Showing posts with label Gardens of the Earth. Show all posts
Showing posts with label Gardens of the Earth. Show all posts

Saturday, March 30, 2019

"Grateful Conversations" in Ventura on April 4, 2019 and 2018 Moonrise Press Bestsellers in 2018

Poets featured in the "Grateful Conversations" anthology can be heard reading their work this week on Thursday, April 4, 2019 at 7:30 pm at the Foster Library in Ventura  (651 E. Main Street, Ventura, CA) in a reading series hosted by Phil Taggart.  Kathi Stafford, Sonya Sabanac, Lois P. Jones, and Ambika Talwar will be there and books will be available as well.



Grateful Conversations: A Poetry Anthology 
Edited by Maja Trochimczyk and Kathi Stafford
Paperback, 280 pp., black/white illustrations, 
  ISBN  978-1-945938-22-1  ($24.80)
Color Paperback, 280 pages with color illustration
  ISBN 978-1-945938-24-5  ($98.00)
E-Book in EPUB format with color illustrations 
 ISBN 978-1-945938-23-8 ($10.00)

The ebook with color photos is available from kobo.com
https://www.kobo.com/my/en/ebook/grateful-conversations-a-poetry-anthology

You can read the editors' introduction with the table of contents on Moonrise Press Blog http://moonrisepress.blogspot.com/2018/05/grateful-conversations-poetry-anthology.html 

A sample poems can be found on this blog: 

Kathi Stafford, Susan Rogers, Sonya Sabanac and Lois P. Jones at the anthology reading in Ventura.


MOONRISE PRESS BESTSELLERS IN 2018

Moonrise Press sold 334 books in 2018, with three poetry bestsellers - "Grateful Conversations" in the top position with over 100 copies sold, followed closely by "The Desert Hat" by Ed Rosenthal with over 60 copies, and "Gardens of the Earth: According to Nature" by Margaret Saine, with over 40 copies.  Congratulations to the poets! 


The Desert Hat by Ed Rosenthal


Published in October 2013, in paperback and e-book formats.
ISBN 978-09819693-7-4, paperback, 74 pages, $15.00

ISBN 978-098-19693-9-8, e-book in e-Pub format, 1.2 MB, $10.00

The “poet-broker” Ed Rosenthal was inspired by surviving alone in the Mojave Desert for six and a half days. The lyrical result of his ordeal, "The Desert Hat," consist of 36 poems illustrated with 12 photographs of his hat and Salvation Canyon where he spent most of his time. Rosenthal’s poetry does not recount his experience in detail; it is not replete with maps, photographs, and a day-by-day account of his adventures. Instead, we gain an insight into what it means to be truly lost and found, to survive the strangest of desert nights and return to the heart of the city… with a newly found wisdom and zest for life. With an introduction by Ruth Nolan and photos by Maja Trochimczyk, and Ken and Wendy Sims. For more information visit a post about this book on the Moonrise Press Blog.
ABOUT THIS BOOK
Ed Rosenthal’s The Desert Hat not only recounts an incredibly vivid story of survival, but maps out the dangerous journeys of the heart and the imagination in that hallucinatory place between mind and body, between nature and man, between the past and the future. Like poet James Wright, Rosenthal ”goes/ Back to the broken ground” of the self and finds a stranger there trapped in the cosmology of an endless, unpitying desert. As the stark “sun burns holes/ into the sky” the psyche’s true-north compass finds salvation’s shade. Rosenthal climbed out of “the busted monster’s mouth” with a beautiful, moving book.   
     ~ Elena Karina Byrne,  Executive Director of AVK Arts 
In "The Desert Hat," Los Angeles poet/real estate broker Ed Rosenthal presents the mythopoetic journey through his real-life experience of being lost for 6 days in remote canyons of the Mojave Desert's Joshua Tree National Park in September, 2010. "The Desert Hat" delves deeply into the wildest and unpredictable heart of the Mojave into a storied landscape that Rosenthal renders as both recognizable to the reader and also deeply specific to his solitary and unanticipated experience, and in these poems, creates an empathetic and spiritually-affirming desert landscape that resonates within all of our desert hearts.   
~ Ruth Nolan,  Professor of English @ College of the Desert 

Gardens of the Earth by Margaret Saine

Published in September 2018 in BW and color paperback formats, 
as well as an ebook, in E-Pub format. 
ISBN 978-1-945938-25-2 (paperback), $18.00

More information: http://moonrisepress.blogspot.com/2018/09/announcing-new-poetry-volume-by.html​.  

"Gardens of the Earth: According to Nature" by Margaret Saine is a poetic exploration of nature tamed and shaped by humans, nature that in turn shapes the gardeners and gives them a purpose, a cause for action, and a reason for reflection.  Saine's inspired trip to the garden includes the seasons, rain and sunlight, multi-colored blossoms, and lots of birds. She shares her delight in gardens and gardening with a host of contemporary poets and friends and the renowned gardeners of the past. The book includes a separate section on trees, and is richly illustrated by Saine's own photographs, with the characteristic interplay of light and shadow, clouds and mists. Certain poems are translated into French, German, and Italian. 

ABOUT THIS BOOK
Gardens, as always in poetry, are pretexts. In this new book, Margaret Saine attempts to reveal to us, simply and purely, their mystery. Nature and poetry are unified in a symbiotic song of life. “Gardens of the Earth” is a peaceful symphony of beauty that pulses with the chords of human existence: the garden as metaphor of our condition of transient beings on this earth.      ~ Eliécer Almaguer

The growing of plants, their enticing being explained by a kind gardener aunt to a lonely girl. Plants, flowers, paragons of life, as recipients and keepers of personal memories. Plants, trees of the world, here seen with the oceans, as giving breath, oxygen, to human beings. And plants, reciprocally breathing the carbon dioxide humans exhale: a true terrestrial symbiosis.       ~ Sibilla De’Salici

When the trees forget /that I am there/ have truly arrived/ in their midst, says Margaret Saine.  And so I felt, reading Saine’s latest book, “Gardens of Earth”, that I had arrived in the midst of poems, as unselfconscious as the trees she inhabits. How does a poet bring a reader into the middle of gardens without becoming precious or mundane?  Saine invites us with her natural rhythm, color and the interweaving of several languages, enveloping us completely in beauty before we know what has happened to us. The poet reminds us that we are spirits, that this garden, as she says, is our entrance into matter, l’entrata in materia. If paintings could be poems or poems paintings, this book would be the avatar.
        ~ Alice Pero, author of “Thawed Stars”, founder of Moonday Reading Series  and Windsong Players Chamber Ensemble


Margaret Saine’s Gardens of the Earth is an exceptional exploration of gardens not only as a small patch of land that bring gardeners peace, but as part of a larger biosphere, connected forever to the larger world. She might start in a plot of land on the earth, but her poetry reaches out to discuss the atmosphere, an encroaching urban world, and life and death itself. Her microcosm explores the macrocosm of this world.
 ~ John Brantingham, Professor of English, Mount San Antonio College

Monday, September 3, 2018

Announcing New Poetry Volume by Margaret Saine, Gardens of the Earth: According to Nature


Moonrise Press is pleased to announce its newest poetry collection, Gardens of the Earth: According to Nature, by Margaret Saine (September 2018).  This exploration of nature tamed and shaped by humans, nature that in turn shapes the gardeners and gives them a purpose, a cause for action, and a reason for reflection.  Saine's trip to the garden includes the seasons, rain and sunlight, and lots of birds. She shares her delight in gardens and gardening with a host of her contemporary poets and friends and the renowned gardeners of the past. The book includes a separate section on trees, and is richly illustrated by Saine's own photographs, with the characteristic interplay of light and shadow, water, clouds and mists.

ISBN 978-1-945938-25-2 (paperback), $18.00
ISBN 978-1-945938-26-9 (color  paperback), $40.00
ISBN 978-1-945938-27-6 (ebook in ePub format)​, in preparation




ABOUT THE POET

Margaret Saine lives in Los Angeles. After a doctorate in French from Yale, she taught Spanish at universities in California and Arizona. She writes poetry, haiku, and short stories in five languages and also translates other poets. Her books are Bodyscapes,Words of Art, Lit Angels (Moonrise Press, 2017), and five haiku chapbooks.


Poetry manuscripts ready for publication include The Five Senses, Reading Your Lips,Words of Winter, and While Alive, as well as Paesaggi che respirano [Breathing Landscapes], to be published in Italy. She has recently completed As You Were Saying, a dialogue with American poet William Carlos Williams.





FROM THE INTRODUCTION BY MARGARET SAINE

ACCORDING TO NATURE



Gardens. All humans love gardens. They exemplify human well-being in nature, a nature made by plants that is evidently joyful and at ease, and eminently pleasing to the eye. My title may be ambiguous to some, those who perceive gardens as cultivated alone, and nature would then be the antithesis.But I want to stress gardens as the synthesis they are, of ambient nature and of human nature.  Gardens represent a nature cultivated and beautified to human tastes, they are nature on a human scale, in a human measure. 


But one learns with regret that gardens don’t last forever. First they grow and are arranged, with large empty spaces still in between small growing plants and trees; then they have their heyday; but soon they may almost imperceptibly fall into neglect and alteration. They may go wild, haywire, go to seed, during one of those long trips one takes, or they may be downright abolished by others, the authority. Bulldozed, paved over.


[...]


My garden is my sky lab, made up of star dust. It is an adventure that does not entirely depend on me, but has its own—always surprising—dynamic. After I set it up, give it the basics, it begins to follow its own rules and laws and continues to surprise me. Each interference by me—ripping out and putting in, weeding, pruning and shaping, coaxing and tying up, lowering and stretching—is minor compared to what looks like the garden’s own will, and which is none other than the interaction of all elements of this ambience according to nature. Including the plants themselves, who affect other plants and the environment, and are affected by them in return.


I like it when my garden does so much better than I had thought, or at least when it does unexpected things, in an intriguing, overall good way. But when the emperor vine or morning glory, which blooms on its white shelf when I wake up, begins winding across the stone path like a snake and crawling over other plants and strangling them, I have to interfere and strangle the strangler, so to speak, limiting her to her place.


I live, we live, on this earth. Flowers are a gift, they seek and elicit beauty in us and from us. Gardens are always “according to nature,” environmental nature as well as human. There are no human beings who don’t like gardens. And all gardens like and welcome humans.  After all, we and the plants are each other’s fondest breath.

                                                                                                            ~ Margaret Saine



ABOUT THIS BOOK


“All humans love gardens.” With this observation Margaret Saine shares her lifetime of poems about plants. The beauty of flowers is what ties us to the earth, here turned into poetry, with our gratitude.
                                                                                                     ~ Agnes Rosenblüth


Gardens, as always in poetry, are pretexts. In this new book, Margaret Saine attempts to reveal to us, simply and purely, their mystery. Nature and poetry are unified in a symbiotic song of life. “Gardens of the Earth” is a peaceful symphony of beauty that pulses with the chords of human existence: the garden as metaphor of our condition of transient beings on this earth.
                                                                                                             ~ Eliécer Almaguer


The growing of plants, their enticing being explained by a kind gardener aunt to a lonely girl. Plants, flowers, paragons of life, as recipients and keepers of personal memories. Plants, trees of the world, here seen with the oceans, as giving breath, oxygen, to human beings. And plants, reciprocally breathing the carbon dioxide humans exhale: a true terrestrial symbiosis.
                                                                                                              ~ Sibilla De’Salici

When the trees forget /that I am there/
I have truly arrived/ in their midst, says Margaret Saine.  And so I felt, reading Saine’s latest book, “Gardens of Earth”, that I had arrived in the midst of poems, as unselfconscious as the trees she inhabits. How does a poet bring a reader into the middle of gardens without becoming precious or mundane?  Saine invites us with her natural rhythm, color and the interweaving of several languages, enveloping us completely in beauty before we know what has happened to us. The poet reminds us that we are spirits, that this garden, as she says, is our entrance into matter, l’entrata in materia. If paintings could be poems or poems paintings, this book would be the avatar.
                                    ~ Alice Pero, author of “Thawed Stars”, founder of Moonday Reading 
                                        Series  and Windsong Players Chamber Ensemble


Margaret Saine’s Gardens of the Earth is an exceptional exploration of gardens not only as a small patch of land that bring gardeners peace, but as part of a larger biosphere, connected forever to the larger world. She might start in a plot of land on the earth, but her poetry reaches out to discuss the atmosphere, an encroaching urban world, and life and death itself. Her microcosm explores the macrocosm of this world.
                                                                                                              ~ John Brantingham




TABLE OF CONTENTS



According to Nature               ix

Garden  3
Playing with Shadows 5
The Bird  7
Midwinter Early Spring 8
Planten un Blomen  9
Cactus  10
Heads or Tail  11
After the Monsoon   12
Dopo il Monson    14
Wind  15
Once Upon a Wind   16
January Rose   18
Garden Borders  19
Carnation  20
Clouds   #1  21
Clouds   #2  22
Clouds   #3  22
Lifetime Guarantee 24
Garden Sketch 25
Forest for the Trees  26
Short Poems 27
Bearded Iris   28
Birds  29
Bird of Paradise 30
Herbstzeitlose~~~Colchicum 32
Philodendron  33
In the Winter Garden  34
Narcissa  36
Narcissus by Caravaggio #2 38
Rose   40
Climbing Rose  42
Peony 43
Black Pansies and Forget-me-nots   44
Transporting the Euphorbia  45
Daylilies Daily  46
Pollination 48
River Voices  49

NINE TREE POEMS 50
Ginko 51
Wind in the Pepper Tree 52
The Fig Tree  53
The Ear Tree 55
Tree as a Book 56
Klimt’s Tree of Life 57
The Tree Outside  58
Tree  59

Amor sacro amor profano   61
In Each of Us 63
Life 64
Rose-Red Flower Woman  65
So Many  67
Random Light Spots of Time: An Almanach   69

About the Poet 77

Saine's previous book published by Moonrise Press was Lit Angeles, described on its website here, and available from lulu.com and from Amazon.com. 




LINKS TO LULU.COM
Paperback, ISBN  978-1-945938-02-3, $15.00
Color Paperback, ISBN 978-1-945938-04-7  , $35.00
EBook, Apple Books, iTunes, Nook, etc., ISBN 978-1-945938-05-4, $10.00

EBOOK ON KOBO: 
https://www.kobo.com/ph/en/ebook/lit-angels




Support independent publishing: Buy this book on Lulu.

About Saine's Lit Angels, on this blog:



And on Village Poets blog: