Wednesday, July 27, 2016

Announcing the Publication of "Into Light: Poems and Incantations" by Maja Trochimczyk



This pocket-book-size collection written by Maja Trochimczyk over the past twenty years includes 29 poems and 11 "incantations" that focus on the intertwined spiritual concepts of Light and Love. The poems, initially created within the Catholic mystical tradition of contemplation and adoration of the Divine presence, gradually evolved to encompass a broader scope of spiritual insights, without losing the main focus: reaching out in Love to the One Light, the Source of All. The simple and repetitive meditations and incantations are meant to inspire, uplift, and fill the heart with Light and Love.




At this time, the book is available in paperback and EPUB electronic book formats from lulu.com:

Paperback, pocket-book size, ISBN 978-0-9963981-8-3, 80 pages (xii + 68 pages),  price - $10.00: http://www.lulu.com/shop/maja-trochimczyk/into-light-poems-and-incantations/paperback/product-22804936.html 

EPUB ebook, ISBN 978-0-9963981-9-0,  price - $8.00: http://www.lulu.com/shop/maja-trochimczyk/into-light-poems-and-incantations/ebook/product-22804966.html .




Table of Contents

POEMS ∻ 1

A Passage ∻ 2
A Walk in the Canyon ∻ 3
No More ∻ 5
Timelessness ∻ 6
Awakenings ∻ 7
The Bluest ∻ 9
A Subliminal Song ∻ 10
The Gift of Patience ∻ 11
A Promise ∻ 13
The Feast ∻ 14
Of Bliss ∻ 15
Seeing Madonnas … ∻ 16
Rosa Mystica ∻ 17
The Cornerstone of the Soul ∻ 20
How to Cross the Great White ∻ 21
After the Crossing ∻ 23
The Vanishing Point ∻ 24
See How we Dance? ∻ 25
From the Mountains ∻ 27
Convergence ∻ 28
Gloria ∻30
A Perfect Universe ∻ 31
Cosmos ∻ 32
Elijah’s End ∻ 34
In a Magnolia Courtyard ∻ 36
On Squaring the Circle ∻ 37
Repeat After Me ∻ 39
A Rainbow Vision ∻ 41
Meditation on Light ∻ 43

INCANTATIONS ∻ 45

Morning Greetings ∻ 46
Our Mother ∻ 47
Breathing Affirmations ∻ 48
On Being a Tree ∻ 50
Being the Sun ∻ 51
Crown Jewels ∻ 52
The Seven Suns ∻ 53
The Divine Path ∻ 60
The Stream ∻ 62
The Shield of Light ∻ 64
The Shield of Love ∻ 65


∻
Introduction

After writing and editing a variety of books on music, dance, and poetry, and publishing poetry in various journals, I decided it is time to do something completely altruistic, without any shadows within, with a clear direction upwards, to the light. I pulled together my “enlightened” poems from the past 20 years and created “incantations” – personal meditations and prayers, designed for quiet reading alone to uplift the soul in the morning, or provide a respite in a busy day.

My fascination with the twin themes of “light” and “love” dates back to my “conversion” period in Poland, when I read the Bible from cover to cover and started collecting all references to these mirrored themes that I could find. I thought of writing a mini-treatise on the topic of Divine Light to celebrate my baptism in 1987 at the age of 30. But somehow, I got too busy with other things and my treatise is now coming to life in an entirely different form.

On my spiritual path, marked by a late start and guided by many unusual visions and revelations (suitably so for a complete sceptic who would not believe in anything, unless personally experienced) I owe a debt of gratitude to many who have led me on the path of Light. First, my Godmother, Sister Elia of the Franciscan Sisters in Warsaw, taught me rigorous “rules of conduct” as a perfect daughter, mother, student, and mystic – especially the Ten Commandments and the Two Commandments of Love.  

Along the way, while making a discovery of a complete new continent of spiritual and religious writings, I read with great interest The Cloud of Unknowing, the writings and biographies of Blessed Hadewijch; Rumi; St. John of the Cross; Father Teilhard de Chardin; two twin souls, Discalced Carmelites Blessed Elizabeth of the Trinity (to be Canonized in October 2016); and Saint Thérèse of the Child Jesus from Lisieux, and many others, including poets Czeslaw Miłosz and Emily Dickinson. One of the most influential books was Guidelines for Mystical Prayer by English Carmelite, Ruth Burrows. 

In the 2010s in California, I found insight and love in the poetry and friendship of the “Spiritual Quartet” – four women who have taken birds as their totem images while pursuing their own paths into Light, sometimes parallel, sometimes inter-woven. Lois P. Jones (“the Phoenix”), Susan Rogers (“the Hummingbird”) and Ambika Talwar (“the Peacock”) have been faithful companions and guides on my own way into the Awakening. I’m “the Dove” of love, they decided, and so be it. 

The poems and incantations in this volume do not express any particular spirituality or religion, except my own mystical focus on the unknown Source of us all, the Light that draws us near, the Love that keeps us connected and dwells in our hearts. 

Baptized at 30 into the Catholic Church, after a long search for the right path, I’m an usher in my local parish. But I also seek enlightenment where it can be found, so I attend “light-giving” sessions at the Sukyo Mahikari Spiritual Development Centers (with Susan Rogers as my guide) and spiritual healing sessions given by inspired healers, filled with Divine light and grace, Kimberly Meredith and Ambika Talwar. 

Some of my “incantations” feature fragments of Catholic prayers, such as the Shield of St. Patrick, or words borrowed from Kimberly Meredith, or Messages by Archangel Michael channeled by Ronna that I found on YouTube. I also paraphrase ideas and inspirations from the Convoluted Universe books by hypnotherapist Dolores Cannon, The Law of One, the Spiritual Development Course by the Abbotts (Australia), and the Emerald Tablets of Thoth. If there are any others, whose ideas I may have adopted as mine without proper acknowledgement, Love and Light to you all!

There are so many parallels and synchronicities in the mystical traditions. While reading the Prayer to Fukushima Waters, for healing of the environmental damage, written by Dr. Masaru Emoto, you might recognize the sections of the Catholic Mass: “Water, we are sorry” (Mea Culpa), “Water, please forgive us” (Kyrie Eleison), “Water, we thank you” (Eucharist), “Water, we love you” (Communion).  At least, that’s what it seems to me, but I’m a Catholic, converted from scientific atheistic worldview. The “Divine indwelling” described by the Carmelites parallels the discovery of the Adamantine Particles of God, the Spark of Divine Light, or the loving connection to the Source deep within our hearts, contemplated in meditation.

Finding the way to becoming a Child of Light has been the greatest adventure of my life. I leave my reflections to my readers, with the hope that they, too, shall follow their own paths into the Light!


Maja Trochimczyk



On Squaring the Circle

It is a simple square that contains a circle –
four ideas, four words –

— sorry — forgive — thank — love —

No need for explanations,
long winding roads of words
Leading into the arid desert
of heartless intellect, auras
of geometric shapes floating above
your head – a scattered halo
of squares, sharp-edged cubes
prickly triangles, and hexahedrons.

No, not that. Instead let us find
the cornerstone of simplicity –

Sorry – to erase the past

Forgive – to open the path into the future

Thank – to suffuse the way, each moment 
with the velvet softness of gratitude

Love – to find a pearl unlike any other
a jewel of lustrous shine – incomparable, 
dazzling, smooth, pulsating sphere


A dot on the horizon grows
as you, step by step, come closer
until you enter into the shining
palace without rooms
where inside is outside,
the circumference is in the point,
the point in the circumference,

where movement is stillness
and stillness dances within –
traveling to a myriad of planets,
suns, galaxies, with the unheard of
velocity, being everywhere at once

Love everyone — Respect everything

So that’s how you square a circle





Thursday, June 9, 2016

Moonrise Press Books at Book Expo America in Chicago, May 2016

BookExpo America (BEA), the largest book show in the U.S., wa in Chicago this year, and Poland was the featured country! Aquila Polonica shared booth space with the official exhibit by the Polish Book Institute, booth 1504/1505. Since Poland was featured, Aquila Polonica conceived and organized a "Books in English" display as part of the official Polish Book Institute booth, curating a selection of more than 100 books in English about Poland—including works of fiction, history, cookery, music, and much more—by a variety of publishers and authors.

Moonrise Press and its founder Dr. Maja Trochimczyk greatly appreciated this opportunity to present their books in English on Polish and Polish American topics.  Below you will find pages from the catalog with links to where the books can be found.

Right on the first page of the book list, heading the section on Biography, Autobiography and Memoir, is the biography of Joseph and Ben Adamowicz, Polish pilots who crossed the Altantic in 1934, as the first Poles to do so (in Northern Atlantic, from New York to Warsaw). The study Across The Atlantic: The Adamowicz Brothers, Polish Aviation Pioneers, by Zofia Reklewska-Braun and Kazimierz Braun was published in 2015. It can be ordered here:
 ISBN 978-0-9963981-2-1, paperback, ISBN 978-0-9963981-3-8, e-Book (ePub format).   


The sixth page of the catalogue features the 2010 acclaimed poetry anthology edited by Maja Trochimczyk, Chopin with Cherries: A Tribute in Verse. The anthology includes 123 poems by 92 poets, including an English translation of the classic by Cyprian Kamil Norwid, Chopin's Piano, in a masterful rendition by Leonard Kress. The book can be found here:  Paperback Edition ($23.00) or PDF Download ($10.00). ISBN 978-0-9819693-0-5. 256 pages.Read more about this anthology. 
The next page in the section on Fiction, Literature and Poetry includes Slicing the Bread: Children's Survival Manual in 25 Poems by Maja Trochimczyk, published in 2014 by the Finishing Line Press.
or from Amazon.com.
A section on History on page 8 features East Central Europe in Exile, a two volume set edited by Anna Mazurkiewicz and issued by the Cambridge Publishers in 2013, with an article on Polish emigre composers in America by Maja Trochimczyk found in Volume 1, Transatlantic Migrations). 
The first title in the series on Music, is After Chopin: Essays on Polish Music, edited by Maja Trochimczyk, and published by the Polish Music Center at the University of Southern California, in 2001. The book consists of translations of essays by Polish composers about Chopin, and winning papers in the Wilk Research Prize in Polish Music. This book can be ordered from the Polish Music Center's website, it is not available on Amazon.
The next page 12 of the Catalogue includes two titles with major contributions by Maja Trochimczyk, and the third that she edited and prepared for publication without putting her name on it.  The most recent book,published in June 2015 is the second revised and expanded edition of Frederic Chopin: A Research and Information Guide, co-edited with William Smialek and issued by Routledge.  It can be ordered here.

The biography of Maria Szymanowska by Slawomir Dobrzanski, published by Polish Music Center in 2004, includes a chapter by Maja Trochimczyk on Szymanowska's songs. More information about this book is found on Polish Music Center's website. Finally, the biography of Poland's first 12-tone composer, Jozef Koffler by Maciej Golab was prepared under the supervision of Dr. Trochimczyk in 2003.  More information is on PMC Website.

Moonrise Press is proud of having two titles included in the display, along with four other titles written by Dr. Maja Trochimczyk or with important contributions that she penned. The catalog featured many other worthy books, thanks to the efforts of Aquila Polonica in publicizing books in English about Polish subjects.  










Tuesday, May 10, 2016

The Maska Dramatic Circle by Phyllis Zych Budka Documents Polonian Culture



Moonrise Press announces a new publication in the series dedicated to Polish and Polish American culture: 
The Maska Dramatic Circle: Polish American Theater in Schenectady, New York (1933-1943) by Phyllis Zych Budka appeared in May 2016 in a large format (8 1/2 by 11 in), to accommodate its many facsimile of hitherto unknown historical documents. Instead of a E-Pub format, the e-book is issued as a PDF, due to the large number of scans and examples. 

Designed initially as a family history and based on documents found in an attic, the book was inspired by the involvement of the author's parents Stanley Zych and Sophie Korycinski Zych in the Maska Dramatic Circle in the 1930s and 1940s. While researching this project, Ms. Budka realized that:

 "no one has told the story of the Maska Dramatic Circle, this unique group of young people, mostly first generation Polish Americans, who contributed so much to the cultural life of their community in Schenectady, New York, between 1933 and 1942.  The Maska members were multitalented, hardworking and full of fun.  Their world was completely bilingual, with plays in Polish, a newsletter in both English and Polish, and newspaper articles in both the local English newspapers as well as the Polish ones."  

 In nine years they staged at least 51 plays, complete with costumes, stage settings, music and dancing. The book documents these performances on the basis of a scrapbook of photos, Maska Buletyns and press clippings and thus fills in an enormous gap in the history of  one of the Polish immigrant communities in America.

Ms. Budka explains further: "While I’ve approached the Maska book as a family memoir and a local history, I am coming to realize that it is very relevant to current concerns in the wider community about the disappearance of the Polish American immigrant experience.  I am also very proud of the writing and pictures in our “Project To Discover Schenectady County’s Eastern European Roots” newsletter.  Pascucci’s PhD thesis on the Italian and Polish immigrants in Schenectady in 1880 – 1920 (1989), is the only project that comes close to an in-depth analysis of the local population, filled with statistical data, but lacking the personal touch". 
  

ABOUT THIS BOOK

If we are to have a more complete and nuanced history of Polonia we need more local based sources like the one published by Phyllis Zych Budka. Her focus is the Polish American community in Schenectady, N.Y., a midsized industrial city where she grew up and which does not receive much attention from Polonian historians.  Based primarily on her parents’ scrap book and Polish and English newspapers, it records the amazing theatrical and cultural achievements of the “Maska Dramatic Club of Schenectady,” which from 1933 to 1942 produced more than 50 plays in Polish and, in the process, enriched the lives of Polish immigrants and their children.

~ Dr. Thaddeus V. Gromada, Professor Emeritus of East European History and Past President of PIASA and Polish American Historical Association (PAHA)

______________________________

Phyllis Zych Budka has provided an account of the young, third-generation Polish-Americans of Schenectady, N.Y. who organized a drama group (Maska) that offered both Polish and Polish-American themed plays in the Polish language. Maska began offering plays to the community in the early 1930s and had a successful run for a decade. At a time when they were fast assimilating into the larger American society, these young people sought to preserve Polish culture and to demonstrate its relevance to the contemporary lives of both the immigrant generation and to their children.

~ Robert R. Pascucci, Ph.D., author of Electric City Immigrants: Italians and Poles of Schenectady, N.Y., 1880-1930

_____________________________

I will be forever grateful to Phyllis for telling the story of my dad's life before I was born. As a kid, I knew my dad was well-read with a great vocabulary. He read books to me, stepping into character roles, inflecting his voice or changing his accent to portray Tom Sawyer, Ivanhoe, or other characters in the stories. I never knew how he learned these skills, he was just my dad. I also remember him telling about hard times during the Great Depression riding the rails in search of work. I wondered about the story behind the photographs of actors on stage of which he was a part. Now, thanks to Phyllis, I know more about his quote about "the happy days" of his participation in the troupe, the fun he had and the awards he won.

~ Joseph Drapala



ABOUT THE AUTHOR

Phyllis Rita Zych Budka was born in Schenectady, New York, and lives in nearby Niskayuna. All her grandparents came to Schenectady in the early 20th century.  She attended St. Adalbert’s Parochial School, McKinley Junior High and Mont Pleasant High School.  After graduating from the University of Rochester with a Bachelor of Arts in Russian Language, she married Alfred J. Budka.  They are the parents of Kenneth, Thomas and Christine and grandparents of seven.  With Al’s encouragement, Phyllis returned to school and received a Masters Degree in Mechanical Engineering from Union College.  During her years at Union, she developed an interest in nickel iron and stony iron meteorites, and has published many articles on the results of her research.

Phyllis worked as a metallurgical engineer, retiring in 2007.  As retirement neared, her interest in genealogy and local family history grew.  Many trips to Poland and Lithuania have helped to discover ancestral history and build connections and friendships with living cousins, which continue with the help of the internet.




Friday, April 8, 2016

"Chopin with Cherries" and "Across the Atlantic" to be Featured at Book Expo America (Chicago, May 2016)

Book Expo America (BEA), which is the largest book show in the US, will be held in Chicago this year in mid-May, and Poland is the featured country. The Poland exhibit is being managed by the Book Institute in Krakow and the Polish Cultural Institute in NYC.  Terry Tegnazian, publisher of Aquila Polonica (a Los Angeles small press specializing in Polish stories from World War II - in Poland and abroad) suggested that there is a “Books in English” section within the Poland exhibit. They have agreed, and asked Ms. Tegnazian to organize it. 




Our anthology, Chopin with Cherries and its editor's volume of poems, Slicing the Bread, were added to the list of suggested books, and have received the approval  from the Book Institute and Polish Cultural Institute to be included in the Books in English section. Both books got great reviews: Chopin and Bread. 

Edited by Dr. Maja Trochimczyk, and published in 2010, Chopin with Cherries celebrates the 200th birth anniversary of Polish pianist-composer, Fryderyk Chopin (1810-1849). Ninety-one poets are represented here; they live in the U.S., England, France, Mexico, the Philippines and Poland - with family roots in Poland, Australia, China, France, India, Italy, Malta, Mexico, the Philippines, Serbia, and other countries. The anthology includes more than 122 poems in English, and one important Polish poem, Cyprian Kamil Norwid's Fortepian Szopena, in a new English translation by Leonard Kress (this is the first English translation of Norwid's masterpiece, considered too difficult even by the translator of his entire oeuvre, Adam Czerniawski). English-language classics include verse by T. S. Elliot, Emma Lazarus and Amy Lowell.


Slicing the Bread, published in 2014 by The Finishing Line Press, is a unique poetry collection that revisits the dark days of World War II and the post-war occupation of Poland by the Soviet Union that “liberated” the country from one foreign oppression to replace it with another. The point of view is that of children, raised by survivors, scarred by war, wary of politics. Maja Trochimczyk's poems, each inspired by a single object giving rise to memories like Proust’s madeleine (a spoon, a coat, the smell of incense) are divided into three sections, starting with snapshots of World War II in the Polish Borderlands (Kresy) and in central Poland. Reflections on the Germans’ brutal killings of Jews and Poles are followed by insights into the way the long shadow of THE war darkened a childhood spent behind the Iron Curtain. For poet Georgia Jones Davis, this book, “brings the experience of war into shocking, immediate focus” through Trochimczyk’s use of “her weapon: Language at its most precise and lyrical, understated and piercingly visual.” 

Additionally, Across the Atlantic: The Adamowicz Brothers, Polish Aviation Pioneers by Zofia Reklewska-Braun and Kazimierz Braun will be on display at Book Expo America - Poland section, within a Books in English subsection. 


Across the Atlantic recounts the adventures and misunventures of two Polish amateur-pilots, Joe (Józef) and Ben (Bolesław) Adamowicz, who immigrated to the US in the 1900s-1910s, and in the summer of 1934 flew over the Atlantic on a single-engine plane Bellanca. Their trip took them from New York to Warsaw; they were the first Poles to do so. They became instant celebrities, favorites of the journalists, photographers, and the public on both sides of the Atlantic. Alas, their triumph was short-lived, followed by a fall from grace, to imprisonment and bankruptcy. This richly illustrated book brings to life their forgotten story. Written by a historian, journalist and educator Zofia Reklewska-Braun and director, writer, scholar, and author of over 50 books, Dr. Kazimierz Braun, this book was originally published in Poland in 2011.


Wednesday, March 2, 2016

Beverly M. Collins Celebrates Black History Month at Phoenix House with her Book, "Mud in Magic"

Beverly M. Collins, Maja Trochimczyk and Akilah Templeton at 
Phoenix House Venice with Beverly's book Mud in Magic

On February 24, 2016, residents of Phoenix House Venice celebrated the Black History Month with poetry. The evening, hosted by Program Director Akilah Templeton, featured poetry readings by residents, dealing with issues of recovery, solidarity, personal relationships, and life advice. At the end two guest poets read their work: I was joined by Beverly M. Collins , an accomplished African-American poet of wit and wisdom, who presented selections from her recently published book Mud in Magic (Moonrise Press, 2015).  Ms. Collins donated a copy of her book to the Phoenix House growing poetry library. 

Ms. Templeton encouraged clients to write poetry during the entire month of February, or to read poetry books in search of a poem that moves them or expresses some of their personal feelings. Some residents decided to read verse by famous author like Langston Hughes or Maya Angelou. Others wrote their own verse, using a free verse format or various rhyme scheme.  

Beverly Collins read two poems selected from her book, Mud in Magic, "Next" and "Up for Air"  - both with topical advice suitable for individuals in recovery, struggling with the dead weight of their past. 

Beverly M. Collins

 It is important, said Ms. Collins, to always look forward, to give ourselves a break and not be too hard on ourselves for past mistakes. There is always hope, always time to fix things, to start anew, to say...

Next

From the tip-top of January
to the bottom of every December,
life is a continuum.
May we remember to remember.

There are no platforms on which we
halt. No arrivals at which we are landing. 
There is only continuous movement.
Blend motion into all planning.

Next is a good four letter word that dances
on the tongue and illuminates the playgrounds
of our minds. Next can call loudly or soft
and subtle when it chimes.

Within the cold of winter remember next are
the fragrant flowers of spring. Next reminds us 
there is no be-all or end-all to anything.

When riding a high tide or if a low tide 
has you feeling sadness or perplexed, 
know true muscle can be found
in how well we just say... Next!

(C) 2015 by Beverly M. Collins


Up for Air

Cuddled at midnight, with my pillow of dread,
I and apprehension lay like spoons in my bed.
My suffocating “To Do” list, too long for one person.
Its tedious tasks make my aching head worsen.

My stubborn impatience has landed me here.
I want it all now. I want it last year.
I hold anger so big over things that are small,
like my neighbor’s loud laughter while
bouncing a ball.

I can choose to narrow my focus singly on a plan,
long enough to get myself fully in hand.
Wrapped warm in my blankets, my emotions are bare
as I promise myself, to pull me up for air.

 (c) 2015 by Beverly M. Collins


Wednesday, February 17, 2016

Announcing the Next Non-fiction Title: The Maska Dramatic Circle by Phyllis Zych Budka

Maska actors in a play Krewniak z Ameryki, 1935

The third book in our series of non-fiction studies of Polish and Polish-American history and culture is dedicated to a group of talented amateurs that formed their own theatrical group in Schenectady, New York, and for a decade made an important contribution to local culture. 


The Maska Dramatic Circle: Polish American Theater
in Schenectady, New York (1933-1942) 
By Phyllis Zych Budka

ISBN 978-0-9963981-4-5 (paperback)

ISBN 978-0-9963981-5-2 (eBook – EPUB format)

The Maska Dramatic Circle took is name from the Polish word for "Mask" and was able to stage over 50 different plays in its years of existence, from 1933 to 1942.

The book, written by Phyllis Zych Budka, the daughter of two prominent Maska members, Sophie Korycinski Zych and Stanley Zych (the authors' parents), the book discusses, in the author's words:

"Maska Dramatic Circle, this unique group of young people, mostly first generation Polish Americans, who contributed so much to the cultural life of their community in Schenectady, New York, between 1933 and 1942.  The Maska members were multitalented, hardworking and full of fun.  Their world was completely bilingual, with plays in Polish, a newsletter in both English and Polish, and newspaper articles in both the local English newspapers as well as the Polish ones." 


Cover of the Maska Buletyn with Stanley Zych, 1938

The volume will include a detailed year by year account of the Maska Dramatic Circle history, with quotes from local community papers, such as the Schenectady Gazette and Gazeta Tygodniowa, and photographs from the scrapbook documenting this unusual artistic story, and family history.

Two versions of the book will be published, a paperback trade, and a ePub electronic book.
The title is expected to appear in April 2016.


Cover of the Maska Buletyn with Sophie Korycinski, 1938

The previous non-fiction titles about Polish and Polish American history are:


  • A Romantic Century in Polish Music - Studies Edited by Maja Trochimczyk: A collection of scholarly essays about the history of Polish music in the 19th and 20th centuries by eminent European music historians: Magdalena Dziadek, Martina Homma, Krzysztof Rottermund, Krzysztof Szatrawski, Maria Zduniak, and the editor, Maja Trochimczyk. The essays discuss such disparate issues as the Wroclaw visits of the violinist, Karol Lipinski, a history of his violins, Henryk Wieniawski's virtuosity, the reception of Wagner in Poland, the career paths and mindsets of Polish women composers of the 19th century, the biography of Feliks Nowowiejski, Ignacy Jan Paderewski's inspiration with the Tatra Mountains and Podhale folklore, and other issues.

 
  • Across the Atlantic: The Adamowicz Brothers, Polish Aviation Pioneers by Zofia Reklewska-Braun and Kazimierz Braun: During the summer of 1934, two Polish amateur-pilots, Joe (Józef) and Ben (Bolesław) Adamowicz, who immigrated to the US more than twenty years earlier, flew over the Atlantic on a single-engine plane Bellanca. Their trip took them from New York to Warsaw; they were the first Poles to do so. They became instant celebrities, favorites of the journalists, photographers, and the public on both sides of the Atlantic. Alas, their triumph was short-lived, followed by a fall from grace, to imprisonment and bankruptcy. This richly illustrated book brings to life their forgotten story. Written by a historian, journalist and educator Zofia Reklewska-Braun and director, writer, scholar, and author of over 50 books, Dr. Kazimierz Braun, this book was originally published in Poland in 2011.



Sunday, January 24, 2016

New Reviews of "Across the Atlantic" On Polish Aviation Pioneers in America



The biography of brothers Joe and Ben Adamowicz who flew across the Atlantic in 1934, from New York to Warsaw, only seven years after Charles Lindbergh has attracted critical attention.  Written by Zofia Reklewska-Braun and Kazimierz Braun, and published in 2015, the book presents the background and detailed description of this incredible feat, as well as circumstances that led to its disappearance from the pages of history.

Ben and Joe Adamowicz with U.S. Ambassador in Poland, Mr. Cudahy, 1934.

REVIEW BY PETER J. OBST ON POLES.ORG

Peter J. Obst published the review on the website, Poles.org, and amply illustrated the text with historical photographs. With the author's permission, the entire text of the review is reprinted below.


The 1920s and 30s are primarily remembered for prohibition, jazz, flappers and the growth of aviation - and there was a part to be played by Poles in all of these categories. In 1934, only seven years after Lindbergh's solo trans-Atlantic flight, two Polish immigrants, brothers Ben and Joe Adamowicz from Brooklyn, made a flight over the ocean with a landing in Warsaw at the end of their journey.

The historical context and details of this flight are examined in a recently published book Across the Atlantic - The Adamowicz Brothers, Polish Aviation Pioneers by Zofia Reklewska-Braun and Kazimierz Braun. What is remarkable about this story is that two men, ordinary guys quite unknown in the then-existing aviation community, managed to accomplish something that, at the time, was still regarded as a dangerous and daring feat.

Even before their excursion into aviation these two "everymen" were part of the immigrant success story. They started a soft-drink bottling plant, made money, acquired property - and hobbies. From bicycling they moved to motorcycles, then automobiles - where they had quite a few mishaps - and finally airplanes. The flying bug got a hold of them and planning for a flight to Poland started. After mastering pilotage on an old Waco airplane, they purchased a slightly used Ballanca Pacemaker single-engine monoplane and had it outfitted with long range tanks.

It was a wise choice as, at the time, aircraft designer Guiseppe Mario Bellanca was the leading manufacturer of aircraft with long distance capabilities. According to records the plane carried about 430 gallons of high test aviation fuel - plus 21 additional 5 gallon canisters, just in case. They paid somewhere between ten and twelve thousand dollars for the plane. Ten thousand dollars in 1934, adjusted for inflation, would be $178,000 today, and this did not include all the additional expenses connected with the trip.

Starting from New York on June 28, 1934 they landed at Harbour Grace, Newfoundland, and flew on for over 30 hours above the ocean, at one point encountering stormy weather and icing conditions. The plane landed on a field in France and refueled, then continued, making a landing in Germany. Flying east, they sighted and followed the Vistula to Torun, and after some delays were finally cheered by exuberant crowds as they landed in the capital city of Warsaw, the plane's namesake. Apparently the Adamowicz brothers were not short on courage or piloting skills, it was their navigation that was less than perfect.

For ten weeks Poland cheered as Ben and Joe made a tour of the country. Nothing was too good for them. Every Polish city wanted to give them a parade. Newspapers around the world picked up the story of two ordinary men, brothers, who made a spectacular journey. They were given medals, toasted at banquets, housed in the best hotels. Then they sold the Bellanca to the Polish Aero Club and came home to America.

Unfortunately, there were no parades awaiting them in New York. Instead, there was a warrant for their arrest. The authorities found a still for the production of alcohol in the soda water bottling plant. Though prohibition was over, the brothers had operated without the required permits and licenses. In the end a jury found them guilty and they were sentenced to 15 month prison terms and confiscation of the bottling plant.

Newspaper reports that came from the trial were unsympathetic to the brothers who had fallen from grace as "conquerors of the Atlantic" to the status ordinary bootleggers. Even Harold Ross, editor of The New Yorker magazine, took a swipe at the brothers in print. The Polish press was mostly silent about their disgrace.

Over time the story faded into obscurity, both the glory of the accomplishment and the humiliating brush with American justice that followed. It was not the first time that a noble pursuit was financed by illegal means. The brothers paid for breaking the law, and their brave adventure was tainted by the deed. Yet, it is good that the book brought back the memory of these immigrant men, Ben and Joe, who dared to fly, as they said, "for the greater glory of Poland."

(c) by Peter J. Obst

Historical commemorative envelope signed by the Adamowicz brothers.
Maja Trochimczyk Collection.


REVIEW BY SALLY BOSS IN THE SARMATIAN REVIEW

The January 2016 Issue of the Sarmatian Review (vol. 36 no. 1, p. 1987-1988)  contains an extensive review by Sally Boss, focusing not on the incredible accomplishment of the two "everymen" pilots, whose hobby earned them a place in history, but on the reasons for their disappearance from the annals of history and the discrimination that Polish immigrants suffered in America in the 1930s that was the more important reason for this neglect.  The first, an obvious one, was that the plane was bought with funds obtained from illegal manufacturing and sale of alcohol; the Adamowiczes managed a still and a speak-easy in their home, and used their savings and all profits for their aviation adventures.

The Adamowiczes' Bellanca at the Pola Mokotowskie Airport in Warsaw.

But, as Ms. Boss writes, the second reason was far more important and insidious: "plain old prejudice agains Polish Catholic immigrants to this country, in full display in the 1930s and 1940s." She continues:

"The Adamowiczes fell in love with flying shortly after they arrived in the United States and partly financed the purchase of an airplane by running a soda pop factor. They apparently also ran, or collaborated in running, an illegal whisky still that supplied the considerable funds necessary for engaging in so costly and enterprise as an attempt to fly across the ocean. These were Prohibition times and the production of illegal alcohol was strictly forbidden. someone informed the authorities. [...] While the first trial resulted in a hung jury and should have put an end to the prosecution of the two Poles, the legal authorities decided to retry them.We do not know how this was possible nor do the authors of the book supply the information. It was, we assume, one of the innumerable and mostly invisible acts of bias that hurt certain minorities in the United States and cotinue to hurt them.

"The second trial ended in a conviction. Judde Grover M. Moskovitz personally congratulated the jury after they reached the guilty verdict. The newspapers had a feast: two Polish Americans who aspired to join the refined club of pioneering American aviators were pushed back to where they belonged. Whatever was left of their property was confiscated and the brothers spent several years in jail. Upon their release they never returned to their previous fascination wtih flying. Gone was their love of aviation, their courage and willingness to achieve. They were broken men. Family troubles ensued. From one-time heroes who were greeted in Warsaw by the president of the Polish Republic , they became residents of skid row.[...]

"The legal authorities in the state of New York were not interested in the circumstances. Only the Polish brothers wer stigmatized, ridiculed, and incarcerated. There has never been any "reevaluation," as so often happens with African Americans, no mercy shown to two people who manged to fly over the Atlantic at the time when it was considered a feat. the Adamowiczes' love of airplanes, the sacrifices necessary to built a plane and cover its costs (even if the plane were financed by illegal income) their enthusiasm and success were dropped in the memory hole. [...]

"The book is well documented and edited. It is written in a simple and dispassionate language, perhaps too dispassionate to make a difference. The authors are obviously aware of the injustice that the Adamowiczes and others experiences while trying to realize their dreams, but they choose not to say, with Emile Zola, "J'Accuse!" instead, they merely lay out facts as scrupulously as possible, perhaps hoping that someone with a more pugnacious temperament will pick up where they left of."

(c) 2016 by Sally Boss and the Sarmatian Review

The Adamowicz Brothers with their plane, "Warszawa"