Sunday, April 25, 2021

"The Rainy Bread: More Poems from Exile" by Maja Trochimczyk, New Expanded Edition

E-book: ISBN 978-1-945938-01-6, $8.00, expanded edition, April 2021
Color paperback: ISBN 978-1-945938-47-4, 124 pages, 60 poems, 14 pages of photos, $40.00

The Rainy Bread: More Poems from Exile, a poetry collection by Maja Trochimczyk has been enlarged by 30 poems and reorganized into six parts. An updated e-book  and color paperback editions are available. 

The book now includes 63 poems about forgotten stories of Poles living under the Soviet and German occupation during WWII, especially in the Eastern Borderlands of Kresy. They were killed, deported, imprisoned, or oppressed after the invasion of Poland by Germany on September 1, 1039 and by the invasion by the Soviet Union on September 17, 1939. Some of these brief portraits capture the trauma and resilience, ordeals and miraculous survival stories of the author’s immediate family. Their experiences of displacement, hunger, cold, and poverty during the war are typical of Polish civilians. 

Author's Grandma Maria Anna Wajszczuk, b. Wasiuk (1906-1973)

These fictionalized fact-based memories are coupled with depictions of survival of other Poles deported to Siberia, the Arctic Circle, or Kazakhstan; those left the Soviet Union with the Second Corps of the Polish Army under the command of General Władysław Anders; those who were transported to refugee camps in India or Africa; and ended up in Argentina, Canada, Australia or the U.S.

A monument to Polish civilians shot by Germans during Warsaw Uprising.

The book is a companion to “Slicing the Bread” (2014), with which it shares some poems, including vignettes from the author’s childhood in Warsaw. Organized into six parts - Destinations, Nowhere, Hunger Years, Resilience, There and Back, What Remains, the updated book follows a trajectory of descent into the hell of deportations, imprisonment, hunger, mass murder, and ascent into resilience and survival. The dark rain of sorrow changes into the diamond rain of delight with life.


ABOUT THE AUTHOR

Maja Trochimczyk, Ph.D., is a Polish American poet, music historian, photographer, and author of seven books on music, most recently “Gorecki in Context: Essays on Music” (2017) and “Frédéric Chopin: A Research and Information Guide” (co-edited with William Smialek, rev. ed., 2015). She currently serves as the President of the California State Poetry Society, managing editor of the California Quarterly, and President of the Helena Modjeska Art and Culture Club in Los Angeles, promoting Polish culture in California. Trochimczyk’s nine books of poetry include “Rose Always,” “Miriam’s Iris,” “Slicing the Bread,” “Into Light”, and four anthologies, “Chopin with Cherries” (2010), “Meditations on Divine Names” (2012), “Grateful Conversations: A Poetry Anthology” (2018) and “We Are Here: Village Poets Anthology” (2020). This is her ninth poetry collection.

Nike - Monument to Warsaw Uprising, Warsaw, 2014.

SAMPLE NEW POEMS

≡ PANI BASIA ≡

~ in memoriam Barbara Wysocka, “Irma” soldier in the Warsaw 

   Uprising, prisoner of Stutthof Camp (1927-1997) 


Who was this stranger at Christmas Eve dinners? 

A tall, stern lady who did not smile or talk to children. 

Distinguished. Distant. Too stiff for hugging. 


She looked at us as if from another planet. 

She ate her food slowly, methodically,

relishing each sip of the hot beet soup, 

gingerly picking fishbones out of carp in aspic. 


An aura of loneliness spread out around her. 


Why did Mom take her for vacation to Abu Dhabi,

on an exotic adventure, to see red sands, palms, camels?


The answer waited for decades in packets 

of old letters, medals earned during the war. 

She was “Irma,” a teen liaison for Division Baszta 

in Mokotów. Fought to the end, Warsaw’s fall. 

Imprisoned in the Stutthof Concentration Camp. 

Her whole family perished. All alone.


Never married. Wrapped in her grief 

like a cashmere shawl.


On her vacation in Persian Gulf, she saw 

wobbly camels race – and finally laughed. 


A monument to Polish civilians shot by Germans during Warsaw Uprising

 ≡ THIRTY SIX ≡


The number is thirty-six. Not thirty and 

Not thirty-seven. Thirty-six. That’s how many 

lives they saved, sheltering them in secret, finding

more food, more clothing for the ghetto escapees. 

Doctor Alicja and Mr. Marian Burakowski at your service. 


Unsung heroes, nearly forgotten, except for 

that tree planted in Yad Vashem’ garden in 1983. 

Righteous among the Nations. No. 2480 on the list 

of the bravest people the world has ever known.


Think of the sheer audacity of what they did. 

The number is thirty-six. Not thirty and not thirty-seven. 


How many Jews would you have saved, if your own life, 

and that of all your children, your whole family, were at stake? 

Germans declared a mandatory death sentence, 

for this crime, if caught. 


Do not forget their names, then, Alicja and Marian

Dr. and Mr. Burakowski at your service.

The number is thirty-six.

 


≡ THE GREATEST SONG ≡

       ~ for Hanka Ordonówna, a humanitarian star (1902-1950)


Miłość Ci wszystko wybaczy… Love will forgive you everything. . .

The refrain of Poland’s most famous song

echoes through her memory, as she listens 

to the stories of war orphans – covered in

wounds and lice, starved to skeletons, yet

finding time to play. They asked her to sing. 


Ordonka, she used to be in another life, 

on a different timeline, another planet, perhaps – 

its very existence impossible to believe in, here 

on the train with orphans, on the way to a refugee

camp in India – in a coarse military uniform instead 

of silks, pearl strings, shawls, and ostrich feathers.

Champagne for the greatest star! Balls and revues

for the beloved singer of perfect Love! Such charm! 


She found refuge in Beirut, her final stop, Paris 

of the Levant. There was no Poland to return to, after 

Stalin’s tanks rolled in to stay for 45 years. She did not 

make it. She did not feel like wearing silks, feathers, 

pearls – after the orphans that survived their odyssey 

went somewhere else to become someone else – not 

her lost Polish children, smiling with delight as she sang.


Miłość ci wszystko wybaczy… bo miłość, moj miły, to ja!

Love will forgive you everything. . . for Love, my dear, I’m Love!

 

NOTE: Read a summary of her story by Irene Tomaszewski, "The Cabaret Star and the Orphans: From Warsaw to India" Cosmopolitan Review, vol. 5 no.2 (June 2013). http://cosmopolitanreview.com/hanka-ordonowna/


≡ A PILOT IN PAKISTAN ≡


~ for pilot Zofia Turowicz (d.1980)


She learned to fly to have wings —

to look down at the rolling waves of mountains, 

the geometry of fields outlined by rivers, 

dotted by lakes. She longed to see where clouds

were born, and where they were going.


Today, she teaches soldiers of a foreign army

how to fly and kill, kill and fly away, unharmed.


They call it the dogfight, as in, dog 

eats dog, the bigger dog,

the faster dog, the dog 

with sharper teeth. 

The dogs of war.


Six years was enough. 

Enough of this war.


She lost her home, her house, her childhood.

She has no future. Alone, wearing blond curls 

and the tight, belted uniform of a pilot

she’s teaching soldiers in a Muslim country 

how to fly to war. 


NOTE: Pilot Zofia Turowicz was the wife of Władysław Józef Marian Turowicz (1908-1980), commander of about 30 Polish pilots that trained the newly formed Pakistani Air Force since 1948. He remained a PAF officer, and became the founder of Pakistani space program. https://www.compasstravelguide.net/curiosities/the-polish-pakistani-air-force/



≡ TABLE OF CONTENTS ≡

≡ PART I ≡ DESTINATIONS ≡ 1≡
1. Once Upon a Time in Baranowicze ≡ 2
2. What to Carry ≡ 4
3. How to Walk ≡ 5
4. Starlight ≡ 6
5. Charlie, Who Did Not Cross ≡ 7
6. Five Countries in Venice ≡ 9
7. Kazakhstan, 1936 ≡ 11
8. Eyes on the Road ≡ 12
9. The Baton ≡13
10. Diamonds ≡ 14
11. Of Trains and Tea ≡ 15

≡ PART II ≡ NOWHERE ≡ 17 ≡
12. The Summer of Love ≡ 18
13. Bees and the Breeze ≡ 19
14. Afterimage ≡ 20
15. The Odds ≡ 21
16. Colors of Faith ≡ 22
17. Incense ≡ 24
18. Wołyń ≡ 25
19. Kołyma ≡ 27
20. Amu Darya ≡ 28
21. Reflection ≡ 30
22. Shambhala ≡ 31
23. Birdwatching in a Saltwater Marsh ≡ 33

≡ PART III ≡ HUNGER YEARS ≡ 35 ≡
24. Slicing the Bread ≡ 36
25. The Trap Door ≡ 37
26. Peeling the Potatoes ≡ 39
27. The Spoon ≡ 41
28. Kasha ≡ 42
29. The Hole in the Wall ≡ 43
30. Hair ≡ 44
31. The Polish Easter ≡ 45
32. Whitening ≡ 46

≡ PART IV ≡ RESILIENCE ≡ 47 ≡
33. Pani Basia ≡ 48
34. Family Stories ≡ 49
35. Persistence ≡ 50
36. Unvanquished ≡ 52
37. Thirty Six ≡ 54
38. The Greatest Song ≡ 55
39. A Pilot in Pakistan ≡ 56
40. Under African Sky ≡ 57

≡ PART V ≡ THERE AND BACK ≡ 59 ≡
41. A Song for a Key ≡ 60
42. Ciocia Tonia ≡ 61
43. Asters ≡ 63
44. No Chicken ≡ 65
45. Hiding ≡ 67
46. Naming Names ≡ 68
47. The Coat ≡ 69
48. Short Legs ≡ 70
49. Standing Guard ≡ 71
50. The Way to School ≡ 72
51. Reverberations ≡ 73
52. Losing Irena ≡ 74

≡ PART VI ≡ WHAT REMAINS ≡ 75 ≡
53. The Lady with an Ermine ≡ 76
54. Language ≡ 78
55. The Prophet ≡ 80
56. Counting Traumas ≡ 82
57. Tatarak ≡ 83
58. An Exile's Blues ≡ 84
59. The Antidote ≡ 85
60. Soap Bubbles ≡ 87
61. The 23rd of July ≡ 88
62. Diamon Rain ≡ 90
63. Oh, Silver River ≡ 92

Family Album ≡ 93
About the Author ≡ 106
About this Book ≡ 107

Tuesday, February 23, 2021

"Today in the Forest" A New Book by Cindy Rinne and Toti O'Brien, February 2021

ISBN  978-1-945938-43-6 Color Paperback, 46 pages, $20

ISBN 978-1-945938-45-0 E-Book in PDF,  only on lulu.com, $10 

ISBN 978-1-945938-44-3  EBook in e-Pub, Barnes & Noble, iTunes, etc. $10

Moonrise Press announces the publication of "Today in the Forest," a mysterious and inspired poetry and art book that will stir your imagination. This gem of a book has been created by Cindy Rinne, poet and fiber artist, and Toti O'Brien, artist, musician, and poet, with Cindy's poems and Toti's images in a delightful counterpoint of words and visions. 

The first reading is scheduled by Village Poets of Sunland-Tujunga on Zoom on Sunday, March 21, 2021 at 4:30 pm. To request a link email Maja Trochimczyk at maja@moonrisepress.com or Dorothy Skiles at dmhskiles@gmail.com. In addition to discussing her imagery and techniques, Toti ead some of her poems - since the book includes only poetry by Cindy Rinne. Two open mic sessions were available, before and after the feature presentation.  

Video recording of the reading on YouTube:https://youtu.be/7sZM8GSJJgU


ABOUT THIS BOOK

"I was mesmerized reading Today in the Forest. O’Brien and Rinne have created a luminous, mythical world inhabited by a Moon Goddess, wolf-people, and various imaginative delights. It is a world destroyed or horribly threatened, yet I felt protection, care, and survival here. Today in the Forest is a poetic journey illuminated with hope and memory."

   ~ Stacy Russo, author of Love Activism and We Were Going to Change the World


"As if in the forest all the problems of our world are being solved under the bark of trees, in an unseen parallel world, a precise and healing mythology is acted out by half human half visionary figures. Here, illustrated with powerful hand by someone who has been there, and witnessed, Toti O'Brien as master-artist, embodies the magical words of storyteller Cindy Rinne whose characters, her intimates, have allowed her to share their secrets at work.
       Cindy has recorded and given us a magic scroll. Toti has drawn and given us the map. "She sees the sand bottom and tries to hold the tree's shadow. A murmur gurgles as golden rocks beckon her to climb." ~ Cindy Rinne
       We need to be here for hope." 

    ~ Kath Abela Wilson, leader of Poets on Site, author of  Figures of Humor and Strange Beauty (Glass Lyre Press, 2019)

ABOUT THE AUTHORS


Cindy Rinne creates fiber art and writes in San Bernardino, CA. Cindy is the author of several books: silence between drumbeats (Four Feathers Press), Letters Under Rock with Bory Thach, (Elyssar Press), and others. Her poetry appeared or is forthcoming: Anti-Heroin Chic, Verse-Virtual, LitGleam, and others, plus several anthologies. www.fiberverse.com


 Toti O’Brien’s mixed media have been exhibited in group and solo shows, in Europe and the US, since 1995. She has illustrated several children books and two memoirs. Her artwork is on the cover of several books and it was most recently featured in pethricor, Two Hawks, Arkana and Argo. More about her work can be found at http://totihan.net/index.html


TABLE OF CONTENTS

Poems by Cindy Rinne 
Images by Toti O’Brien

Part I – Moon Goddess

Anahita Speaks Today in the Forest 3
Today in the Forest                 
Presence / Absence                 
Anahita’s Horses                 6
Some Days Coral Mustang         7
Deep-Downness                         8
Deep-Downness                         9
Rain Stick                         10
Hollowed Plant                 11
At All Cost                         12
At All Cost                         13
Return from the Grave                 14
Beneath Quarter Moon         15
Crystalwind Vanishes and Finds a Map         16
After all these Years of Waiting         17
Food from Starshine                 18 
Decay                         19
Thinks of Her Family                 20

Part II – Crystalwind’s Family

The Elements                 23
Merger of Heartbeat and Bark                 24
Memories                         25
One Loop Left                26 
The Wolf Flower                         27 
Exposed Roots                         28 
Exposed Roots                 29 
Rings of Time                 30 
Azurite Knows Two Bodies         31
No Shortness of Breath                 32
Gentleness                         33
Sister Runs                         34
Murmurs                         35
Crystalwind Imagines Anahita                 36


Acknowledgements                 38
About the Authors                 39





Book Review by Michael Paul Hogan, in London Grip Poetry Review online, November 2022:

https://londongrip.co.uk/2022/11/london-grip-poetry-review-cindy-rinne

Is it possible to create a myth? Or should they evolve out of some remote and unrecorded past, only gaining the concrete legitimacy of words when they have been refined and expanded over centuries of oral transmutation? Does poetry represent a myth’s end in the sense that the myth is now completed? That it can no longer be told in many versions, but now must be read as a single unified work?

The genius of Cindy Rinne (greatly aided by the genius of her illustrator, Toti O’Brien) is that she has managed to sidestep these questions by not exactly creating a myth, but presenting us with the fragments of a myth, one that might have been developed orally then been crystallised by poets, but now resembles the shards of pottery and pieces of fresco from which an archaeologist might recreate the kingdom of Sparta or the city of Troy. The myth, she seems to say, has been forgotten, buried under a heap of modern imagery; from these fragments I now present to you, you must recreate the myth for yourself. [...]

Ultimately, Today in the Forest defies any kind of conventional revue. The text is like trying to negotiate an entirely blacked-out village by the occasional flash of lightning; the illustrations need to be seen to be appreciated; the effect of the combination of the two must, therefore, be taken on trust. I can only conclude by saying that Cindy Rinne and Toti O’Brien have between them created a small masterpiece. It deserves all the success I hope it achieves.

Thursday, February 4, 2021

Review of Toti O'Brien's "An Alphabet of Birds" by Mari Werner

 

Book Review by Mari Werner: An Alphabet of Birds by Toti O’Brien

Published in Poetry Letter No. 1, 2021, California State Poetry Society

Los Angeles: Moonrise Press, October 2020; 

http://www.moonrisepress.com/alphabet-of-birds.html

ISBN 978-1-945938-41-2, paperback, 184 pp, $15.00; 

ISBN 978-1-945938-42-9, ebook in ePub, $10.00

Preview by Quill and Parchment - New Books Announcement

http://quillandparchment.com/archives/Feb2021/vol236.html

In mindfulness meditation, the object of the practice is to be fully present in the moment. In Toti O’Brien’s prose collection, An Alphabet of Birds, the stories are told by a narrator who is keenly in the moment and acutely perceptive—so much so that the reading experience can become like a meditation. This is a prose collection but it’s difficult to nail down whether they’re stories, essays, or prose poems, fiction or creative non-fiction. And it isn’t necessary. These are literary pieces told through a rare and distinctive voice that slips effortlessly from the real to the surreal, and from the outer to the inner world. The details that bring a story to life and bring a universe into the mind of the reader are poured so naturally into the pages that it’s easy to forget one is reading.

The title of the piece, Five Senses, may be something of a representation of the character of the book— except that it turns out not to be limited to five. This particular piece is an intriguing exploration of the perceptions, influences, and decisions that shape or foreshadow the vectors of life from an early age. It begins with the inner story of a small child quenching her thirst for sense, experience, and understanding under the wise tutelage of her grandparents, or out on her own roaming orchards and wild ravines.


Her explorations and the expansion of her world come to life in full detail, but at the same time other senses are invoked in the reader, such as developing a love for the grandfather or feeling the apprehensive chill of another side of the child’s life. “Back in town with her parents, in winter, she’ll start school. When spring and the swallows will come she will return South, Grandma promises. Right. She begins waiting for spring without further ado.” 

The words are beautifully written without calling attention to themselves. They conjure another realm without particular regard for the confines of time and the standard definitions of how things work in the ‘real’ world. Most of the pieces are not linear, they ride conceptually in what flows like gliding down a river on a raft. 

O’Brien paints both the outer and the inner landscape in vivid detail. In Sunset Walk, the reason for the deep grieving taking place in the inner world of the walker is never revealed, but the grief is interwoven as the outer world plays in full color texture and motion. “And I long for every house, for every life I haven’t lived, feeling both its sweet promise and its irreparable loss.”

Parts of the book are humorous in a wry matter-of-fact way devoid of any self-conscious effort to make you laugh. For example, the squirrel contemplating an orange in Creation: “Judging by the gravity of its frown it must be debating large matters, either the original sin (the type of fruit makes no difference, all round juicy things work, temptation-wise) or else global issues such as climate change, inequality, resource shortage…” Or in Darwin where the reader enters a place in which everyone knows a bird doesn’t fly. “It can’t for a crucial reason, a deal-breaker. Such a feat would take lots of oxygen, and birds talk too much. In fact, they never stop. That is why fish fly, dear, fish only. Because they shut up.” One may be left wondering if other assumptions about the structures of reality have evaporated too. 

TOTI O'BRIEN

The pieces, even the humorous ones, are philosophical, but never by way of bringing messages tied up in packages. The narrating voice is deeply inquisitive and observant, not just of physical perceptions and the inner emotional realm, but also of the world at large, the universe, the perennial questions related to being a human on Earth. It raises questions, opens doors, explores ideas—such as this from the first-person piece, September, as the narrator listens to Beethoven’s Choral Fantasy: “Quite a simple message. Sursum corda, be brave, never give up. Isn’t it what Beethoven always intends? He did. The man is long dead. But his notes are resounding against my bones, striking my membranes. They vibrate through my throat, echo within my ears. The composer is dead, but he’s not…I know it is common sense. Still, how common is that? What outlives the body, where, why?”

Though this work visits many different emotions and situations, overall, it provides a collection of clear windows into colors, tastes, textures and music of life that are there to be experienced—if you’re paying attention. This is gifted writing that deserves a broad readership and critical attention.

~ Mari Werner, Claremont, CA


Published in California State Poetry Society's "Poetry Letter," no. 1, 2021, in PDF format and on CSPS Blog: https://www.californiastatepoetrysociety.com/2021/02/poetry-letter-no-1-2021-reviews-of.html

Tuesday, February 2, 2021

Margaret Saine - Poet of "Lit Angels" and Gardens of the Earth"

 Margaret and Maja at Maja's Photography Exhibit, 2018.

Margaret Saine, author of two books published by Moonrise Press, "Lit Angels" and "Gardens of the Earth: According to Nature", has recently retired from her decades of volunteer work for the California State Poetry Society.  The "Poetry Letter" No. 1, 2021, included the following in appreciation of her selfless service: 

"After 18 years of service to CSPS as California Quarterly Editor, Secretary/Historian and Poetry Letter Editor, Margaret Saine decided to step down and focus on her own poetry. As her replacement as Poetry Letter Editor and CSPS President, I am especially grateful that she introduced me to the CSPS. Margaret’s contributions to our Society are immeasurable. To me, she is the embodiment of extensive, expert knowledge of all the arts (poetry, literature, painting, sculpture, and architecture), as well as languages, and history. I admire her deep, unyielding love of poetry in as many languages as can be brought together for the cause of peace and coexistence without violence, without wars – to seek beauty, inspiration and appreciation of the world as is, in all its darkness and light, in all its riches. 

Cover of the California Quarterly 46 no. 1 edited by Margaret Saine. 
 

She writes and publishes poetry in English, her native German, as well as French, Italian and Spanish. She translates an international group of poets, giving them a space to share their insights. As a photographer, she depicts the world in motion - blurry, misty, ambiguous, yet enticing with mysterious patterns. Her erudite, thoughtful and passionate poems reflect her keen attention to detail, ability to see the large picture, find wisdom in nature and art. I am glad my Moonrise Press published Margaret’s two poetry books, Lit Angels (2016) and Garden of the Earth: According to Nature (2018). I am profoundly grateful for all the gifts Margaret brought to my life – richness of vivid language, sharp focus on quality of words expressing a thought or impression clearly and succinctly.  

John F. Harrell, CSPS Past President and Editor, current Treasurer and Webmaster, writes: “My years with Margaret spanned three decades or so, from Board meetings and poetry readings at Jerry Palley's place in Irvine all the way through to our last drive up to your place in Sunland for a Board meeting. I never have to guess at what she thinks. I like the fact that she can be brutally honest, but that the quality of the art and the writing is always her first concern. During the eight years I was responsible for publishing the CQ, she came up to Yorba Linda from her home in Orange as often as she could--she was frequently not just out of town, but out of the country—to help assemble the quarterly packages for mailing. She volunteered to help because she thought doing the work alone would be ‘depressing" for me. I enjoyed sharing the time with her, as our conversations often ranged over a wide landscape of interests. I didn't discuss rocket science with her, but almost everything else—and even when we had to agree to disagree. She is a longtime and lovely friend, truly a Grand Dame of poesy and art.”

Cover of the California Quarterly 44 no. 4 edited by Margaret Saine (2018)

Alice Pero, CSPS Monthly Contest Chair writes: “I know Margaret as a wonderful poet, facile in several languages. Her translations have always come as fresh breezes through a rather stagnant world and we want to stop to listen to her poems. I feel as though she has taken the time to savor the love of words, while others rush through, unhearing and unseeing. Sorry to see her talents go from CSPS, just as I am getting more involved with the society." 

Gardens of the Earth by Margaret Saine

Ute Margaret Saine was born in Germany. After a Yale Ph.D. in French and Spanish, she taught languages, literature, and culture in California and Arizona, while writing and translating poetry in five languages. Since 1991, she has been a board member of the CSPS and a CQ editor since 1994. She also edited the CSPS Poetry Letter and served formerly as the CSPS Annual Contest Chair. Her poems have appeared in many journals here and abroad. She has published four books of poetry in English – Bodyscapes, Words of Art, Lit Angels and Gardens of the Earth – as well as six haiku chapbooks in five languages. Three books of poems and a Postwar childhood memoir appeared in Germany – Das Flüchtige bleibt (The Ephemeral Remains), Das Weite suchen (A Yen to Travel), Atem der Stille (The Breath of Silence), and Das ungeschickte Kind (Awkward Child). Searching for Bridges is a bilingual English-Arabic collection edited by poet and critic Nizar Sartawi. In 2020, Saine was nominated for the Pushcart Prize by Editors of the California Quarterly.

Lit Angels by Margaret Saine



Friday, December 25, 2020

New Year after the Winter Solstice: the End of Kali Yuga, the Start of the Age of Aquarius



We have passed through the eye of the needle, and emerged on the other side, victorious. Congratulations to all Lovers, Lightworkers, and People of Good Will! On December 21, 2020,  the planets Jupiter and Saturn entered into a conjunction that made their light appear as a bright Star of Bethlehem, last seen 800 years ago, and supposedly seen at  Christmas... 

This Winter Solstice also marks a monumental cosmic event: the old era of chaos and destruction ended. We entered into the glorious waters of the Age of Aquarius. We are on our trajectory to a Thousand Years of Peace. Or so, I read, and decided to believe. Why not? Much better vision of the future than the alternative... 

I celebrated this momentous transition with a new poem:




The Star of Christmas, The Way of Light


Jupiter and Saturn became one. Bright
orange gold merged with deep blue purple
into a diamond white Bethlehem star.
A solstice miracle.

We saw it through the telescope
in the neighbors’ driveway.

The cross on the hilltop is flooded with light.
A Christian beacon, a sea lantern on the shores
of receding darkness. The end of Kali Yuga,
the twisted age of chaos and destruction.

We look at it from the safety of our bed - 
limbs intertwined, after interstellar flights
through galaxies of affection.

The portal opens. The way back
irrevocably closes. From the Zero Point
of no return, we step into the Age of Aquarius.
my Winter Solstice poem comes to life. 

Togetherness, acceptance carry us
on ultraviolet waves into 
the ultramarine infinity 
of one true love.

Our ascent is punctuated by bursts
of belly laughter, flavored 
with the sweetness of winter tangerines, 
dissolving into the pure intensity 
of childlike joy - rediscovered 
at the threshold of the Golden Age, 
embroidered on the fabric
of the Thousand Years of Peace. 

(C) December  21 2020  by Maja Trochimczyk

Well, technically speaking we are still deep within the Kali Yuga that lasts for 432,000 years, has begun 5,121 years ago and will end in the year 428,899. But we can end it sooner in our own lives if we want to bring peace, prosperity, happiness, kindness, gratitude, love and light into this world, ourselves and all around us... 

According to  the ancient prophecies of Srimad Bhagavata Purana, the last avatar of Lord Vishnu will descend as Kalki to destroy the effects of Kali and Satya Yuga will begin. There are four eras starting from the Golden Age, Satya Yuga, followed by Treta, Dvapara, and Kali Yugas. As we have seen so far, during the Kali Yuga, "religion, truthfulness, cleanliness, tolerance, mercy, duration of life, physical strength and memory will all diminish day by day" and "wealth alone will be considered the sign of a man’s good birth, proper behavior and fine qualities. And law and justice will be applied only on the basis of one’s power." In contrast, in Satya Yuga, the age of goodness, all virtues will triumph and people will live long, in peace and happiness. https://vedicfeed.com/the-symptoms-of-kaliyuga-ancient-hindu-predictions/

As for the Age of the Aquarius, it follows the Age of Pisces, or Christian Fish, and some say will start in 2024, while others claim it already started in 1957, or in 2000. In the hippie musical "Hair" there is a song celebrating its arrival. It all has to do with the "precession of the equinoxes" an astronomical phenomenon caused by the curious rotation of the Earth with its axis at an angle; while going through the 12 signs of the Zodiac during 25,868 years, it stays in each sign for 2,155.67 years. If the Age of the Pisces started in the year 1 of our times, we still have 135.67 years to go... In other words, nobody knows anything...

The most important news is the most timeless. Whether in this age or the next, whether at Christmas alone or with family, we are a rain of diamond light on this planet. Let's shine! 



A Diamond Miracle


I live on a planet

where it rains diamonds

on red-gold leaves of myrtle tree

under the azure – sky so alive that it breathes

and vibrates in the distance.

 

Look up! See the cosmic sigh?

 

I live on a planet

where it rains diamonds.

Water droplets shine in sunlight

scattered on pine needles and broad leaves

of the bird of paradise, stretching, stretching,

growing until orange blossoms alight amidst the foliage

like a flock of birds, copper flames in jade.

 

On my planet, western bluebirds,

Finches, and doves drink from the fountain.

They fly away when the scrub jay comes to take a bath,

dip his head into the crystal pool and shake diamond droplets

down his back.

 

On my planet, hummingbirds hum

suspended in the air by red hibiscus flowers.

Mockingbirds mock the tune of my alarm clock

at four a.m. and sing the songs of red wing blackbirds

that pass through on the way to Mexico or Canada

resting in the garden, then moving on.

 

My planet, where it rains diamonds,

breathes and vibrates with wave after wave

of energy that spins into life forms, growing, decaying,

returning – the endless ocean of live diamonds

that multiply and sparkle in the sun.

 

Would you like to be a diamond with me?

 

(C) November 2020 by Maja Trochimczyk




Happy New Year of Peace, Prosperity and Diamond Light! 





Sunday, December 6, 2020

2021 Pushcart Prize Nominations from "We Are Here: Village Poets Anthology"


Moonrise Press is pleased to inform you that the editors of "We Are Here: Village Poets Anthology" - Maja Trochimczyk and Marlene Hitt - nominated to the Pushcart Prize 2021 the following poems included in the anthology:  

  • Sharon Alexander, “Wheatfield with Crows” -p.8
  • Katerina Canyon, “Feet” -p. 171
  • Joe DeCenzo, “Conversing with Shadows” p. 181
  • Georgia Jones Davis, “Monumental Dog” – p. 63
  • Rick Lupert, “Heat” – p. 87
  • Mariano Zaro, “Synapse” – p. 157

Given the choice of 80 poets included in the anthology and the incredibly high artistic level of all their creations, the editor decided to follow their hearts and select poems that "resonated" with their personal artistic preferences, and represented the diversity of poems and poets in the volume.  Congratulations to all nominated poets! 

Marlene Hitt writes about her choices: "No one knows whether a poem is 'good.' The response of the reader is the important judgement. I chose Wheatfield With Crows because, at first, I was reminded, with emotion, of my own father's death. Upon reading I found enjoyment the dreamlike inward journey of the author. Sharon Alexander's language is more than pleasing and her images inspiring. Rick Lupert in Heat brings the reader into his world on a hot, hot day as he exaggerates a bit, then teases and pleases us as with a tall tale. Joe DeCenzo, with Conversing With the Shadows points toward the mystery of one woman' state of frailty in a memoir of her life as it has encapsulized in her failing memory as that memory then failed. It renders a kind and loving tribute to all life as it begins to end.  Poetry is for the poet, yes, but more for the reader and the connection of thought and emotion between the two. A poem speaks to each person with the beauty and passion which only words can do."

Maja Trochimczyk explains her selections: "I was really perplexed about the nominations from our anthology. I know it is a service to poets, and should be done, but in We Are Here there are so many amazing poems by incredibly talented poets that I was at a loss, wondering, what to do? In poetry, I am not interested in competitions and awards, but rather in expressing the infinity of human experience. When Marlene sent me her three titles, I realized I could simply pick poems that I love and that resonate with me at this particular time. I've always loved Georgia Jones Davis's Monumental Dog - the compassion for the hapless animal, sent by her trusted caretaker into the orbit, to certain death; the vivid portrait of a communist country, where life is not valued at all. I'm from Poland and I remember stories about this dog on our national news; though, back then, nobody eulogized her sacrifice. There was just praise for the technological triumph of Soviets over Americans in the space race... Katerina Canyon's Feet is another perennial favorite, perhaps because my Mom had not washed my feet like that, and neither did I wash hers. There was something profoundly amiss in our relationship that I only understood after my Mom died and I found my desperate letters to her written when I was six years old. I learned to write in order to tell her how much I loved her when she abandoned us for some mysterious lover and was gone for almost two years. I completely blocked that memory and I only know it happened because I now have those letters. I guess it was through the longing of an abandoned child that found such intense beauty in filial love and devotion, captured so vividly by Canyon. Finally, Mariano Zaro's Synapse about the poignant last days of his father, expertly weaves personal emotion with scientific descriptions of the mystery of the brain at the end of life." 

Village Poets at the Passing of the Laurels Ceremony in 2017.

ABOUT THE ANTHOLOGY

Edited by Marlene Hitt and Maja Trochimczyk, and entitled We Are Here: Village Poetry Anthology, this collection celebrates the 10th anniversary of Village Poets Monthly Poetry Readings. The volume presents 80 poets featured during the monthly readings at Bolton Hall Museum in Tujunga, CA as well as the group of current and former Poets Laureate of Sunland-Tujunga who organize the readings. 
 
 In addition to its home base at the Bolton Hall Museum, the Village Poets have also had occasional visits to the McGroarty Arts Center, the former home of the California Poet-Laureate in 1933-1944, John Steven McGroarty. His Poet-Laureate title inspired the local Poet-Laureate program, established in 1999. The anthology's editors are both former Poets-Laureate of SunlandTujunga: Marlene Hitt was the First, in 1999-2001 and Dr. Maja Trochimczyk served as the Sixth in 2010-2012 when the readings were initiated.  

The volume includes work by: 15 Poets Laureate from California; 20 Pushcart Prize nominees – Accardi, Askew, Byrne, Canyon, Collins, Dobreer, Dove, Ford, Fancher, Luza,  Leland-St. John, O’Brien, Jones, Pero, Reyna, Rinne, Rogers, Rummel, Skiles, and Terzi; 12 current and former college professors – Campbell, Kirby, Dove, Lipkin, Lummis,  Peterson, Rummel, Rizk, Talwar, Trochimczyk, Saine, and Zaro; and eight poets with doctoral degrees – Dove, Lipkin, Mataric, Meyer (honorary), Peterson, Reyna, Saine, and Trochimczyk. Poets from the states of California, Illinois, New York, New Mexico, Texas, and Washington are represented along with those who have roots in 18 different countries: Argentina, Armenia, Chile, China, Cuba, Czech Republic, France, Germany, India, Italy, Japan, Mexico, Poland, Portugal, Serbia, the U.K., the U.S. and Vietnam.    

The colorful cover, designed by Maja Trochimczyk, features artwork by Polish American poet and painter, Andrew Kolo, who appeared at the readings to present both his art and his poetry. The painting, entitled “Landscape with the Palm Tree” (oil on canvas), is a mosaic of vivid, saturated colors, contrasting, yet somehow in harmony with each other. This is a great metaphor for a poetry reading filled with numerous, distinct poetic voices.  

The book consists of two parts: Guests and Featured Poets, represented by 1-3 poems each; and PoetsLaureate, with 10 local poets, represented by 6-8 poems each. A list of Village Poets Readings, a brief history of the program, and biographies of the poets are included as well. The 290-page anthology is published in two versions, as a paperback and an e-book in ePub format.  moonrisepress.com/village-poets-anthology.html 
 


ABOUT PUSHCART PRIZE XLV

Edited by Bill Henderson, with the Pushcart Prize Editors, "the 45th edition of the most celebrated literary series in America, Pushcart Prize XLV is continuing evidence that much of today’s vibrant writing appears only in small journals and book presses. The series has been selected for Publishers Weekly Carey Thomas Award, the National Book Critics Circle Ivan Sandrof citation, and the Poets and Writers/Barnes and Noble “Writers For Writers” award among others.  The current issue includes 70 authors from more than 50 presses, selected from the nominations of 220 distinguished Contributing Editors and 800 participating presses."


SHARON ALEXANDER - Nominated for "Wheatfield with Crows"

SHARON ALEXANDER recently relocated to Benissa Costa, Spain overlooking the Mediterranean Sea. Her chapbook, Instructions in My Absence, won first place in the Palettes & Quills 5th Biennial Chapbook Contest and was released May 2017. Voodoo Trombone, Sharon’s previous chapbook, was published by Finishing Line Press, 2014. Her poetry appears in several publications including Barbaric Yawp; Caliban On-line; Idyllwild Life Magazine; Naugatuck River Review; Pearl; Pinyon; Redheaded Stepchild; Santa Ana River Review; Slipstream; Subprimal Poetry Art; and Tiger’s Eye. You can also find her work in the following anthologies: Beyond the Lyric Moment (Tebot Bach, 2014); In the News (The Poetry Box, Summer 2018); Poeming Pigeons (The Poetry Box, 2015); and Spectrum: 140 SoCal Poets ( 2015). 



KATERINA CANYON -  Nominated for "Feet"

KATERINA CANYON is a 2020 Pushcart Prize Nominee. Her stories have been published in New York Times and Huffington Post. From 2000 to 2003, she served as the Poet Laureate of Sunland-Tujunga. During that time, she started a poetry festival called “Shouting Coyote Poetry Festival” and ran several poetry readings. She was featured in the Los Angeles Times and was awarded the Montesi Award from Saint Louis University in 2011, 2012, and 2013. She has published multiple chapbooks and an album. Her recent books include Changing the Lines, a volume of poetry, and Los Angeles Nomad, a novel.  She hosts weekly readings on Zoom, called Canyon Poets. You can find more information about her on her website, poetickat.com. 


JOE DECENZO -  Nominated for "Conversing with Shadows"

JOE DECENZO grew up in Los Angeles and majored in theater and English Literature.  From 2004-06 he served as the poet laureate of Sunland-Tujunga. He produced  the  “Shouting   Coyote” Performing   Arts Festival and was a Department of Cultural Affairs grant recipient. His published works include The Ballad of Alley and Hawk and the Study Guide and Poetry Primer for the same collection. His poetry appeared also in Meditations on Divine Names anthology (Moonrise Press, 2012). He currently serves on the planning committee for the Village Poets of Sunland-Tujunga, as Chair of the Poet Laureate Search Committee, and as Chair of the Arts and Recreation Committee of the Sunland-Tujunga Neighborhood Council.


GEORGIA JONES DAVIS - Nominated for "Monumental Dog"

GEORGIA JONES-DAVIS grew up in Northern New Mexico and Southern California. A former Los Angeles Herald Examiner editor, Los Angeles Times Assistant Book Editor and former free-lance journalist, Georgia’s poetry has appeared in various publications including West Wind, The California Quarterly, Brevities, The Bicycle Review, Nebo, Eclipse, poethicdiversity, Ascend Aspiration and South Bank Poetry, London. She served as a board member of Valley Contemporary Poets for three years.  Georgia was honored as one of the 2010 Newer Poets by the Los Angeles Poetry Festival and the Los Angeles Public Library ALOUD series. She is the author of two chapbooks, Blue Poodle (2011)  and Night School (2015), by Finishing Line Press. 


RICK LUPERT - Nominated for "Heat"

RICK LUPERT has been involved in the Los Angeles poetry community since 1990. He served for two years as a co-director of the Valley Contemporary Poets. He created the Poetry Super Highway ( http://poetrysuperhighway.com ) and hosted the Cobalt Cafe reading for almost 21 years. He’s authored 25 collections of poetry, including “God Wrestler” and “ The Tokyo-Van Nuys Express!”, and edited  “A Poet’s Siddur”, “A Poet’ s Haggadah”, the Noir anthology “ The Night Goes on All Night.” and “Ekphrastia Gone Wild” under his imprint Ain’t Got No Press. His poetry has appeared in numerous magazines and literary journals, including The Los Angeles Times, Rattle, Chiron Review, Zuzu’s Petals, Caffeine Magazine, Blue Satellite and others. He edited A Poet’s Haggadah: Passover through the Eyes of Poets anthology and is the author of thirteen books: Sinzibuckwud!, We Put Things In Our Mouths, Paris: It’s The Cheese, I Am My Own Orange County, Mowing Fargo, I’m a Jew. Are You?, Feeding Holy Cats, Stolen Mummies, I’d Like to Bake Your Goods, A Man With No Teeth Serves Us Breakfast (Ain’t Got No Press), Lizard King of the Laundromat, Brendan Constantine is My Kind of Town (Inevitable Press) and Up Liberty’s Skirt (Cassowary Press). . He is regularly featured at venues throughout Southern California and works as a music teacher and graphic designer for anyone who would like to help pay his mortgage.


MARIANO ZARO - Nominated for "Synapse"

MARIANO ZARO is the author of six books of poetry, most recently Decoding Sparrows (What Books Press, Los Angeles, CA) and Padre Tierra (Olifante, Zaragoza, Spain). His poems have been published in anthologies and literary journals in USA, Mexico and Spain. His translations into Spanish include Poemas de las Misiones de California by Philomene Long, Buda en llamas by Tony Barnstone and Cómo escribir una canción de amor by Sholeh Wolpé. He is the winner of the 2004 Roanoke Review Short Fiction Prize and the 2018 Martha’s Vineyard Institute of Creative Writing Short Fiction Prize. Since 2010, he has been hosting a series of video-interviews with prominent American poets as part of the literary project Poetry.LA. (More information here: www.Poetry.LA). He is a professor of Spanish at Rio Hondo Community College (Whittier, California).  Website: www.marianozaro.com.