Showing posts with label Cindy Rinne. Show all posts
Showing posts with label Cindy Rinne. Show all posts

Wednesday, December 1, 2021

The Pushcart Prize Nominations from Moonrise Press 2021

Nominations to Pushcart Prize for Best of the Small Presses were submitted for the following poems and short prose published by Moonrise Press: 

  • Cindy Rinne: “No Shortness of Breath” from Today in the Forest, 2021
  • Maja Trochimczyk: “A Song for a Key”, “Soap Bubbles,” and “The 23rd of July”  from The Rainy Bread: More Poems from Exile, expanded edition, 2021.

CONGRATULATIONS!




No Shortness of Breath


I.
Sierra mule deer looks deep into brother’s chestnut eyes. Young, but he sees gentleness and a respect for nature. Deer, gatekeeper to the high places, allows brother and sister to pass.

II.
Brother fears owl and feels less afraid with deer. Ready to climb, his pudgy foot slips a couple times on smooth, granite boulders. The wind threatens to take his hat. Be careful, says sister from below. Brother pictures the grace of deer as he scrapes his short fingers. The air is thin, but easy for him to breathe. The incense cedars and white pines arch in biting winds. Brother inhales their spicy smell and takes another step.

Cindy Rinne
San Bernardino, California
 

ISBN 978-1-945938-47-4 Paperback with color photos, 124 pp. $40.00 plus shipping
 ISBN 978-1-945938-01-6   EBook, expanded version $8.00



≡ A SONG FOR A KEY ≡

                 ~ for Jan Jakub Kolski and his Mother

This is a key.
This is an iron key.
This is a large, iron key.
This is an old, large, iron key.
A key my mother carried in her purse.

This is an old, large, wrought-iron key my mother 
carried in her purse every single day.

This is a field.
This is a flat field.
This is a flat, empty field.
This is a flat, empty field in the Ukraine
that used to be Poland. A flat, empty field 
where my mother’s house once stood, surrounded 
by a tall wooden fence with a tall wooden gate, 
and a solid, large, wrought-iron lock.

They told her: pack!
They told her: go!
They told her: out!
You do not belong.
This is our land.

There is not house.
There is no fence.
There is no gate.

This is the key.



≡ SOAP BUBBLES ≡


The sky is the color of soap bubbles
that Grandpa makes on the porch of old wooden house
in the village, the house with a peaked roof 
and three-panel shutters on each window, 
closed only for winter storms and departures, almost never –

The straws are tricky to make – of golden rye,
cut between joints, with the tip quartered
and bent into a miniature cross of Malta.
We hold our straws gingerly, in a solemn ritual
of dipping them in a dish of lukewarm water 
with a piece of brown soap, then lifting the tips up
and exhaling air slowly, carefully – until
the bubble, like the soul of a plum or an apple,
detaches, becomes spherical, and floats away.

Iridescent, translucent – oscillating from pink, 
to blue, to gold, to periwinkle. Yes, the sky before
sunset is the color of soap bubbles. I make 
a shiny sphere and watch its upward progress, 
on a meandering path through warm summer sky, until
it bursts in a sudden gust of wind. The pang 
of disappointment is real – it melts away 
only when another bubble is ready
to ascend on its random, weightless pathway. 
We count them, one by one, keeping the score.

In times of trouble, make soap bubbles 
and watch them float on air currents. Away.
Into the unknown. The size of a plum or an apple,
iridescent, translucent – oscillating
from pink, to blue, to gold, to periwinkle. 
They float away – specks of joy up in the sky – 
here just for a moment, until they disappear 
in ever more distant, misty evening sky.

≡ THE 23RD OF JULY ≡


is the day of clearing karma 
untying knots on the thread of fate,
breaking enchantments, reversing curses.

Look at the moon, blood-red and broken 
above the hilltop, huge like ancient pain 
passed on through generations.
It follows you, as you drive home
after resting in the silver mist of the ocean,
its waves — turquoise and jade —
always moving, yet always the same —

Look, the moon hides behind the black ridge
of despair, only a soft spot remains, 
shimmering on alien indigo sky. The road turns,
you fly along 80 miles per hour, singing a Chopin's Nocturne -

its lustrous cascade of notes split apart
by a sudden apparition — a majestic, 
white platinum orb, suspended in darkness.

You remember that rust-red, once-in-the-lifetime
moon of prophecy, the fox moon that foretold disaster 
as it led you back from Paso Robles, Solvang, Santa Rosa, 
on the way into disillusionment and regret.

It was hard to understand. Harder to believe in 
the existence of such twisted, demonic selfishness
masquerading as affection. Pitiful.
 
Yet the healing was real. The lesson’s learned.
The karma’s cleared. It is done.

The moon now floats high above the valley
in its bright halo, distant and indifferent.
You've discovered the virtue of detachment.
You've seen how desires of the heart
led you astray. Your life - an illumination.

Like a moonbeam, glowing on cobalt waters 
of the Pacific, your path ahead is straight — 
clear — dazzling — brilliant —

A Starchild, born to shine, you are blessed 
by the moon's radiance on this magical 
summer evening of July 23rd.

You found your home. The New Age has begun.














Tuesday, February 23, 2021

"Today in the Forest" A New Book by Cindy Rinne and Toti O'Brien, February 2021

ISBN  978-1-945938-43-6 Color Paperback, 46 pages, $20

ISBN 978-1-945938-45-0 E-Book in PDF,  only on lulu.com, $10 

ISBN 978-1-945938-44-3  EBook in e-Pub, Barnes & Noble, iTunes, etc. $10

Moonrise Press announces the publication of "Today in the Forest," a mysterious and inspired poetry and art book that will stir your imagination. This gem of a book has been created by Cindy Rinne, poet and fiber artist, and Toti O'Brien, artist, musician, and poet, with Cindy's poems and Toti's images in a delightful counterpoint of words and visions. 

The first reading is scheduled by Village Poets of Sunland-Tujunga on Zoom on Sunday, March 21, 2021 at 4:30 pm. To request a link email Maja Trochimczyk at maja@moonrisepress.com or Dorothy Skiles at dmhskiles@gmail.com. In addition to discussing her imagery and techniques, Toti ead some of her poems - since the book includes only poetry by Cindy Rinne. Two open mic sessions were available, before and after the feature presentation.  

Video recording of the reading on YouTube:https://youtu.be/7sZM8GSJJgU


ABOUT THIS BOOK

"I was mesmerized reading Today in the Forest. O’Brien and Rinne have created a luminous, mythical world inhabited by a Moon Goddess, wolf-people, and various imaginative delights. It is a world destroyed or horribly threatened, yet I felt protection, care, and survival here. Today in the Forest is a poetic journey illuminated with hope and memory."

   ~ Stacy Russo, author of Love Activism and We Were Going to Change the World


"As if in the forest all the problems of our world are being solved under the bark of trees, in an unseen parallel world, a precise and healing mythology is acted out by half human half visionary figures. Here, illustrated with powerful hand by someone who has been there, and witnessed, Toti O'Brien as master-artist, embodies the magical words of storyteller Cindy Rinne whose characters, her intimates, have allowed her to share their secrets at work.
       Cindy has recorded and given us a magic scroll. Toti has drawn and given us the map. "She sees the sand bottom and tries to hold the tree's shadow. A murmur gurgles as golden rocks beckon her to climb." ~ Cindy Rinne
       We need to be here for hope." 

    ~ Kath Abela Wilson, leader of Poets on Site, author of  Figures of Humor and Strange Beauty (Glass Lyre Press, 2019)

ABOUT THE AUTHORS


Cindy Rinne creates fiber art and writes in San Bernardino, CA. Cindy is the author of several books: silence between drumbeats (Four Feathers Press), Letters Under Rock with Bory Thach, (Elyssar Press), and others. Her poetry appeared or is forthcoming: Anti-Heroin Chic, Verse-Virtual, LitGleam, and others, plus several anthologies. www.fiberverse.com


 Toti O’Brien’s mixed media have been exhibited in group and solo shows, in Europe and the US, since 1995. She has illustrated several children books and two memoirs. Her artwork is on the cover of several books and it was most recently featured in pethricor, Two Hawks, Arkana and Argo. More about her work can be found at http://totihan.net/index.html


TABLE OF CONTENTS

Poems by Cindy Rinne 
Images by Toti O’Brien

Part I – Moon Goddess

Anahita Speaks Today in the Forest 3
Today in the Forest                 
Presence / Absence                 
Anahita’s Horses                 6
Some Days Coral Mustang         7
Deep-Downness                         8
Deep-Downness                         9
Rain Stick                         10
Hollowed Plant                 11
At All Cost                         12
At All Cost                         13
Return from the Grave                 14
Beneath Quarter Moon         15
Crystalwind Vanishes and Finds a Map         16
After all these Years of Waiting         17
Food from Starshine                 18 
Decay                         19
Thinks of Her Family                 20

Part II – Crystalwind’s Family

The Elements                 23
Merger of Heartbeat and Bark                 24
Memories                         25
One Loop Left                26 
The Wolf Flower                         27 
Exposed Roots                         28 
Exposed Roots                 29 
Rings of Time                 30 
Azurite Knows Two Bodies         31
No Shortness of Breath                 32
Gentleness                         33
Sister Runs                         34
Murmurs                         35
Crystalwind Imagines Anahita                 36


Acknowledgements                 38
About the Authors                 39





Book Review by Michael Paul Hogan, in London Grip Poetry Review online, November 2022:

https://londongrip.co.uk/2022/11/london-grip-poetry-review-cindy-rinne

Is it possible to create a myth? Or should they evolve out of some remote and unrecorded past, only gaining the concrete legitimacy of words when they have been refined and expanded over centuries of oral transmutation? Does poetry represent a myth’s end in the sense that the myth is now completed? That it can no longer be told in many versions, but now must be read as a single unified work?

The genius of Cindy Rinne (greatly aided by the genius of her illustrator, Toti O’Brien) is that she has managed to sidestep these questions by not exactly creating a myth, but presenting us with the fragments of a myth, one that might have been developed orally then been crystallised by poets, but now resembles the shards of pottery and pieces of fresco from which an archaeologist might recreate the kingdom of Sparta or the city of Troy. The myth, she seems to say, has been forgotten, buried under a heap of modern imagery; from these fragments I now present to you, you must recreate the myth for yourself. [...]

Ultimately, Today in the Forest defies any kind of conventional revue. The text is like trying to negotiate an entirely blacked-out village by the occasional flash of lightning; the illustrations need to be seen to be appreciated; the effect of the combination of the two must, therefore, be taken on trust. I can only conclude by saying that Cindy Rinne and Toti O’Brien have between them created a small masterpiece. It deserves all the success I hope it achieves.