Showing posts with label Polish music. Show all posts
Showing posts with label Polish music. Show all posts

Monday, January 5, 2026

Moonrise Press Publishes Two Books about Paderewski - "Paderewski Essays & Poems" by Maja Trochimczyk; "Three Paderewski Plays" by Kazimierz Braun

ISBN 978-1-945938-87-0 (hardcover), $48.00 
274 pp.= xviii pp. prefatory + 256 pp.); Cover Photo - Paderewski's 
1903 portrait by Davies & Sanford, Maja Trochimczyk Collection.
ISBN 978-1-945938-88-7 (paperback), $32.00
ISBN 978-1-945938-89-4 (eBook, ePub format), in PDF, $20

Paderewski Essays & Poems written and edited by Maja Trochimczyk is a book dedicated to a Polish pianist, composer, statesman and philanthropist, Ignacy Jan Paderewski (1840-1941) who gain international fame not only as a celebrated virtuoso pianist, but also as an architect of Poland's regained independence (1918, after 123 years of partitions). The richly illustrated volume consists of three parts. For the first part, "Paderewski Poems," Dr. Trochimczyk transcribed 52 poems about Paderewski, penned in English by American, British, Scottish, Irish and Australian poets, mostly in 1890-1940. The majority of these poems are from Paderewski personal correspondence preserved in Paderewski Archive at the Archive of Modern Records in Warsaw Poland. They have not been published before.  

Among the well-known poets of the Gilded Age and the Interwar Era who wrote about Paderewski were California's first poet laureate Ina Coolbrith; Alabama poet laureate Kate Slaughter McKinney; A.F. Bates (probably Katharine Lee Bates, the author of "America the Beautiful?); Irish-Indian writer, philosopher, and convert to Hinduism, James Cousins; editor of the Century Magazine, Richard Watson Gilder; editor of the New York Times, John Houston Finley; co-founder of the Sierra Club and of the American Academy of Arts and Letters Robert Underwood Johnson; and Paderewski's biographer Charles Phillips, among many others. 

Paderewski plays Chopin, postcard 1890, Krakow. Maja Trochimczyk Collection.

The second part of the book contains four essays about Paderewski by Dr. Trochimczyk. Two of these studies, written in 2001 (published in Polish Music Journal, Vol. 4) and in 2025 are dedicated to the textual and contextual analysis of the poems. The first describes a variety of poems about Paderewski that viewed him either as a musician or statesman, a Polish patriot. The second, traces the changing image of the pianist, from a virtuoso, through a divine messenger, comparable to a seraph or archangel, to a heroic Polish patriot, and finally to an immortal, spiritual master, akin to Ascended Masters of Theosophy, who lead their faithful disciples on the path of spiritual ascension into enlightenment. In Paderewski's case, that path is outlined by the sound of his piano, reverently heard in the world's concert halls. 

Paderewski as an eternally young Archangel on the cover
 of The Etude in 1915 when he was 55 years old.

The remaining two studies focus on the constructs of Paderewski stage persona and his reception, predominantly by his female audiences. A discussion of the idealized portraits of the pianist as an archangel, worshipped mostly by women, includes references to poetry, art, and philosophy of Aestheticism of the Gilded Age (2010, published in Polish American Studies, Vol. 67). The fourth essay explores the ramifications of the "Brighton Album" assembled in 1890-1898 (with some items from 1911-14) by one of Paderewski’s ardent female fans in England. Miss Madeleine Michell attended over 50 concerts and preserved hitherto not known documents about his career. In the last part of this volume, readers find a detailed calendar of Paderewski’s life and career, and lists of his writings, speeches, & music compositions, as well as a bibliography. 

1912 ad for Victor-Victrola of Paderewski recordings with image
by Edward Burne-Jones of Paderewski as an archangel (1891).

PADEREWSKI ESSAYS & POEMS - TABLE OF CONTENTS

Part I. Paderewski Poems —1

 1. “Impressions of a Paderewski Recital”—Anonymous—3

2. “A Scotch Tribute”—Anonymous—4

3. “To Paderewski”—Anonymous (1924)—6

4.“To Paderewski”—Anonymous (1925)—7

5. “Lines to an Artist (I.J.P. ) On His Playing”—A. B.—8

6. “To Paderewski—Sovereign—Pianist (1)” —A. F. Bates—9

7. “To Paderewski—Sovereign—Pianist (2)” —A. F. Bates—10

8. “Genius”—Dorothy Hull Beatty—11

9. “I Am Music”—Berton Bellis—12

10. “Paderewski Plays the Moonlight Sonata”—Arthur Bryant—15

11. “When Paderewski Plays”—Will George Butler—16

12. “Polonia Resurgata”—Adolphe de Castro—18

13. “Paderewski”—Myrtle E. Cone—19

14. “Paderewski”—Ina Coolbrith—20

15. “Paderewski Plays at Lausanne Cathedral” —James H. Cousins—21

16. “When Paderewski Plays”—Flora Fain Crist—22

17. “To Paderewski”—Mary Francis Crosby—23

18. “Paderewski”—Dorothy Dudley—24

19. “The Golden Bear”—Charles Mills Gayley—25

20. “[Untitled]”—Sara Groenevelt—26

21. “Paderewski at Troy”—John Huston Finley—27

22. “To Paderewski”—John Huston Finley—28

23. “How Paderewski Plays”—Richard Watson Gilder—29

24. “The Portrait of Paderewski”—“Halka”—31

25. “When ‘Padi’ Comes to Town”—George W. Hootman—32

26. “To Paderewski, Patriot” —Robert Underwood Johnson—34

27. “[To Paderewski, Untitled]”—Josephine & M.—35

28.“Paderewski”—Jessica H. Lowell—36

29.“Sonata Appassionata”—Lucia Clark Markham—38

30. “Lines to Monsieur Paderewski on Hearing Him Play at the Brighton Pavilion”—M.E.A. —40

31. “Paderewski”—Kate Slaughter McKinney—41

32. “Great Master”—Ester Jacoby Merrill—42

33. “Sonnet to Paderewski”—Alice May Moir—43

34. “The Maestro”—Juliet C. Olin—44

35. “Immortal”—William Kimberly Palmer—45

36.“Ignace Paderewski (1940)”—Einar Atair Paulenton—46

37. “Poland and Paderewski”—Charles Phillips—47

38. “To Paderewski After Years"—Ernest Powell—49

39. “Jan Ignace Paderewski”—Procter—50

40. “To Paderewski’s Dog”—Jean Hennepin Render—51

41. “When Paderewski Came to Town”—Grantland Rice—52

42. “When Paderewski Plays”—Windsor V. Richberg—53

43. “Paderewski”—Josephine Rita Sargeant—54

44. “Mr. Ignace Paderewski, Morges, Switzerland” —B. Sterling—55

45. “Chanson d’e te (Song of the Summer)” —William Struthers—56

46. “The Last Pure Chords of a Chopin’s ‘Berceuse’” —William Struthers—57

47. “Paderewski”—Elisabeth Tousey—58

48.“Paderewski in Gold”—Maja Trochimczyk—61

49. “To Paderewski. A Sonnet”—Elva W. Williams—62

50. “What Paderewski Taught Me about Being” —Kath Abela Wilson—63

51. “Poland’s Resurrection”—Anthony Zaleski—64

Paderewski postcard by Artur Szyk, from a series about Polish American friendship, 1939.

Part II. Paderewski Essays—67 (By Maja Trochimczyk)

Essay 1. Paderewski in Poetry: Master of Harmonies or Poland's Savior—69

Essay 2. An Archangel at the Piano: Paderewski’s Image and His Female Audience—105

Essay 3. A Paderewski Album from Brighton, England, 1890-1914—152

Essay 4. Romantic, Sublime, Heroic, Immortal: Paderewski in English-language Poetry—178

Part III. About Paderewski—209 (Edited by Maja Trochimczyk)

Paderewski—A Calendar of Life—210 

Paderewski’s Writings—239 

Paderewski’s Compositions—243 

Paderewski Archives and Musea—249 

Selected Bibliography—249


THREE PADEREWSKI PLAYS BY KAZIMIERZ BRAUN

ISBN 978-1-945938-84-9 (hardcover), 196 pages (vi + 190 pp.), $44.00
ISBN 978-1-945938-85-6 (paperback), $28.00
ISBN 978-1-945938-86-3 (eBook in ePub format)

"Three Paderewski Plays" by Kazimierz Braun is a collection of theatrical works dedicated to the life, career, and impact of a famous Polish pianist, composer, statesman, and philanthropist, Ignacy Jan Paderewski (1840-1941). "Maestro Paderewski" is set as a play for one actor, illustrated with Paderewski’s  music, and presented as the virtuoso pianist-composer’s reflection on his career in music and politics. It previously appeared in the first volume of Braun's Dramaty Zebrane. Collected Plays published in 2024 in Polish and English. The other two plays were included in a bilingual edition of Dramaty Zebrane. Collected Plays, vol. 4 in 2025. 

The play "Paderewski's Children" focuses on the patriotic activities of Lieutenant (later Colonel) Jan Chwalski – a poet, playwright, and the handler of the Paderewski puppet, during the creation of Polish Army in Canada in 1917 (it later became the Haller's Army and fought alongside Americans against the Germans in WWI). The play is in two parts and ends during World War II. Finally, "Paderewski's Return" is set in 1922 and presents the dilemma of the aging pianist’s return to the stage after a decade when he was dedicated solely to political activities and struggle for Poland’s independence. The book includes an introductory essay by the author, and general information edited by Maja Trochimczyk: lists of Paderewski's compositions and writings, and a selected bibliography. 

This book is a companion volume to “Paderewski Essays & Poems” edited by Maja Trochimczyk, with 52 newly discovered English-language poems about the virtuoso pianist (written in 1890-1941 and in 2020s), as well as four studies of his life and music, a detailed calendar of life, and lists of his works and writings by Maja Trochimczyk.

Paderewski on the cover of The Etude in 1931, at the age of 71.

THREE PADEREWSKI PLAYS - TABLE OF CONTENTS

Page 1. The Life and Work of Ignacy Jan Paderewski – by Kazimierz Braun

Page 19. Maestro Paderewski — by Kazimierz Braun

Page 47. Paderewski’s Children — by Kazimierz Braun

Page 109. Paderewski’s Return — by Kazimierz Bran

Page 171. Paderewski’s Writings — by Maja Trochimczyk

Page 177. Paderewski’s Compositions by Maja Trochimczyk

Page 184. Paderewski’s Archives and Musea — by Maja Trochimczyk

Page 185. Selected Books and Studies about Paderewski — by Maja Trochimczyk

Prof. Kazimierz Braun during the Presentation of the Golden Award from the Modjeska Club (2025).

Prof. Kazimierz Braun is a director, writer, and scholar. For many years, he was artistic director and general manager of professional theaters in Poland. He directed in Poland, the United States, Canada, Ireland, Germany, and other countries. He taught at Polish and American universities. He published over eighty books, including several volumes on theatre history and theory, as well as novels, dramas, and poetry. His plays have been staged in Poland, USA, Canada, and Ireland.  His honors include Literary Award from the Union of Polish Writers Abroad in London, and recently the Golden Award for eminent filmmakers from the Helena Modjeska Art & Culture Club.

https://modjeskaclub.blogspot.com/2025/09/kazimierz-braun-receives-2025-golden.html

Actors Marek Probosz, Agata Pilitowska, with Maja Trochimczyk presenting the Golden Award to  Professor Kazimierz Braun, Zoom, May 2025. https://youtu.be/75e0aMXUEJg

Maja Trochimczyk presents Paderewski's poems at the Polish Embassy in Washington D.C., 2018. A piano roll with Paderewski's portrait is unrolled as decoration.

https://chopinwithcherries.blogspot.com/2018/01/paderewski-and-polands-independence-vol.html

Dr. Maja Trochimczyk is a Polish American music historian, poet and translator, the author of 22 books, 30 book chapters, and 28 peer-reviewed research studies, as well as hundreds of poems and essays, including six research studies dedicated to Paderewski. With two master’s degrees from Poland (a M.A. in musicology from Warsaw University, Poland, and a M.A. in sound engineering from Chopin University of Music in Warsaw), and Ph.D. from McGill University, Montreal, Canada, she published nine books on music and Polish culture, & numerous research studies about Polish composers (Chopin, Szymanowska, Paderewski, Lutosławski, Górecki, Bacewicz, etc.), and other topics. She presented her work at over 90 international conferences. An award-winning poet, President of the California State Poetry Society, & the Editor of California Quarterly, she wrote and edited eleven poetry volumes, including five poetry anthologies, starting from Chopin with Cherries: A Tribute in Verse (2010) celebrating the 200th birthday of Fryderyk Chopin with 123 poems by 92 poets. She wrote six research studies about Paderewski, his music, and his image in poetry.

Trochimczyk reads poems about Paderewski in 2018.







Sunday, April 12, 2020

Krzysztof Penderecki Died on March 29, 2020 - Read Andrzej Wendland's Book


The noted Polish composer Krzysztof Penderecki (1933-2020) died on March 29, 2020 after a long illness. His contributions to Polish culture were many and his name is known in the contemporary music world around the globe.  His biography and a brief appreciation may be found on https://culture.pl/en/artist/krzysztof-penderecki.

To document his importance in the music world, I copied the part of the tribute that listed his main awards and prizes:

"Penderecki has twice received the Prix Italia - in 1968 for his Dies irae Oratorium ob memoriam in perniciei castris in Oswiecim necatorum inexstinguibilem reddendam for three solo voices, mixed choir and orchestra (1967), and in 1972 for his work, Passio et mors Domini Nostri Jesu Christi secundum Lucam for three solo voices, speaker, three mixed choirs, boys' choir and orchestra (1963-66). In addition, Penderecki has received the following awards: the first state prize (1968, 1983); the award of the Polish Composers' Union (1970); the Gottfried von Herder Award from the W.v.s. Foundation in Hamburg (1977); the Jean Sibelius Award from the Wilhouri Foundation in Helsinki (1983); Premio Lorenzo Magnifico, Florence (1985); the award of the Karl Wolff Foundation (Israel, 1987); a Grammy Award from the National Academy of Recording Arts and Sciences (USA) for his Cello Concerto No. 2, with Mstislav Rostropovich (1988); the Grawemeyer Award of the University of Louisville (1992); the award of the UNESCO International Music Council (1993), Order for Merits for Monaco (1993), Commander’s Commander's Cross with Star of the Order of Polonia Restituta(1993), Austrian Honorary Distinction for ‘Scientific and Artistic Achievements’, Pro Baltica Award (1995), Commandeur dans l'Ordre des Arts et des Lettres (1996), Duisburg Music Award (1999), AFIM Indie Award (1999), MIDEM Classical Award for Best Living Composer of the Year (2000), Ordine al Merito della Repubblica Italiana (2000), Premio Principe de Asturias de las Artes (2001), Award of the Great Foundation of Culture (2002), Romano Guardini Prize (2002), Preis der Europäischen Kirschenmusik (2003), Medal Fundacji Judaica (2003), Praemium Imperiale (2004), Order of the White Eagle (2005), Commander of the Three Star Order of the Latvian Republic (2006), Ministry of Culture Yearly Award, Józef Chełmoński Award, and Gold Medal of the Minister of Culture of the Republic of Armenia, the 2008 Orły Film Award for Andrzej Wajda’s Katyń, Grand-Croix de l’Ordre Pro Merito Melitensi (2011), the Ku Spotkaniu Award of the Marshal of the Senate of the Republic of Poland and the Chairman of the Federation Council of the Russian Federation (2011), the Badge of Honour for Contributions to Podlaskie Voivodeship (2013), and the Gold Medal of Honour for Contributions to Małopolskie Voivodeship (2013)."

"He has been granted honorary doctorates from the universities of Rochester, Bordeaux, Leuven, Washington, Belgrade, Madrid, Poznań, Warsaw, Buenos Aires, Glasgow, Kraków, Pittsburgh, Luzern, New Haven, Saint Petersburg, Leipzig, Seoul, Münster, Yerevan, Gdańsk, Kharkiv, and Maynooth. He was an honorary member of the Royal Academy of Music in London, the Accademia Nazionale di Santa Cecilia in Rome, the Kungliga Musikaliska Akademien in Stockholm, the Akademie der Künste in Berlin, the Academia Nacional de Bellas Artes in Buenos Aires, the Académie Nationale des Sciences, Belles-lettres et Arts in Bordeaux, the Royal Academy of Music in Dublin, the American Academy of Arts and Letters, the Academia Scientiarium et Artium Europaea in Salzburg, the Institut for Advanced Study University, Bloomington, The Kościuszko Foundation in New York, the Gesellschaft der Musikfreunde in Vienna, the Academy for Performing Arts in Hong Kong, `Academia Argentina de Musica, Jāzeps Vītols Latvian Academy of Music in Riga, N. A. Rimsky-Korsakov Saint Petersburg State Conservatory, Moscow State Tchaikovsky Conservatory, and Komitas State Conservatory of Yerevan."

Krzysztof Penderecki in his garden in Luslawice, his estate near Krakow, Poland.


ISBN 978-1-945938-30-6  paperback (available in Poland)

ISBN 978-1-945938-31-3  PDF ebook (available worldwide from Lulu.com)

http://www.lulu.com/shop/maja-trochimczyk-and-andrzej-wendland/g%C3%B3recki-penderecki-diptych/ebook/product-24018263.html


Moonrise Press is a proud publisher of the English version of a book by Andrzej Wendland commemorating two Polish composers born in 1933 who died a decade apart: Henryk Mikolaj Gorecki and Krzysztof Penderecki.  Currently, only the PDF version is available while the EPub version still suffers from a variety of bugs and issues.  We are looking forward to sharing this information worldwide.

In December 2018 and March 2019,  two versions of a new book of music studies by Andrzej Wendland, appeared in Poland, and the U.S. respectively. Entitled Górecki, Penderecki - Diptych and celebrating the 85th birth anniversary of both composers. The book consisted of two extended essays: a) "Two Tristan Postuldes and Chorale. Górecki – Wagner, intelektual reflection" and b) "Elegy for the Dying Forest - Krzysztof Penderecki VIII Symfonia „Lieder der Vergänglichkeit”  The paperback edition is only available in Poland, and includes essays in Polish and English. The PDF Book edition is available from lulu.com worldwide, and is in English only. Cover design by Maja Trochimczyk.

The essays, translated into English by Maja Trochimczyk, deal with "Two Tristan Postludes and Chorale" by Henryk Mikolaj Górecki (1933-2010) and The Eight Symphony by Krzysztof Penderecki (b. 1933). They draw from philosophy, aesthetic and poetry of importance to each composer to place each work in a broad cultural context.



The author wrote in his Preface:

Foreword / Starting  Point

A riddle and a surprise. In these words, we can briefly capture the content of two essays on the music of Henryk Mikołaj Górecki and Krzysztof Penderecki.

A riddle—because one of these essays concerns the "secret" connection of two such distant composers as Wagner and Górecki.

A surprise—because a musician writing about music  discusses Krzysztof Penderecki's work not by using  musicological analysis, but from the perspective of interpreting it via poetic works.

The direct pretext for writing these essays was the 85th anniversary of the birth of both composers. This was the first reason. The second reason stemmed from the fact that both composers made, at about the same time — in the late 1960s and the beginning of the 1970s—a sudden shift: the re-evaluation of their work. Each in his own way. From their positions as avant-garde leaders, they began to turn towards tradition, harmony and beauty. In compositions discussed here, it is not difficult to see the "connections" stretched along the axes: Górecki—Wagner, Penderecki—Mahler.

The third reason is that the works in question had their premieres at the Tansman Festival: Górecki — Two Postludes; Penderecki — the Łódź premiere of the 8th Symphony)

~ Andrzej Wendland

Table of Contents


Preface / Starting  Point — vii

Two Tristan Postludes and Choral
Górecki — Wagner, Intellectual reflection — 2


1. Preludium for Postludes ... — 2
2. Tristan and Isolde, Issues of Ideas and Content — 4
3. Others about Wagner — 10
4. Thinking after Wagner — 12
5. Tristan Postludes / Love / Romanticism /Orchestra — 17
6. Vita Contemplativa, the Forgotten Way of Expressing — 22
7. Substance — 27
8. Time / Eternity / Space — 30
9. Two Postludes — 35
10. Chorale / Overview — "From Xenakis to Monteverdi" — 39
11. Beauty / Transcendence — 42
12. Epilogue — Looking Through the Gap of Existence — 50
13. Henryk Mikołaj Górecki — 53


"Elegy for a Dying Forest"
Krzysztof Penderecki, 8th Symphony "Lieder der Vergänglichkeit" — 57

1. Preface / Starting  Point — 57
2. Introduction — 58
3. At Night (End of Autumn I) — 61
4. The Burning Tree —62
5. By the Linden Tree — 64
6. The Lilac — 66
7. Spring Night (End of Autumn II) — 69
8. What did the Beloved Tree Say — 74
9. In the Fog — 76
10. The Flower Garden — 78
11. Farewell — 80
12. Transience (End of Autumn III) — 82
13. An Autumn Day — 85
14. Oh, a Green Tree of Life — 86
15. Epilogue — 89
16. Krzysztof Penderecki – 91


About the Author

ANDRZEJ WENDLAND

Andrzej Wendland is a musician, musicologist, editor and publicist. A graduate of the Instrumental Department of the Academy of Music in Łodz, he also studied music theory and composition. He won many prizes at international competitions as a performer and composer in Poland, Italy and Greece. In 1980-1986, Wendland served as a lecturer of the Academy of Music in Bydgoszcz. He collaborated with the Polskie Wydawnictwo Muzyczne PWM as the author of the series „El Maestro”  He also collaborated with the Professional Music Press and published articles in many music magazines in Poland, Germany, France, Italy, Great Britain and Japan. 

He is the author of books: Gitara w twórczości Aleksandra Tansmana [Guitar in the Oeuvre of Aleksander Tansman] (Łódź, 1996) and Górecki. IV Symfonia Tansman Epizody. Fenomen, Żywioł, Tajemnica [Górecki. Symphony No. 4 Tansman Episodes, Phenomenon, Elements, Mystery] (Łódź 2016). His study of Górecki's Fourth Symphony appeared in Górecki in Context: Essays on Music edited by Maja Trochimczyk and published by Moonrise Press in 2017. Wendland is the founder and artistic director of the Tansman Festival –International Festival and Competition of Musical Individualities. Mr. Wendland is the recipient of many honors and prizes, including the medal „Zasłużony Kulturze Gloria Artis” from the Polish government in 2015.


Available in paperback and four ebooks in EPUB format:


http://www.lulu.com/shop/maja-trochimczyk/g%C3%B3recki-in-context-essays-on-music/paperback/product-23519706.html

More information about this book:

http://moonrisepress.blogspot.com/2017/08/announcing-publication-of-gorecki-in.html

http://moonrisepress.blogspot.com/2018/01/gorecki-in-context-at-paha-75th-annual.html





Thursday, September 19, 2019

New Music Book - Andrzej Wendland's "Górecki, Penderecki - Diptych"


ISBN 978-1-945938-30-6  paperback (available in Poland)

ISBN 978-1-945938-31-3  PDF ebook (available worldwide from Lulu.com)

In December 2018 and March 2019, Moonrise Press published two versions of a new book of music studies by Andrzej Wendland, entitled Górecki, Penderecki - Diptych and celebrating the 85th birth anniversaryof both composers. The book consisted of two extended essays: a) "Two Tristan Postuldes and Chorale. Górecki – Wagner, intelektual reflection" and b) "Elegy for the Dying Forest -
Krzysztof Penderecki VIII Symfonia „Lieder der Vergänglichkeit”  The paperback edition is only available in Poland, and includes essays in Polish and English. The PDF Book edition is available from lulu.com worldwide, and is in English only. Cover design by Maja Trochimczyk.

The essays, translated into English by Maja Trochimczyk, deal with "Two Tristan Postludes and Chorale" by Henryk Mikolaj Górecki (1933-2010) and The Eight Symphony by Krzysztof Penderecki (b. 1933). They draw from philosophy, aesthetic and poetry of importance to each composer to place each work in a broad cultural context.

The essays are introduced by a following preface by the author:

"A riddle and a surprise. In these words, we can briefly define the content of two essays on the music of Henryk Mikołaj Górecki and Krzysztof Penderecki. A riddle—because an essay concerns the "secret" connection of two such distant artists as Wagner and Górecki. A surprise—because a musician writing about music will discuss Krzysztof Penderecki's work without musicological analysis, but from the perspective of reading poetic works.

Henryk Mikolaj Gorecki at his desk in Katowice, 1998

The direct pretext for writing these essays was the 85th anniversary of the birth of both composers. Primarily. Secondly, both composers made, at about the same time — in the late 1960s, the beginning of the 1970s—a sudden shift: the re-evaluation of their work. Each in his own way. From the position of avant-garde leaders, they began to turn towards tradition, harmony and beauty. In the compositions discussed here, it is not difficult to see their "connections" stretched along the axes: Górecki—Wagner, Penderecki—Mahler. Thirdly, the works in question had their premieres at the Tansman Festival (Górecki — world premiere, Penderecki — Polish premiere of the 12-movement version, the premiere that took place in  Łódź.)"

ANDRZEJ WENDLAND

Andrzej Wendland is a musician, musicologist, editor and publicist. A graduate of the Instrumental Department of the Academy of Music in Łodz, he also studied music theory and composition. He won many prizes at international competitions as a performer and composer in Poland, Italy and Greece. In 1980-1986, Wendland served as a lecturer of the Academy of Music in Bydgoszcz. He collaborated with the Polskie Wydawnictwo Muzyczne PWM as the author of the series „El Maestro”  He also collaborated with the Professional Music Press and published articles in many music magazines in Poland, Germany, France, Italy, Great Britain and Japan. 

He is the author of books: Gitara w twórczości Aleksandra Tansmana [Guitar in the Oeuvre of Aleksander Tansman] (Łódź, 1996) and Górecki. IV Symfonia Tansman Epizody. Fenomen, Żywioł, Tajemnica [Górecki. Symphony No. 4 Tansman Episodes, Phenomenon, Elements, Mystery] (Łódź 2016). His study of Górecki's Fourth Symphony appeared in Górecki in Context: Essays on Music edited by Maja Trochimczyk and published by Moonrise Press in 2017. Wendland is the founder and artistic director of the Tansman Festival –International Festival and Competition of Musical Individualities. Mr. Wendland is the recipient of many honors and prizes, including the medal „Zasłużony Kulturze Gloria Artis” from the Polish government in 2015.

Available in paperback and four ebooks in EPUB format:








Thursday, August 17, 2017

Announcing "Gorecki in Context: Essays on Music" Edited by Maja Trochimczyk






The volume of interviews and studies of the music by Henryk Mikolaj Gorecki (1933-2010) is finally  seeing the light of day. The project was initiated in 2011, after the composer's death, as a tribute to him, and a way to present a more diverse image of the composer and his work as seen by Polish scholars, whose research is not well known in the English-speaking world.



The collection of interviews grew to seven texts, from 1962 to 2008, the studies include translations of Polish research and three essays of the editor, Maja Trochimczyk - an overview of his life and music, a study of his concept of "motherhood" and a description of his visit to Los Angeles in 1997. All these aspects were previously either unknown, not available in English, or neglected in Gorecki scholarship. So far, so good. We are waiting for the music publishers to respond with the copyright permissions, at which time the page numbers will be finalized and the book published.

Gorecki "sekunduje" (plays the second fiddle) in goralska kapela for the 50th anniversary
of the Tatra Eagle in New Jersey, September 1997. L to R: Prof. Thaddeus Gromada, Andrzej Bachleda, 
H. M. Gorecki, Jane Kedron. Used by Permission of Thaddeus Gromada

Below, you will find a reprint of the preface by the editor, and the table of contents listing the articles that "made the cut" and will highlight the diverse aspects of Gorecki's music in its Polish context.
Here are more links and pictures: http://chopinwithcherries.blogspot.com/2017/08/summer-with-poetry-and-art.html.  Trochimczyk's poem in his memory was published on the same Chopin with Cherries blog, in 2010: http://chopinwithcherries.blogspot.com/2010/11/gorecki-chopin-and-mountains.html. Excerpts with his interview about Chopin are also posted there.



⦾ GÓRECKI IN CONTEXT: ESSAYS ON MUSIC ⦾  

⦾ PREFACE ⦾


This volume gathers interviews and studies of the music of the Polish composer,  Henryk Mikołaj Górecki (1933-2010). Contributors include the composer himself – in a series of interviews spanning his entire career, from 1962 to 2008 – as well as leading Górecki scholars from Poland, the U.K., the U.S., and Australia. The collection includes a list of works, music examples, portraits, photographs, and a bibliography. The value of gathering five interviews in one place cannot be overestimated, as these encounters portray the mind of the composer and capture the changing interests that preoccupied him at various stages in his career.


The project brings together different views at the composer’s oeuvre, highlighting three of the four symphonies, each honored by a separate chapter: the Second Symphony Copernican (Kinga Kiwała), the Third Symphony  The Symphony of Sorrowful Songs (Maja Trochimczyk) and the Fourth Symphony Tansman Episodes (Andrzej Wendland). Two studies were contributed by an eminent Polish scholar and Górecki’s long-time personal friend, Prof. Teresa Malecka of Kraków, including an extensive review of the composer’s links to Polish musical traditions, and an overview of his piano music.  The studies are rounded up by an introductory overview of Górecki’s life and career and a case study of his visit to Los Angeles in 1997, when he conducted his Third Symphony for the first time outside of Poland, and made a huge impact on the musical life of California.

As one of the organizers of the 1997 Górecki Autumn Residency at the University of Southern California in Los Angeles, and the composer’s personal translator and guide, I had an unusually close contact with the reclusive composer and was able to present his views in two interviews and several articles, with a focus on the Third Symphony.


I hope that this volume will serve to stimulate further research into the life and music of Henryk Mikołaj Górecki whose oeuvre goes well beyond the world-famous maverick of a piece, his Third Symphony, beloved and misinterpreted in equal measure.


Maja Trochimczyk



Jane Kedron, Andrzej Bachleda and Henryk Mikolaj Gorecki, October 1997, Los Angeles


⦾   ⦾   ⦾



⦾ CONTENTS ⦾

⦾ Maja Trochimczyk – Introduction

⦾ Luke B. Howard – Why Love Górecki?


⦾ Maja Trochimczyk – Mountains of Grief (Poem)



⦾  ⦾  ⦾


⦾ PART I ⦾


GÓRECKI ON LIFE AND MUSIC


⦾ Chapter 1 ⦾ — Page 3

Conversation with Henryk Górecki: Leon Markiewicz, July 1962  — Translated by Anna Maslowiec

⦾ Chapter 2 ⦾ — Page 12

“I Am Always Myself” – Says Henryk Mikołaj Górecki in Conversation with Mieczysław Kominek (December 1993)  —  translated by Maja Trochimczyk

⦾ Chapter 3 ⦾ — Page 22

 About Life and Music: A Conversation with Henryk Mikołaj Górecki (Zakopane, 16 July 1997) — Maja Trochimczyk

⦾ Chapter 4 ⦾ — Page 45

“Composing is a Terribly Personal Matter:” A Conversation with Henryk Mikołaj Górecki (April 1998) —Maja Trochimczyk

⦾ Chapter 5 ⦾ — Page 66

“There’s More to Life than the Arranging of Sounds” – Henryk Mikołaj Górecki in Conversation with Małgorzata and Marcin Gmys

 ⦾ Chapter 6 ⦾ — Page 80

“Music? A Visitor from Another World,” (15 October 2008), Henryk Mikołaj Górecki in Conversation with Małgorzata and Marcin Gmys

⦾ Chapter 7 ⦾ — Page 87

“Music is a Conversation.” Henryk Mikołaj Górecki Talks to Anna Wieczorek and Krzysztof Cyran (29 April 2008) —edited by Małgorzata Janicka-Słysz




⦾ PART II ⦾


ON GÓRECKI’S LIFE AND MUSIC


⦾ Chapter 8 ⦾ — Page 101

Górecki’s Life and Music: A Bird’s Eye View — Maja Trochimczyk

⦾ Chapter 9 ⦾

Henryk Mikołaj Górecki’s Symphony No. 2 Copernican:  Word and Sound and the Sublime — Kinga Kiwała  — Translated by Maja Trochimczyk

⦾ Chapter 10 ⦾

Mothers and Motherhood in Górecki's Third Symphony and Other Works  — Maja Trochimczyk

⦾ Chapter 11 ⦾

Górecki and the Polish Musical Tradition. Wacław of Szamotuły, Chopin, Szymanowski, Polish Folk and Church Music — Teresa Malecka
 
⦾ Chapter 12 ⦾
Górecki at the Keyboard: The Piano in his Compositional Output — Teresa Malecka

⦾ Chapter 13 ⦾

Górecki in Los Angeles, 1997 — Maja Trochimczyk

⦾ Chapter 14  ⦾

The  Phenomenon and Mystery of Górecki’s Fourth Symphony – Tansman. Epizody” —Andrzej Wendland (translated by Maja Trochimczyk)

⦾  ⦾  ⦾


⦾ Henryk Mikołaj Górecki - List of Works


⦾ Bibliography


⦾ Notes about Contributors


⦾ Index


⦾  ⦾  ⦾


Maja Trochimczyk with Gorecki in Context and other Moonrise Press books, 
at Modjeska Club Meeting, South Pasadena. Photo by Lucyna Przasnyski.


And here's the classic video with Gorecki listening to his Third Symphony with his favorite soprano, Zofia Kijanowicz as the soloist. From TVP Kultura.

Friday, April 8, 2016

"Chopin with Cherries" and "Across the Atlantic" to be Featured at Book Expo America (Chicago, May 2016)

Book Expo America (BEA), which is the largest book show in the US, will be held in Chicago this year in mid-May, and Poland is the featured country. The Poland exhibit is being managed by the Book Institute in Krakow and the Polish Cultural Institute in NYC.  Terry Tegnazian, publisher of Aquila Polonica (a Los Angeles small press specializing in Polish stories from World War II - in Poland and abroad) suggested that there is a “Books in English” section within the Poland exhibit. They have agreed, and asked Ms. Tegnazian to organize it. 




Our anthology, Chopin with Cherries and its editor's volume of poems, Slicing the Bread, were added to the list of suggested books, and have received the approval  from the Book Institute and Polish Cultural Institute to be included in the Books in English section. Both books got great reviews: Chopin and Bread. 

Edited by Dr. Maja Trochimczyk, and published in 2010, Chopin with Cherries celebrates the 200th birth anniversary of Polish pianist-composer, Fryderyk Chopin (1810-1849). Ninety-one poets are represented here; they live in the U.S., England, France, Mexico, the Philippines and Poland - with family roots in Poland, Australia, China, France, India, Italy, Malta, Mexico, the Philippines, Serbia, and other countries. The anthology includes more than 122 poems in English, and one important Polish poem, Cyprian Kamil Norwid's Fortepian Szopena, in a new English translation by Leonard Kress (this is the first English translation of Norwid's masterpiece, considered too difficult even by the translator of his entire oeuvre, Adam Czerniawski). English-language classics include verse by T. S. Elliot, Emma Lazarus and Amy Lowell.


Slicing the Bread, published in 2014 by The Finishing Line Press, is a unique poetry collection that revisits the dark days of World War II and the post-war occupation of Poland by the Soviet Union that “liberated” the country from one foreign oppression to replace it with another. The point of view is that of children, raised by survivors, scarred by war, wary of politics. Maja Trochimczyk's poems, each inspired by a single object giving rise to memories like Proust’s madeleine (a spoon, a coat, the smell of incense) are divided into three sections, starting with snapshots of World War II in the Polish Borderlands (Kresy) and in central Poland. Reflections on the Germans’ brutal killings of Jews and Poles are followed by insights into the way the long shadow of THE war darkened a childhood spent behind the Iron Curtain. For poet Georgia Jones Davis, this book, “brings the experience of war into shocking, immediate focus” through Trochimczyk’s use of “her weapon: Language at its most precise and lyrical, understated and piercingly visual.” 

Additionally, Across the Atlantic: The Adamowicz Brothers, Polish Aviation Pioneers by Zofia Reklewska-Braun and Kazimierz Braun will be on display at Book Expo America - Poland section, within a Books in English subsection. 


Across the Atlantic recounts the adventures and misunventures of two Polish amateur-pilots, Joe (Józef) and Ben (Bolesław) Adamowicz, who immigrated to the US in the 1900s-1910s, and in the summer of 1934 flew over the Atlantic on a single-engine plane Bellanca. Their trip took them from New York to Warsaw; they were the first Poles to do so. They became instant celebrities, favorites of the journalists, photographers, and the public on both sides of the Atlantic. Alas, their triumph was short-lived, followed by a fall from grace, to imprisonment and bankruptcy. This richly illustrated book brings to life their forgotten story. Written by a historian, journalist and educator Zofia Reklewska-Braun and director, writer, scholar, and author of over 50 books, Dr. Kazimierz Braun, this book was originally published in Poland in 2011.


Tuesday, May 20, 2014

Chopin with Cherries in Paris and in the Polish Review

Maja Trochimczyk reads her poetry in Paris

Two poems from the Chopin with Cherries anthology, published in 2010, made it to rainy Paris this spring.  During the artistic salon at the end of Maria Szymanowska Conference held in April 2014 at the Polish Academy of Sciences in Paris, I read "Harvesting Chopin" in English, and "A Study with Cherries" in Polish and English. Since I have just reprinted the "Harvesting Chopin" on the Poetry Laurels blog, let's read again the cherries. Its translation was problematic from one point of view. The fruit in the title is "wisnia" - dark red and sour, and very fragrant and juicy, perfect for confitures, jams, cakes... The Polish word I selected for translation is "czeresnia" - a larger, more fleshy and far sweeter fruit that does not convert so well into preservers and jams, because with the addition of sugar, its sweetness becomes overpowering. But "Czeresnia" sounds more like "Chopin" and "Cherries" so "czeresnia" it will be.



A Study with Cherries

Maja Trochimczyk


          After Etude in C Major, Op. 10, No. 1 and the cherry orchard
                of my grandparents, Stanisław and Marianna Wajszczuk


I want a cherry,
a rich, sweet cherry
to sprinkle its dark notes
on my skin, like rainy preludes
drizzling through the air.

Followed by the echoes
of the piano, I climb
a cherry tree to find rest
between fragile branches 
and relish the red perfection –
morning cherry music.

Satiated, sleepy,
I hide in the dusty attic.
I crack open the shell
of a walnut to peel
the bitter skin off,
revealing white flesh –
a study in C Major.

Tasted in reverie,
the harmonies seep
through light-filled cracks
between weathered beams
in Grandma’s daily ritual
of Chopin at noon.



Etiuda z Czereśniami


 Inspiracja Etiuda C-Dur, Op. 10, No. 1 i wisniowym sadem mojego dziadka i babci, Stanisława i Marianny Wajszczuk



A ja chcę czereśnie
Słodziutkie czereśnie
Chce poczuć ciemne nuty soku
Na mojej skórze
Jak krople deszczowego preludium
W mżawce poranka

W obłoku fortepianu
Wspinam się na czereśnię
Szukam ukojenia wśród kruchych gałęzi
Cieszę się doskonałością czerwieni
Czereśniową muzyką od samego rana

Nasycona, śpiąca
Chowam się w ciemnościach strychu
By łupać orzechy, obierać gorzką skórkę
Odsłaniać biały miąższ
Studium w tonacji C-dur

Smakuję marzenia
Akordy płyną przez szpary
Starych belek wypełnione światłem

To codzienny rytuał mojej Babuni
Popołudnie z Chopinem


CHOPIN WITH CHERRIES REVIEWED




The poem and other Chopin-themed poetry is available in the 2010 anthology, Chopin with Cherries, that was recently reviewed by Grazyna Kozaczka in The Polish Review (vol. 58, no. 4), 2014.  Among other comments, Prof. Kozaczka had the following things to say about the book:

"The book's striking title brings the reader to Trochimczyk's own poem, "A Study with Cherries," where the musical motifs of one of Chopin's etudes transport the poet across space and time to the cherry orchard of her grandparents in Poland and offer her peace and fulfillment.... In Chopin with Cherries: A Tribute in Verse, just a glance at the chapter headings identifies the poetic interests in Chopin. Thus poets find inspiration in a particular musical genre such as waltzes, mazurkas, or nocturnes; they become fascinated by Chopin's life, illness, and death, and his relationship to George Sand; and, finally, they explore their own emotional responses to hearing or playing Chopin's music...." 

The reviewer was equally fascinated with visual illustrations from vintage postcards, revealing late 19th-century sensibilities associated with Chopin's music and its expressive world.