    • This Lotus, 175
    • What Returns, 176



    6. Sonya Sabanac, 177

    • Essay: Poetry – Everlasting Moments, 178
    • A Magical Prayer, 180
    • No Man’s Land, 181
    • Mirjana, 184
    • Kristina Hugging a Tree, 186
    • Somewhere Far Across the Ocean, 188
    • Shifting Balance, 190
    • The Last Call, 191
    • The South Tower, 194
    • Upon Listening to the Sretensky Monastery Choir, 196
    • The White Fields of Sky, 198



    7. Kathi Stafford, 199
    • Essay: Tulsa Town, 200
    • These Bones, 202
    • Division, 203
    • Hive, 204
    • Blank Check, 205
    • To May in her coma after the motorcycle, 207
    • Desire, 208
    • Never Unlock, 209



    8. Ambika Talwar, 211

    • Essay: Poetry of Source Within, 212
    • Hunger of Fireflies, 216
    • Golden Pear: Patience or Penance? 217
    • Sweet Fire Dance of Dissent, 219
    • Kindlings…, 221
    • The Waking, 223
    • Singularity, 225
    • Love: Salt of the Earth, 228
    • The Fragrance of Prayer, 230

    9. Maja Trochimczyk, 231


    • Essay: Why, Write? 232
    • Definition: Writing, 234
    • In Millicent’s World, 236
    • An Ode of the Lost, 237
    • On Eating a Donut at the KrakĂłw Airport, 239
    • Shambhala, 241
    • The Lady with an Ermine, 243
    • On Divine Comedy and Ice Cream, 245
    • Repeat after Me, 247
    • In Morning Light, 249



    Photo by Maja Trochimczyk

    Biographies, 253

    Millicent Borges Accardi, 254
    Madeleine S. Butcher, 254
    Georgia Jones-Davis, 254
    Lois P. Jones, 255
    Susan Rogers, 255
    Sonya Sabanac, 255
    Kathi Stafford, 256
    Ambika Talwar, 256
    Maja Trochimczyk, 256


    Photo by Madeleine S. Butcher